The Interpretation of Civilization An Analysis of Bao Guifen s Liangzhu Theme Paintings

Mondo Culture Updated on 2024-01-30

Text: Geng Xianglong.

Bao Guifen is one of the artists I have ever met who is extremely persistent and passionate about art. In order to specialize in painting, she even quit her well-paid job in the early years and embarked on the path of a freelance artist who created professionally. Over the years, she has gone to the studio as if she were going to work, going early and returning late every day, rain or shine, immersed in painting without distractions. This perseverance and perseverance are enough to show her dedication and love for art. Recently, I went to her studio and was deeply amazed by her series of works about the Liangzhu civilization. After these works are framed, they are neatly wrapped in rolls, and there are dozens or nearly hundreds of pieces, and they are all large works of more than four or six feet. She said that these are her achievements in the past three years, she used the brush in her hand to practice her love and thinking about the Liangzhu civilization, and she used painting to spread the history and culture of the Liangzhu civilization.

Bao Guifen's work appreciation, "Liangzhu Era", 200cm*198cm

In the past ten years, driven by major national historical theme creation projects, many artists from art academies or art academies have concentrated on creating a large number of works with historical themes. However, it is very rare for Bao Guifen to take the initiative to focus on creation for a long time simply because of her interest in Liangzhu civilization, and this kind of perseverance for many years is very valuable, and seeing her creative achievements over the years is enough to move and shock.

Bao Guifen's work appreciation, "Lu Li Falls into the Ancient City", 138cm*110cm

The ancient kingdom of Liangzhu is an important birthplace of Chinese civilization, and the ancestors have created a brilliant civilization thousands of years ago. Bao Guifen settled in this land and was deeply influenced by the Liangzhu culture. She has walked on the land of the ancient civilization site of Liangzhu countless times, by the ridges, by the stream, among the weeds, and ...... beside the ruins, I feel the breath of grass and trees here, and think of the life of the ancient ancestors. This contrast between the grandeur of time and space and the insignificance of the individual makes Bao Guifen's respect for the Liangzhu civilization spontaneously arise from her heart, which has become the source and motivation for her creation, inspires her perception of history, and clarifies her heart. Her works are mainly scenes and stories depicting the life and work of the ancestors of Liangzhu. The study experience and long-term training of the Academy of Fine Arts made her handy in handling the pictures, and the flowery backgrounds were quite decorative, reflecting the perception and feeling of a female painter's beauty.

Bao Guifen's Appreciation of Liangzhu Holy Land, 138cm*69cm

Haskell said that of all the things that can be left to posterity in an era, only art is its most vivid spokesperson. In addition to those highly skilled processed jade and limited living tools, the Liangzhu civilization has brought us very little understanding of the ancestors, and many civilization codes need to be deciphered. Although this is the business of archaeologists and historians, artists turn the sense of history into an aesthetic sense, find the inspiration and source of artistic creation from history, and express it with their own understanding of art, which is another kind of dissemination and research. Bao Guifen is doing something very meaningful. If an artist wants to create good works, he must first have a heartfelt love for art, coupled with a serious and persistent attitude, Bao Guifen fully meets these characteristics, and I believe that she will create better and better works of art.

Bao Guifen's Works Appreciation "Wonderland Like Poetry" 168cm*98cm

Bao Guifen's Appreciation of Works, "Reading Good Poems", 138cm*69cm

Appreciation of Bao Guifen's works "Text Engraving" 138cm*69cm

Bao Guifen's Appreciation of Liangzhu Yuze, 34cm*138cm*4

Bao Guifen's Appreciation of "Silence", 56cm*138cm*3

Bao Guifen's work appreciation, "Triptych Lotus", 138cm*69cm

Bao Guifen's Appreciation of "Wuhua Tianbao" 138cm*69cm

Bao Guifen's Appreciation of "Autumn Rice Drawing", 138cm, 869cm

Bao Guifen's work appreciation, "The Realm of Liangzhu", 138cm*69cm

Introduction to Bao Guifen's art

He is now a member of the Hangzhou Literary and Art Critics Association, a member of the Zhejiang Chinese Flower and Bird Painters Association, a member of the Zhejiang Female Flower and Bird Painters Association, a member of the Yangtze River Delta Women Painters Association, a member of the Hangzhou Art Association, a member of the Hangzhou Yuhang District Art Association, a member of the Hangzhou Xihu District Art Association, a full-time painter of the People's Painting Academy, a member of the China Forestry Federation of Literary and Art Circles, the vice president of Hangzhou Linxi Painting and Calligraphy Institute, the vice president of Qianjiang New Town Painting and Calligraphy Institute, and the founder of Hangzhou Molan Culture and Art Studio (Brand: Molan Imprint Skyclave House) and so on.

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