is also playing a middle aged widow , putting Yan Ni Haiqing and Liu Lin together, the gap is clear

Mondo Social Updated on 2024-01-28

What drama impressed the audience the most?

I think it must be a scene of life and death, speaking of the plot of "The World", you may be vague, but you must clearly remember the night of the death of Zhou's father and Zhou's mother, Zheng Juan's heartbreak, and Zhou Bingkun's confusion.

Speaking of "No Thieves in the World", the story may have long been forgotten, but Liu Ruoying's ** on the roast duck is undoubtedly heartfelt.

She eats "bitter fruit" instead of roast duck, chews "longing" instead of delicious food, and swallows "sadness" instead of food.

When it comes to classic scenes in film history, how can Maggie Cheung in "Sweet Honey" be missing.

is clearly a scene of crying with liver and intestines, falling into a cliché and breaking into an unbridled laughter, laughing, and enjoying its sorrows, which has become a classic.

The drama of life and death is not easy to stage, and the actor must have the deepest feelings and the most fulfilling feelings.

If you act well, it is a "tear bomb", and if you don't act well, it becomes a joke, if you have more feelings, you can't move people if you have less feelings, how to grasp a degree, which can best show an actor's acting skills.

also played "The Pain of Bereavement", Yan Ni, Haiqing, and Liu Lin came together to see who was the most real, who was the thinnest, and who "jumped" the audience's tear ducts, and the difference in the performance came out.

In the film "Goodbye, Li Kele", Tan Songyun plays the daughter, Yan Ni plays the mother, and Wu Jing plays the father.

Unexpectedly, after the trailer came out, 33-year-old Tan Songyun played the role of Huanghua's girl without any sense of disobedience, 49-year-old Wu Jing was a tough guy with a weak taste and a strong fatherly flavor.

However, this kind of warmth is fleeting, and in the story setting, Wu Jing, who wants to protect his wife and daughter for the rest of his life, received a boxed lunch early under the screenwriter's pen.

On the screen, "King Kong is not bad", Wu Jing finally tried the "mortal body" this time.

Sick in bed, pale and dying, he was able to wake up from a coma because he was awakened alive by pain, and after greeting his wife, he pleaded because he wanted to leave decently, and he decided to go to the end.

Unexpectedly, Wu Jing, who was detached from martial arts, violently shook the audience with his exquisite literary drama.

Perform this thing, and be strong when you are strong.

Yan Ni, who plays the role of his wife, gives all her sobriety to the performance, and there is no feeling of being slightly drunk as soon as she appears, and her strong feelings are displayed in front of the camera in the most plain way, and the infectious power of "splashing" teases the audience's surging tear ducts.

Seeing that her husband who was in danger woke up, his wife was overjoyed, and her face, which had been depressed for several days, finally cleared, she spoke softly, crying red and her eyes full of anticipation.

But my husband couldn't stand the painful torment, and the sentence "Help me, leave something decent, it's really uncomfortable" was immediately poured in his wife's eyes.

The face that had just sunshine became gloomy, and she pleaded with a little crying and pain, in exchange for her husband's resoluteness, and the wife at this time was tender like water, and her eyes were empty and hopeless, as if she had made up her mind.

The wife trembled and signed the notice of giving up **, and insisted on her reason strongly, just accompanied by a low cry.

After signing, I couldn't hold back the tumbling mood in my heart anymore, and I collapsed on the table, wailing loudly, miserable and miserable.

At the moment when the electrocardiogram at the head of the husband's bed became a straight line and the non-stop dripping sound reached the wife's ears.

Her heart seemed to be pumped out, her expression was dull, and she kept reading her unresponsive name on her lips, maybe she still had luck, "delusional" to wake up her husband who was inseparable from yin and yang.

The wife who had dried up her tears sat on the edge of the bed, held her husband's hand, and felt the little warmth he had, and suddenly her husband's fingers trembled, and at this moment she was groggy and sat up suddenly, isn't it.

But the doctor said that all this was false, it was just an unconsciously release of the spinal nerves, and after the big surprise, there was extreme despair, like a dry well, the eyes were filled with tears again, and the distress was staged by Yan Ni.

In the TV series "Home of the Heart", Haiqing, who once again played the daughter-in-law, also vividly interpreted the "pain of losing her husband".

Haiqing actor Feng Xiaoqin is a daughter-in-law from other places who is married to Shanghai, no matter how worrying she is, she has no right to speak in such a big family, she complains that her husband is cowardly and not motivated, she hates her husband's "same bed, different heart".

But the love for her husband has not diminished in half.

However, Feng Xiaoqin's running away from home directly caused the tragedy of her husband's accidental death, and when the doctor walked out of the emergency room and announced that the rescue was ineffective, her father-in-law fell straight to the ground, and her sister-in-law (Tong Yao) seemed to be wearing a mask of pain.

Feng Xiaoqin is alone, with a straight face, stunned and unmoved, isn't Haiqing's acting skills as good as Tong Yao?

Not to mention far away, that is the Haiqing explosion performance skill.

Her eyes trembled, her mouth opened slightly, and she was not shocked on the surface, but in fact, her husband's death gave her the heaviest blow, and her eyes flashed with horror, mixed with self-blame and remorse.

Feng Xiaoqin's mood is very complicated, compared with crying, the painful depression and unexpressible sadness are more in line with the mentality of the current character.

This realm has continued to this day, Feng Xiaoqin seems to be a soulless shell, until Gu Qingyu, the eldest sister-in-law played by Tong Yao, provoked her, that she tore open a crack in her sadness and fell down in one breath.

Haiqing's feelings turned from slow to urgent, at first only with a crying tone, and then with many emotions such as anger, bitterness, and sorrow in his words.

Looking at his expression, his eyes were wide open, his teeth were grinning, and his momentum was observed, the sword went sideways, and the artillery fire was fired in unison.

The mouth that is faster than the knife makes the "Magnolia Queen" Tong Yao unable to catch the good show, and was snatched by Haiqing's outright tricks, which can be described as textbook-level, which makes people applaud.

The old drama bone Liu Lin is an excellent "all-rounder" in the entertainment industry.

It is played by rural women or officials and nobles or parents who are short or solemn and harmonious, and all kinds of characters are familiar and vivid.

In the film "Secret Love: Tangerine Shenghuainan", one move and one style interprets the "pain of bereavement" drama to the ceiling.

The strong emotional drama made Liu Lin choose to accept it.

Originally, it was okay to highlight the sad mood, but she staged three moods, sadness when looking at her husband's relics, sadness and anger when she was lost, helplessness when she was strong, silky transition, and completion in one go.

In the setting of the script, Liu Lin wanted to cry loudly, but when she actually entered the play, tears came out of her eyes, her face was hideous, and she was choked and silent.

It turned out that it was so sad that it was impossible to cry, but at this time silence is better than sound, and the momentary tranquility is enough to hit the audience's heart, Liu Lin's silent performance made people see sadness from their hearts, and tears flowed out of their eyes.

is also playing the "widowed" wife, Yan Nisheng seems to depict the richness and layering of feelings, and the empathetic performance is easy for people to substitute for it, and the appeal is a must.

Hai Qingsheng's performance has a brisk front tone and a fierce back tone.

She concretizes "the lover is gone, not the heavy rain, but the long dampness of this life", every moment of calm waves, there will be a violent wind and rain, watching her perform, there is both the pleasure of pouring a drink, and the aftertaste of wine tasting.

Liu Lin's performance seems to have a strong sense of reality, her performance does not have such a big technique, it is mainly based on a kind of true feelings, there is no trace, and the real sadness is staged, and the stage wants to cry without tears, and the emotional impact is strong, and it does not need to be too strong at all.

Being a wife, being loyal to a husband, and each of the three characters has their own intelligence. Who do you prefer to play?

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