In ancient times, there was such a legendary story. The protagonist of the story is a man named Zhang San, who has worked hard to save three hundred taels of silver, however, he is deeply afraid that these hard-earned wealth will be stolen by others. So he buried the silver behind the house and put up a sign beside it, which read: "There are no three hundred taels of silver here." Wang Er next door saw this sign and became very interested. In the evening, Wang Er quietly came to Zhang Sanwu, saw the sign, and began to dig. Three hundred taels of silver was finally stolen by Wang Er, and in order to hide people's eyes, Wang Er also erected a sign next to him: "Wang Er next door has not stolen it."
The next morning, Zhang San saw this sign and suddenly realized that his silver had been stolen by Wang Er. The brand that wanted to cover up the truth instead revealed the truth, so "there is no silver three hundred taels here" has become a hand-me-down idiom, which has caused countless jokes.
The story makes it clear that sometimes trying to cover up a secret can reveal more truth. And this "three hundred taels" joke is just the tip of the iceberg of the rich culture of Chinese idioms. In this article, we will introduce 12 seven-character idioms, each of which carries a profound cultural connotation, so let's appreciate these words of wisdom that have been passed down through the ages.
01 Pull a hair and move the whole body.
Interpretation] The metaphor moves a very small part and affects the overall situation.
Source] Song Su Shi "Chengdu Great Compassion Pavilion": "My hair is innumerable, and the pores of the body are innumerable. ”
02 One misstep becomes a thousand hatreds.
Interpretation] Once a parable has made a serious mistake or fallen, it becomes a lifelong hate.
Source] from Ming Yang Yi's "Ming Liang Ji": "Tang Xie Yuanyin was abandoned, and the poem Yun: 'One misstep becomes a thousand years of hatred, and then turning back is a hundred years old.'" ’”
03 There is no silver in this place, three hundred taels.
Paraphrasing] The metaphor is supposed to cover up the facts, but instead exposes the truth.
Source] The fortieth chapter of the Qing Dynasty's "Longtu Erlu": "When I saw my eldest brother, I said that Brother Liu didn't come here." Jiang Ping said with a smile: "In this way, it is obviously telling the eldest brother that Brother Liu is here." Is it not 'three hundred taels of silver in this place?' ”
04 Everywhere you go.
Interpretation] Four Seas: The ancients believed that China was surrounded by seas, so they called the whole country "Four Seas"; Accurate: Accurate. The universal truth of parables applies everywhere.
Source] "The Book of Rites and Sacrifices": "Push and put the East China Sea and accurate, push and put the West Sea and accurate, push and put the South China Sea and accurate, push and put the North Sea and accurate." ”
05 Drawing a tiger is not an anti-dog.
Interpretation] is a metaphor for unrealistically climbing too high goals, which cannot be achieved and will make jokes.
Source] Southern Dynasty Song Fan Ye "Later Han Shu Ma Yuan Biography": The effect of the season is not good, and it is trapped in the world, and the so-called painting of tigers is not an anti-dog.
06 I am in Cao Ying, and my heart is in Han.
Interpretation] refers to Guan Yu being in Cao Ying, thinking about Liu Bei, which is a metaphor for being on the opposite side, but thinking about the side where he was originally located.
Source: Late Yuan and early Ming Dynasty Luo Guanzhong's "Romance of the Three Kingdoms" 25th chapter: Gong said: "I deeply feel the kindness of the prime minister." It's just that although my body is here, I miss Uncle Huang in my heart, and I haven't tasted it. ”
07 The new official took office with three fires.
Interpretation] is a metaphor for a newly appointed official who must first do a few influential things to show his talent and courage.
Source] According to the "Romance of the Three Kingdoms", during the Three Kingdoms, Zhuge Liang became Liu Bei's military advisor and attacked Cao Cao three times in a short period of time. The first time the fire burned Bowangpo, so that the 100,000 Cao soldiers led by Xiahou were not left, the second time in Xinye, the fire attack flooded Cao Ren, Cao Hong's 100,000 horses, almost all of them were destroyed, the third time the fire burned Chibi, millions of Cao soldiers were defeated, and finally followed Cao Cao to escape, only 27 people remained. At that time, people called these three fires "Zhuge Liang's three fires". Later, it became what people often called "the three fires of new officials".
08 Don't dare to take a step beyond the thunder pool.
Interpretation] means not to cross the Lei Chi (Lei Chi: an ancient place name, in the southwest of Wangjiang County, Anhui Province). The latter refers to not daring to do things beyond a certain range, mostly referring to being conservative and stubborn; Or it means that the opponent does not dare to infringe casually.
Source] Jin Yuliang "Bao Wen Qiao Book": "I am worried about the west, too Liyang, and there is no step over the thunder pool." ”
09 Hold the Son of Heaven hostage to order the princes.
Interpretation] refers to holding the emperor hostage and giving orders in the name of the emperor. Now it is a metaphor to use the name of the leader to direct others according to one's own will.
Source] "Three Kingdoms Yuan Shao Biography": "Frustrated and said Shao said: 'And the city of Jinzhou is coarse, the soldiers are strong, and the west welcomes the great driver, that is, the official Ye capital, coercing the son of heaven and ordering the princes, and the cattle and horses to ask for the court, who can control it?'" ’。
10 The drunkard does not mean to drink.
Interpretation] originally meant that the drunkard, that is, the author's interest was not in drinking, but in appreciating the scenery in the mountains; It is later used to indicate that the original intention is not here but in other aspects, or has ulterior motives.
Source] Song Ouyang Xiu's "The Story of the Drunken Man's Pavilion": "The drunkard's intention is not in the wine, but in the mountains and rivers." The joy of mountains and rivers, the heart and the wine of the house. ”
11 All are brothers in the four seas.
Interpretation] The original meaning is that all people in the world are like brothers (Sihai: the whole country, referring to the world in general), referring to relatives like a family.
Source] "Analects Yan Yuan": Sima Niu worriedly said: "Everyone has brothers, and I die alone!" Zi Xia said: "Business is heard, life and death are life, and wealth is in the sky." The gentleman is respectful and respectful, and courteous to others. Within the four seas, all brothers are also. ”
12 The tower near the water gets the moon first.
Interpretation] The original meaning is that the balcony near the water gets the moonlight first, and then it is a metaphor for getting a certain benefit or convenience first because of the proximity to certain people or things.
Source] Song Yu Wenbao "Qing Ye Lu": Fan Wenzheng Gong Town Qian Tang, the soldiers and officers were all recommended, and Su Lin was not recorded for the sole inspection, but dedicated to the poem: "The building near the water gets the moon first, and the flowers and trees in the sun meet the spring early." "The public is recommended.
Each of these 12 seven-character idioms is the crystallization of wisdom and the essence of Chinese cultural inheritance. They not only reflect the wisdom and life wisdom of the ancient people, but also serve as a mirror that allows us to see our own shortcomings and room for growth. In modern society, these idioms still have profound enlightening significance, allowing us to continue to absorb the nutrients of wisdom on the road of learning Xi.
Through these idioms, we seem to travel through time and space, dialogue with ancient wise men, and taste the precipitation of thousand-year-old culture. They are like a beacon that illuminates our journey. Let us use these idioms in our daily life, not only to improve our language expression level, but also to understand the deep meaning, so that our words and deeds are more wise. In this colorful world of language, idioms are a bridge of wisdom, connecting ancient and modern China and foreign countries, and inheriting the torch of culture.
These seven-character idioms, like precious cultural treasures, shine with the light of the wise, awakening our thinking about life and human nature. Let us absorb the power of wisdom in learning, Xi and inheritance, and let the brilliance of these seven-character idioms continue to shine on our hearts and become the beacon for us to move forward.
This article introduces 12 seven-character idioms by telling the origin of the idiom "there are no silver three hundred taels here", and gives an in-depth explanation of each idiom. This clever arrangement makes the whole article both a fascinating storyline and rich in cultural connotations. In the following comments, I will give ** on the highlights and depth of the article.
First of all, the idiom "there is no silver three hundred taels here" chosen by the article is very ingenious. Through this allegorical story, the absurd scene of covering up the truth is vividly displayed. This technique of introducing big truths through small stories is impressive, which not only increases the interest of the article, but also makes the interpretation of the idiom more vivid.
Secondly, the article gives a detailed interpretation of the definition of each idiom, and is accompanied by a source, so that readers can better understand the idiom's ** and application scenarios. This nuanced explanation not only provides readers with an in-depth understanding of ancient allusions, but also provides a reference for the use of these idioms in modern society.
In addition, the structure of the article is also very reasonable, introducing each idiom in sections, so that the reader can understand the story and meaning of each idiom in an orderly manner. Moreover, through carefully selected idioms, such as "one size fits all" and "dare not take a step beyond the thunder pool", the article covers a variety of fields, both political wisdom and life philosophy, making this article not only convey culture, but also give people deep thought.
Finally, the article concludes with a clever summary, emphasizing that these seven-character idioms are like cultural treasures, the light of the wise, and awaken our thinking about life and human nature. This positive appeal makes the whole article not only an introduction to idioms, but also an inspiration to readers, guiding people to draw the power of wisdom in learning Xi and inheritance.
Overall, this article successfully shows readers the profound connotation and wisdom of ancient idioms through clever arrangement, in-depth interpretation, and positive guidance, so that readers can also get enlightenment on cultural inheritance in a relaxed and pleasant reading. I hope that in the future Xi, we can pay more attention to these precious cultural treasures and make them continue to carry forward in the modern society.
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