Recently, the term "e-mustard" has become extremely popular on the Internet.
The episode, known as the electronic mustard, is like a mustard and goes well with meals.
Because these episodes are on electronic devices such as mobile phones, tablets, and TVs**.
The title subtly captures the hearts of the viewers.
The Legend of Zhen Huan and Wulin Gaiden are the two most popular TV series, and they both attract large audiences.
The most nominated in the comment section also includes classics such as "Bright Sword", "Parents' Love", "Mansion Gate" and the old version of "Romance of the Three Kingdoms".
After browsing the comment areas of the same type of hot posts on several platforms, except for "Know" and "Langya Bang", few dramas in the past ten years have been nominated so often.
Even young netizens are more willing to choose ** dramas older than themselves, rather than others.
Many people have lamented: "Today's TV dramas are rarely attractive", "Excellent actors seem to be becoming more and more scarce", "Old dramas are still fascinating", ......
Is this the reality?In the self-** era, various drafts and auditions emerge in an endless stream, and I will appear as soon as you sing.
Even if you follow the gossip news every day, you will find some celebrities you have never heard of, who have become incredibly popular in a certain field.
Why are the viewers forced to go to the ** old drama, even though the entertainment industry is full of so many talented people?
The senior actors in these excellent old dramas have all gone to **?
In the highly praised old version of "Romance of the Three Kingdoms", Pu Cunxin made Sun Ce show an elegant bookish temperament, while also maintaining his brave nature.
Pu Cunxin starred in "The Bell of Qingliang Temple" directed by Xie Jin, although it was his screen debut, it was not his ** work, because he had other acting experience before that.
Born in 1953, Pu Cunxin joined the Kongzheng Drama Troupe at the age of 16 and began his career as a drama actor.
At the age of 33, he successfully obtained the qualification to enter Beijing Renyi. It wasn't until he was 38 years old that he starred in the work "Der Spiegel".
Pu Cunxin later participated in many classic film and television dramas, such as "Heroes Have No Regrets", "Public Security Bureau", "Bathing" and so on.
He has cooperated with goddesses such as Yuan Li and Xu Qing who were in their prime, leaving many wonderful cooperation experiences.
At that time, Pu Cunxin became one of the favorite male actors of mothers across the country, and it can be said that he is like the current "grandma killer".
However, Pu Cunxin began to "fish and mess" at the peak of his career, with almost no chance of being the protagonist, and occasionally only played some roles such as greedy prime ministers, completely losing his demeanor back then.
Pu Cunxin's whereabouts in front of the public are mysterious and unpredictable, but he has always been a model of hard work in the niche drama circle.
After achieving great success, Pu Cunxin was not carried away by fame and fortune, but chose to return to the People's Art Theater to continue to engage in drama performance.
Pu Cunxin is the kind of actor who focuses on rehearsals and performances, showing his charm on the stage of human arts, he only focuses on his career and does not participate in trivial matters.
In Renyi, you will never see the so-called radish pit, because the members here are all "sweeping monks" - they are strong in martial arts, but they are indifferent to the affairs of the rivers and lakes.
They are willing to accept an ordinary salary, and then line up backstage with a large tea jar to wait for the rehearsal. The so-called nominal high-paying positions?Not at all.
The actor and actress return to the human art again, and they must be humble and obedient. After all, there are many hidden masters here, and they would rather give up a million salaries just to love this stage deeply.
Pu Cunxin once performed in the drama "Li Bai" and won the Plum Blossom Award for Chinese Theatre.
It's not just the performance on stage, ** the state of his later recitation of "Will Enter the Wine" in other shows, and everything becomes clear and clear.
Exchange fine wine, and sell eternal sorrow with you. Five-flowered horses, daughters and daughters, Hu'er will come out.
Pu Cunxin's mood is varied, with every word and every word constantly changing, there are not only heroic informality, but also free and easy hustle and bustle, as well as frank and wild anger.
Pu Cunxin stood motionless in the show, but his voice and expression alone perfectly conveyed the mood in the poem.
Everyone seems to have traveled through thousands of years, witnessed the scene of Li Bai drinking and writing poems, and finally understood that Li Bai was so happy when he was drunk and wrote poems.
Pu Cunxin is not acting, but integrating himself into the role, whether it is mood, experience, mood and state, at that moment he has become "Li Bai".
The 69-year-old Pu Cunxin performed quite well in the latest drama "Lin Zexu", which can be described as full of energy.
I only knew about China, and it wasn't until I came to Guangzhou that I saw the wider world. After saying this, Pu Cunxin walked to the edge of the stage and walked forward and walked out of the picture.
His steps were so slow that it seemed as if time had frozen, and he didn't rush towards the empty stage. His mood was heavy, just like Lin Zexu.
The audience also shared this difficult and heavy atmosphere, as if bringing the people on and off the stage back to that chaotic era.
Pu Cunxin has participated in six rounds of "Lin Zexu" in the past two years, but he has become more and more involved.
He feels that actors can guide the audience into the role through their lines, body language, facial expressions, and emotions.
When the audience receives these energies, it will hit the shore like the tide of the Qiantang River, and then form a resurgence, which in turn motivates the actors.
The charm of drama lies in the intertwined emotional interaction. Pu Cunxin feels that he has been restricted too much in film and television dramas, and his space for play is too limited.
On the drama stage, even though Sun Ce was ridiculed as too old, even if he played King Lear, he would not be blamed for not being a foreigner.
Even the actor of "Ruan Lingyu", he has been acting for decades, and it is still hard to get a ticket, but no one mentions that he is already overage.
Pu Cunxin is at the peak of his career, but he put aside everything and returns to human art, only because of love.
When Pu Cunxin was in the prime of life, he chose to take care of his elderly parents, young daughter and the widow of his late brother with his wife.
Maybe making money in the entertainment industry will make his life easier, but he has starred in more than 200 performances of Li Bai, and he has also deeply integrated that arrogance into his bones.
Pu Cunxin said lightly, "The entertainment industry doesn't need me", which is enough to explain the problem.
After many years, when the audience mentions "Bright Sword", they still can't let go of the recollection of "Monk, monk, put Lao Tzu that..."Plot.
The monk had already died, and Li Yunlong was halfway through his words when he forgot himself, only to remember that the monk who had good skills and marksmanship was no longer there.
He is a graduate student at the École des Arts and Dramatés de Lyon, France, despite the fact that his role in the play is very down-to-earth.
Zhang Tong was full of enthusiasm and gave up his status as a scholar in the Computer Science Department of Nankai University, and his parents did not hesitate to sell his house and borrow money to fund him to go to France to study Xi performance.
He did have a firm foothold in the French theater acting scene, but after graduation he chose to return to his home country.
Although Zhang Tong and other returned sons are also burdened with this identity, he has no traffic at all. Zhang Tong is tall, handsome, and has excellent education and ability, but he can't find the opportunity to act.
He frequently went to the crew to deliver cover letters, but he has never succeeded in getting the role of the dragon.
He has neither a background nor connections, and stands out among the new generation of actors completely by virtue of his strength, which is almost like an incredible story.
Zhang Tong finally found a crew willing to give him more scenes, but when he went, he found out that it was because the crew was too poor!
When Zhang Tong joined the crew, their total funds were less than 10 million.
Despite this, the film crew filmed thirty episodes with two cameras, and the most lavish scene turned out to be an abandoned ravine house.
Although there are people who earn 208w a day, the situation is still difficult.
This legendary crew once starved the actors, but in the end they filmed the work "Bright Sword".
A director vividly interprets the tricks of frugal living with his own way of life.
arranged for the assistant director to play a role, and let the driver of the crew play the Japanese devil, even if it is "Li Yunlong", he has to play a bandit.
The heroine asked for a raise, and the director did not hesitate to change an actor, because it was really tight on funds.
The director surprisingly used only two horses to play the cavalry company in the group performance, showing the effect of a flowing group performance of iron horses.
Later, even the group performance was no longer invited, and the entire crew, including the director himself, took turns to appear on the scene, which was reminiscent of "Bright Sword".
Bright Sword", a low-budget TV series, has achieved the classic achievements of the times by relying on overstretched conditions.
Because of the "greedy cheap" director, Zhang Tong also got the opportunity to become popular. Since then, he has performed well in many film and television works such as "Red Locust Flower", "The Story of the Bandits in Western Sichuan", "Desperate Defender Division", "Awakening Age" and so on.
Although he was the first post-80s actor to win the Feitian Award, Zhang Tong did not become a popular actor and did not achieve great achievements.
"The Age of Awakening" shows the characteristics of Zhang Tong's acting skills, he is shy, shy, and elegant when indignant, and appropriately portrays Li Dazhao as a revolutionary, passionate but not radical.
Zhang Tong is known for his superb and delicate performances, and the characters he plays have never been simple and rough, even when he plays the role of Wei Monk, he also shows the character's character characteristics through expressions and action details.
The Magnolia Award did not include Zhang Tong in the nomination, which made fans of "The Awakening Age" feel chilled, regardless of age.
Although he did not have the background to be shortlisted and win awards, he had the strength to join the National Theater, so he was not blessed.
Returning to the drama stage will reduce Zhang Tong's film and television works, but it is not a good thing for him.
Zhang Tong once bluntly criticized "The Birth of an Actor", and he firmly said: Instead of dwelling on the growth of fans, it is better to concentrate on playing a good role, and the most important thing is to speak with the work.
Zhang Tong married a woman who was engaged in group performance, and the two of them lived in love as before, their relationship was very good, and there were no scandals or black materials.
In the turbulent undercurrent of the entertainment industry, Zhang Tong is still the "Wei monk" with a pure heart, and has become the target of public criticism again and again.
Perhaps only that stage can match people with pure hearts.
Coming out of the poor and white crew of "Bright Sword", He Zhengjun played Political Commissar Zhao and Li Yunlong can be described as the best partners who love and kill each other.
He Zhengjun grew up in a military family, and after graduating from middle school, he was arranged to work as a draftsman in the Chengdu Light Industry Bureau. However, his dream of performing has never been extinguished.
When he was considering resigning from Chinese opera, his father almost beat him, because his father was a soldier who had been in the army for many years.
After He Zhengjun was admitted to the Chinese opera, he never dared to relax, devoted himself to his studies and Xi, and did not allow distraction.
He is very aware of his strengths and weaknesses, and it is with this self-aware "flaw" that he has established himself in the entertainment industry and is proud of.
He Zhengjun is a young little fresh meat, his facial features and temperament are in line with the aesthetic standards of the public and the minority at that time.
At that time, He Zhengjun and Hong Kong's popular actor Huang Rihua were like "the world is another me", and even Gong Li fell in love with him back then.
Nowadays, a face can be the center of attention, but in the past, everyone still had to compete by strength.
He Zhengjun knew that he was successful by virtue of his appearance through the art examination, but he also knew that actors did not rely on their appearance to eat, so he devoted himself to learning Xi.
After graduating, He Zhengjun successfully entered the Shanghai People's Art Theater and acted in dramas full-time, and he was deeply immersed in stage performances.
He Zhengjun takes drama as his main profession, and occasionally tries to play tricks in film and television dramas, and through this experience, he got to know his first love Fan Yu.
The two later married and welcomed their daughter He Hugo, symbolizing the fruit of their love.
When He Zhengjun played the lyricist Tian Han of "March of the Volunteers" in the movie "National Anthem", he had been acting in dramas for 12 years until 1998.
He Zhengjun won the Best Actor Award in the Golden Rooster and Hundred Flowers Film Industry in one fell swoop, but he did not have nostalgia for the film and television industry, and was still keen on drama performances.
Even when he comes across a good script, he will not hesitate to accept the challenge. For example, in the movie "Snow Without a Trace", He Zhengjun rarely played a role with a very negative image.
As soon as he saw the script of "Bright Sword", he agreed without hesitation, and he didn't mean to ask ** at all.
Although his later works were many, they were never prolific.
He devotes his time and energy to rehearsing plays and spending time with his wife and daughter. On the other hand, he is out of step with the entertainment industry.
He believes that memorizing lines well does not mean that he can play a good role, and he feels that it is important to study the character's personality deeply, gain insight into the character's heart, and then understand the meaning of each line to the character.
How can the efficiency of the fast food era coincide with something like being able to shoot a TV series in half a month?
An actor who once excelled like a soldier was gradually forgotten by the entertainment industry.
He Zhengjun continued to play the role of the first diplomat Gu Weijun in "The Awakening Age", he talked and laughed with tears, and together with his colleagues, he died in their own ways.
The back when he left without a trace of words, his face was covered, and he could only rely on action to deduce, showing the powerlessness that both great people and ordinary people feel under the giant wheel of the times, as well as deeper worries about the country and the people.
Although He Zhengjun does not have many works on the screen, and the entertainment industry has almost forgotten him, he has never forgotten his original intention, no matter how the focus of the lens changes, he always insists on generating electricity for love, even in the blurry out-of-focus picture.
He loves acting, not a means of making money, regards it as the love of life, and would rather be unknown than have flaws.
As soon as the audience caught a glimpse of Ren Shuai, they immediately called each other "Lao Ding".
Lao Ding, played by Ren Shuai in "Parents' Love", pursued poetry and distance all his life, but in the end he could only be trapped in ordinary trivial matters for the sake of livelihood. This character became a magical highlight in the minds of the audience.
After graduating from the Military Academy, he was sent to serve as a commander in the Combat Drama Troupe of the Lanzhou Military Region, which separated him from his hometown of Harbin.
Ren Shuai is destined to contribute to the transportation industry of the motherland.
When he was filming in Shanghai, he met the empathetic Xiaohong, and after the two entered the marriage hall, Ren Shuai was professionally assigned to the Harbin Repertory Theatre.
Ren Shuai's experience is clear at a glance, not only "Parents' Love", but also "Breaking through the Guandong", "Old Peasant", "Young Marshal", "Mother's War", "Educated Youth" and many other excellent works.
This is almost all of his works, he only takes on one or two film and television works every year, and he picks the roles he thinks are valuable, and he also doesn't ask about ** or ranking.
Ren Shuai devotes his days to rehearsing the performances of the repertory troupe, and he devotes half of his energy to the cause he loves, while the other half is devoted to his family.
In the TV series "The Most Beautiful Retrograde" broadcast by CCTV, Ren Shuai played the role of Lin Dajun, a construction worker, when his parents were infected with the epidemic and his 12-year-old daughter was quarantined.
He still went all out to participate in the construction of Huoshenshan and Leishenshan hospitals at the height of the epidemic in Wuhan, showing China's speed and quality, warming the Chinese people and winning the praise of the world.
Lin Dajun is a heroic image among ordinary people portrayed by Ren Shuai, a weathered, vivid and touching tough guy image.
Lin Dajun's performance in that scene was so touching, especially when we experienced it firsthand.
It should be emphasized that the expression of wearing a mask has become a touching scene in the whole play, and Ren Shuai's acting skills are by no means in vain.
Have you noticed that these veteran actors rarely participate in film shooting, do not participate in variety shows, and do not pursue hot topics, but almost all devote themselves to drama performances.
Pu Cunxin said, "There is no work for me in the entertainment industry", why can this sentence be so light?Because they're very transparent.
Once, the circle where everyone was still fighting for strength and acting skills was called the showbiz, and people who were engaged in this profession were called actors.
Nowadays, only the entertainment industry and celebrities can easily earn an income of 208w, and they can even do it while lying flat, cutting out pictures and reading numbers.
And some celebrities, even if they are just named radish pits, will complain about the audience's incomprehension of art on social **.
The audience is still the old audience, but the actors are constantly changing.
As the name suggests, the entertainment industry is mainly entertainment, which can be described as entertainment to death.
Current film and television dramas have a high appeal in terms of entertainment.
Celebrities are willing to blacken their faces a little after **, which is called "hard work".
It is praised for "praise for details" because the movements and expressions are consistent.
When an actor is able to recite and perform more than three lines of dialogue, we call it 'line skills'. ”
There is no conclusive evidence to support the scandal, so it is called "Virtue and Art Shuangxin".
How can actors who regard acting as their life be willing to mix with people who use the pretext of chasing money?
The reason why we didn't watch the play was not because of a lack of good actors and scripts, but because we lacked time and opportunities.
Maybe we are outside Beijing, Shanghai, Guangzhou and Shenzhen, and we can't witness the wonderful drama performances with our own eyes, but we know that those actors who are full of pure hearts and struggle for love still stick to their love and original intentions, which is enough.