The four ancient artifacts are a symbol of the supremacy of imperial power

Mondo History Updated on 2024-01-29

In feudal society, imperial power is supreme, and the four major artifacts demonstrate supreme rule.

In ancient feudal society, imperial power was supreme and could not be disobeyed. In order to consolidate the rule and curb the supreme power and boundless desires of the ruling class, the monarchs gave the meritorious ministers a series of artifacts that symbolized the supreme power. These artifacts include the Shang Fang Sword, the King's Whip, the Nine Dragons Prison State Tin Staff, and the Blue Sky Three Guillotine Blades. This article will delve into the historical origins and symbolism of these four artifacts.

Shang Fang Sword: A symbol of the supremacy of imperial power.

Shang Fang's sword represents the supreme power bestowed by the emperor. The courtiers who possess it can not only beat the unconscious king, but also behead the traitorous ministers. In a hierarchical feudal society, the emperor was seen as the highest ruler, while the commoners were the lowest. This hierarchical system leads to the passive acceptance of the oppression and exploitation of the rulers, and the lack of fairness and justice, thus exacerbating class contradictions.

In order to prevent rulers from abusing their power and restraining their boundless desires, most of the founding kings bestowed the sword on the meritorious minister. On the one hand, this measure can prevent future generations of mediocre emperors from acting recklessly, and on the other hand, it also has a deterrent effect on the most corrupt officials. However, despite the existence of the provision of "beating the emperor unconscious", in fact, few people dare to implement it, showing the absoluteness of the supremacy of imperial power.

Whipping the King: A Symbol of Power.

"Whip the king", also known as "golden mace", is a kind of weapon, which is divided into two types: soft and hard. Hard whips are mostly made of copper or iron, while soft whips are made of leather or straw. This weapon first appeared in the Spring and Autumn Period and the Warring States Period, and one of the most famous cases in history is the whip given by Li Shimin, Taizong of the Tang Dynasty, to the minister Wei Shigong. This symbolizes the supreme power and glory that the ruler has bestowed on his courtiers.

The power of the whip has been clearly reflected in history, and the whip owned by Wei Chigong is engraved with words, emphasizing his loyalty to the unprovoked rebellion and plundering of the country. This artifact became a powerful tool against disloyalty and immorality, demonstrating both the supremacy of the imperial power and the deterrence of courtiers.

The Tin Staff of the Nine Dragons Prison Country: A symbol of feminine strength.

The "Nine Dragons Prison State Tin Staff" is a crutch given by She Lao Taijun, one of the generals of the Yang family. She Taijun is Yang Jiye's wife, she showed the spirit of not letting the women shave their eyebrows, and led the twelve widows of the Yang family to the west, reflecting the patriotic spirit of the Yang generals. She Taijun received this special gift, which is not only a personal praise for her, but also an affirmation of the heroic performance of the entire Yang family general.

Blue Sky Three Guillotine: A symbol of iron-faced selflessness.

"Qingtian Three Guillotine Knife" is owned by Bao Qingtian, as the Yin of Kaifeng Mansion, Bao Zheng is upright and selfless. Song Renzong was very fond of Bao Zheng and gave him the Qingtian Three Guillotine Knife to let him act "cheaply". These three guillotines are respectively "dragon head guillotine", "tiger head guillotine", "dog head guillotine", which has far-reaching meaning. Whether it is to the emperor's relatives or to the ** filthy officials, it shows that Bao Qingtian has the power to cut first and then play, and no one can escape the judgment of these three guillotines.

Summary: The power system that reflects the decadent feudal society.

Synthesizing the historical origins and symbolic meanings of the four artifacts, it is not difficult for us to find that they collectively reflect the power system of imperial supremacy in a decadent feudal society. While these artifacts do play a role in history, they also highlight the ruler's abuse of power and the oppression of his subjects. These stories give us a deeper understanding of the hierarchical system and power operation mechanism of ancient society, and provide useful inspiration for us to examine contemporary society.

This article provides an in-depth analysis of the four ancient artifacts – the Shang Fang Sword, the Whip of the King, the Nine Dragons Prison State Tin Staff, and the Qingtian Three Guillotine Blades, revealing their historical origins and symbolic meanings in feudal society. These artifacts are not only physical, but also symbols of concepts such as power, loyalty, and deterrence, reflecting the power structure of the supremacy of imperial power at that time.

First of all, the Shang Fang Sword was seen as a symbol of the supremacy of imperial power, representing the supreme power bestowed by the emperor. The article mentions that the emperor's way of bestowing the sword of Shang Fang, a meritorious minister, is not only a compliment to the courtiers, but also a constraint on the mediocre emperors of future generations. This highlights the rulers' thirst for power, while also demonstrating their desire to maintain dynastic stability.

Secondly, as a weapon, the whip represents the ruler's delegation of power and trust in his courtiers. The article takes the case of Li Shimin, Taizong of the Tang Dynasty, who gave it to his minister, Wei Shigong, as an example, to highlight the importance of this artifact in combating disloyalty and immorality. Whipping the king is not only a physical one, but also a spiritual deterrent, reflecting the ruler's clear rewards and punishments for his courtiers.

The tin rod of the Nine Dragons Prison became a symbol of female strength, and She Taijun was portrayed in the article as a woman who did not let her eyebrows go, reflecting the active role played by women in ancient society. This artifact is not only a personal compliment to She Taijun, but also an affirmation of the heroic performance of the entire Yang family. This reflects a certain degree of recognition of women's courageous behavior in ancient societies.

Finally, the blue sky three-guillotine knife symbolizes the image of selfless integrity in the iron face. Bao Qingtian, as the leader of the Yin Mansion, showed the power of cutting first and then playing through these three guillotines, bringing a kind of justice and justice to the entire society. This reflects the ruler's pursuit of honesty and integrity, and at the same time, it also restricts the corrupt officials in the decadent society.

In general, this article vividly presents the power structure and social landscape in the feudal society at that time through an in-depth interpretation of the four ancient artifacts. These artifacts are not only witnesses of history, but also catalysts for deep thinking about contemporary society. We can learn from this and reflect on how power is exercised and how justice and balance in society can be maintained.

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