A fascinating tradition, the origin of the thousand-year-old copper coin head.
In Chinese opera culture, the appearance of copper coins is a unique artistic landscape. Although best known for the colorful dan horns on the opera stage, the copper coin head has become an iconic makeup look that cannot be ignored in Chinese opera culture. However, after the broadcast of the 2010 version of "Dream of New Red Mansions", the copper coin head became the object of the audience's complaints, a phenomenon that triggered in-depth thinking about its historical origin and artistic expression.
Artistic Heritage: The Evolution of Copper Coin Heads in Film and Television.
As early as 1993, in the movie "Green Snake" directed by Tsui Hark, Maggie Cheung and Wang Zuxian played Xiaoqing and Bai Suzhen used the makeup of copper coins. However, unlike the later acclaimed "Green Snake", "Dream of New Red Mansions" suffered criticism from the audience.
Analysis and criticism: the misuse of the copper coin head of "Dream of New Red Mansions".
To understand this criticism, we analyze it from three aspects. First of all, by studying the historical origin and development of copper coins, we can better understand their roots in opera culture. Secondly, through the analysis of the shape of the copper coin head in "Green Snake", we can get a glimpse of the fit between the external form and the inner meaning, and why it is successful in this film. Finally, through the analysis of the use of copper coins in Dream of the Red Chamber, we can reveal the mismatch in its understanding with the original Dream of the Red Chamber, and thus explain why this shape has aroused the audience's disgust.
Historical Exploration: The Evolution of Copper Coin Heads.
Regarding the origin of the copper coin head, the yellow makeup of the maid depicted in Yang Zihua's "Northern Qi School Book Map" provides us with a hairstyle similar to the copper coin head. This type of makeup was popular during the Northern and Southern Dynasties, where women imitated the makeup of temple statues and applied a faint yellow or white to their foreheads. At the same time, the Yunjian Qiao forehead in the late Northern Song Dynasty also provided the basis for the makeup of copper coins in later operas.
However, there is a significant difference between the copper coin head in the opera and the real-life "yellow makeup" and "cloudy tip clever forehead". Opera requires exaggerated styling to express the identity and style of the characters, while real-life makeup is more subtle. The exaggerated form of the copper coin head is to modify the face shape of the skewering man on the stage, so that it presents the image of handsome eyes and eyebrows.
In opera, the term "copper coin" actually refers to the hard ** or water sideburns used by opera actors on stage, in order to modify the man's face shape and highlight the makeup characteristics of Danjiao.
The success of the copper coin head in film and television: the artistic fit of "Green Snake".
In the movie "Green Snake", the use of copper coins is not simply copied, but reinterpreted through artistic techniques and concepts to make it fit with the theme of mythology. The makeup of the main characters, Maggie Cheung and Wang Zuxian, borrows from the Tsing Yi style of Peking Opera and the makeup of the opera, which is perfectly integrated with the overall style of the film. The four main characters in the film highlight the main elements in the styling design, forming a simplified and prominent picture style.
Importantly, the copper coin head in "Green Snake" is not static, but uses different hairstyles and makeup in different scenes to create a diverse atmosphere. This kind of external form fits the connotation of the film, which makes the overall look smooth and presents a visual aesthetic enjoyment.
Misuse of copper coins: The failure of "Dream of the New Red Chamber".
Compared with "Green Snake", the 2010 version of "Dream of New Red Mansions" suffered criticism from the audience for its copper coin head shape. The reason for this criticism is that the exaggeration and distortion of the copper coin head appear abrupt in the realist theme. The copper coin head is an opera makeup, which matches the stylized stage performance, and in the life-like expression of the TV series, it produces an obvious "jumping play" effect.
More importantly, the use of copper coins in "A Dream of Red Mansions" does not take into account the clear depiction of the character traits and faces of the characters in the original work. Compared with the 87 version of "Dream of Red Mansions", the characters in "New Dream of Red Mansions" are blurry and difficult for the audience to recognize.
Conclusion: Inheritance and innovation of art.
The artistic inheritance and innovation of copper coin heads have a unique form of expression in film and television works. By digging deeper into its historical origins, artistic expression, and use in different genres, we have a better understanding of the role of this traditional opera element in film and television art. In the makeup of the copper coin, there is not only a tribute to ancient culture, but also an innovation in artistic expression, which is the unique charm of Chinese opera culture.
The Beauty of Chinese Opera: The History and Artistic Expression of the Copper Coin Head" deeply analyzes the origin and evolution of the copper coin head in Chinese opera culture, and presents its successes and failures in different themes through a comparative analysis of the shape of the copper coin head in the movie "Green Snake" and the TV series "Dream of the Red Chamber".
First of all, the article starts from the historical origin of the copper coin head, traces its origin in the Northern and Southern Dynasties and the Song Dynasty's "Yunjian Clever Forehead", and emphasizes its exaggerated form in opera and the difference between it and real life. The analysis of this part provides the reader with a clear understanding of the origin of the copper coin head, so that we can better understand its evolution on the opera stage.
Secondly, through an in-depth analysis of the success of the copper coin head shape of the movie "Green Snake", the article reveals the ingenious fit between its external form and internal meaning. Through the reinterpretation of artistic techniques and concepts, the copper coin head is not only a presentation of traditional elements, but also a form of expression that fits with mythological themes. This summary of successful experience provides readers with useful inspiration for the use of traditional elements in film and television works.
However, the article also delved into the failure of the copper coin head shape in the TV series "Dream of New Red Mansions". Through comparative analysis, it is found that the use of copper coin heads in realistic themes is abrupt, and the misalignment with the character traits of the original characters leads to the audience's disgust with the modeling. This criticism makes us realize that we need to be cautious in the use of traditional elements in different genres, and not deviate from the original book and storyline, otherwise it will lead to the audience's discomfort with the film and television work.
Finally, the article cleverly summarizes the artistic inheritance and innovation of copper coins, and emphasizes its unique charm in film and television art. Through in-depth excavation of copper coin head makeup, readers have a more comprehensive understanding of the historical heritage of this traditional element and the way it is expressed in different art forms. At the same time, the conclusion of the article also calls for the combination of respect and innovation for traditional elements, so as to give them a new vitality in modern film and television.
Overall, this article presents readers with a picture of the integration and conflict of traditional culture in film and television art through the historical origin, artistic expression and application of copper coins in different themes. Through the analysis of successful and failed cases, we have a better understanding of how to rationally use traditional elements in contemporary film and television creation to create works with more ornamental and artistic value.
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