Beijing**Client|Reporter Li Xia Zhi.
The historical TV series "Ding Baozhen" ended on CCTV 8 not long ago, and the wonderful plot and vivid characters resonated with the audience. On December 19, the seminar on the TV series "Ding Baozhen" was held in Beijing.
According to reports, during the broadcast of CCTV's eight sets of ** files, the highest rating broke 2, and it continued to dominate the first place on the list. Screenwriter Ma Shuai revealed that Ding Baozhen is people-oriented and adheres to the style of Chinese scholars, and the family style of the Ding family is very typical of him, and the core of the expression of the play is to promote the inheritance of excellent traditional Chinese culture through the story of Ding Baozhen.
Ma Shaohua, the actor of Ding Baozhen in the play, summed up the performance experience of the play and "learned from the people and interpreted it with sincerity". He revealed that in the process of filming Ding Baozhen, in addition to looking at Ding Baozhen's historical materials, we should also refer to those good and honest officials since ancient China, whose words, deeds, and life experiences must be seen, "gather them together and become an image". Ma Shaohua believes that the noble and true qualities presented in the play have strong practical value and educational significance.
Many of the languages in the play are checked and learned while filming, and the actors' creation of roles is also a process of growth and learning. Ma Shaohua bluntly said that he had to act in more than 30 scenes one day, and he had a lot of lines, but he felt that he couldn't affect the filming progress because he couldn't remember the words. "When the young actor asked me how I memorized my lines, I was working hard when everyone was resting, and I was really tired. But I love the character and am willing to give to make it grow. ”
* Zhao Xiaobo, the person in charge of the TV drama project of the Film and Television Drama Documentary Center of Radio and Television Station, believes that the drama is detached from the facial creation of typical historical figures, adding fireworks, and the drama uses constantly changing opposing characters to set up contradictions and conflicts, unraveling thrilling historical stories, showing the complexity and contradictions of human nature, and implementing the historical theme creation concept of "big things are not false, and small things are not informal" through the structure of "people-oriented, virtual with real".