Chinese painting
Ink Chen Zhuang, an original account focusing on the creation of Chinese painting and words, is not easy to create, please pay attention before reading.
As an important part of Chinese culture, Chinese painting has a long history and unique artistic charm. However, in the process of its development, some defects or problems of painting also appeared, the most criticized of which was the so-called "black gas". For Chinese painting, especially landscape painting masters such as Lu Yanshao, the emergence of "black gas" is undoubtedly a serious damage to the artwork.
What is "black gas"?To put it simply, it is the unnatural black that appears on the picture, which makes the whole picture appear dull and airless. This is especially true in landscape paintings, where the composition and colors are more natural and harmonious, and any abrupt colors or shapes can break this harmony. As a master of landscape painting, Lu Yanshao hated this defect even more.
Lu Yanshao believes that the appearance of "black gas" is often caused by the improper use of ink color in the painting process of the painter. For example, excessive rendering or the use of too much ink can cause unnatural colors and even patches of black spots. These dark spots not only destroy the beauty of the picture, but also greatly reduce the artistic value of the whole work.
In Lu Yanshao's view, the emergence of "black gas" is not only a technical problem, but also a manifestation of the painter's respect for art and self-requirements. A true artist should be responsible for his work, whether it is in terms of composition, color or use of brush and ink, he should pursue the ultimate in order to achieve perfect artistic results.
In order to overcome the problem of "black gas", Lu Yanshao paid special attention to the use of ink color in the process of painting. He advocated that the intensity and amount of ink should be controlled when painting, and that excessive rendering and unnecessary ink should be avoided. At the same time, he also emphasized the basic skills and cultivation of painters, believing that only through continuous practice and learning can one truly master the skills and essence of painting.
In addition to overcoming the technical level, the solution to the problem of "black gas" also requires the adjustment of the painter's creative mentality. Lu Yanshao believes that a good painter should have his own unique artistic style and aesthetic concept, and cannot blindly follow the trend or cater to the market demand. Only in this way can we maintain ourselves in the creative process and not be disturbed by external factors.
To sum up, "black gas" is an issue that cannot be ignored in Chinese painting, especially in landscape painting. For people like Lu Yanshao, the appearance of "black gas" is undoubtedly a blasphemy against art. In order to overcome this problem, painters not only need to constantly improve their skills, but also need to constantly adjust and improve their creative mentality and aesthetic concepts. Only in this way can you truly create the perfect work of art.