"Yunlu General Tablet" is also known as "Li Sixun Tablet", and its full name is "Tang Dynasty Yunlu General Right Wuwei General Gift Qinzhou Governor Peng Guogong Said Zhao Gong Li Fujun Shendao Tablet and Preface". Written and written by Li Yong, it was built in the eighth year of Tang Kaiyuan (720 AD) and is now preserved in Pucheng, Shaanxi.
Li Yong, also known as Li Beihai, was born in 678 and died in 747, and was a famous calligrapher of the Tang Dynasty. His father, Li Shan, had annotated the Anthology, so he received a good education in literature and calligraphy from an early age. Li Yong's calligraphy style is unique, thin and powerful, and longitudinal and longitudinal, leaving a deep impression on people. His works have always been highly regarded, and they are as famous as the "Lushan Temple Tablet".
The calligraphy style of the General Yunlu Tablet is awe-inspiring, the knot is longitudinal, and the odd is smooth. Its ups and downs are moving, and Yang Shen of the Ming Dynasty was rated as the first in Li Yong's calligraphy in the "Yang Sheng'an Collection". Qingkang Youwei also praised the calligraphy characteristics of this stele in "Guangyi Boat Shuangji", and believed that it was a strange change in the rules, and the Tibetan division was in the struggle, and it was a good stone monument for learning calligraphy.
Liang Qichao once commented on this monument and said: "The Beihai tablet version is of the four descendants, and Yunlu ("Li Sixun Tablet") is especially the posture of the dragon and the tiger. It can be seen that the "Monument of General Yunlu" was not only highly respected in the Tang Dynasty, but also had a profound impact on the art of calligraphy in later generations.