Winter snow roaming season
The photography skills shared by Shi Mo can be used by both mobile phones and cameras.
So, what are you waiting for-
We like to take pictures because we "love beauty".
When you find the beautiful scenery around you, you are happy, and then you can take pictures with your phone or camera.
Taking pictures is all about beauty. Many photographers chase light and shadows, travel long distances, and forget to sleep and ......eatIt is also to be able to see a wider world and take pictures of better scenery.
As ordinary people, although we don't have the resources of photographers, we can still try to make our photos look good.
Taking pictures is all about beauty. How to improve the quality and make yourself more beautiful?
In this issue of photography review, Shi Mo will share a particularly good photography technique for you.
Figure 1 does not sell off, does not go around in circles. The photography techniques shared by Shi Mo are simple and practical.
If you want to improve the quality of your photos, then learn how to make good use of the "photographic foreground"!
Learning to use photographic foreground can turn a landscape that usually looks "just like that" into a photographic work that is eye-catching.
So——1、What is the photographic prospect?
2. What are the uses of photographic prospects?
Next, it is the time for Shimo to share "dry goods".
Figure 2 is the foreground of the photographic image, which refers to the scene closest to the lens in the frame.
Translated into the vernacular, it means that when you take a photo, the closest thing to you is the photographic foreground.
It is worth mentioning that the photographic foreground is not a "must" for taking pictures, and there are quite a few ** without a photographic foreground.
For example, -
Fig. 3, Fig. 3 and Fig. 4 are all photographs of the corner tower of the Forbidden City.
Figure 3 shows the effect without a photographic foreground.
There are only the subject of the photograph, the corner tower, and the background of the photograph, the sky (the clouds are also part of the sky).
Figure 4 shows the effect of having a photographic foreground.
At near and far, we see the branches overhead first – that's the photographic foreground.
And then there are the turrets and the sky.
Figure 4: With the above two photos ** as a comparison, we can have an intuitive understanding of the photographic foreground.
So, what are the benefits of taking photos and adding them to the foreground?
Existence is reasonable. There are many benefits to photographic foregrounds, and listen to the waiter's story.
1. The foreground of photography can reflect the layering of the picture.
2. The foreground of photography can guide the audience's gaze.
3. The foreground of photography can create a strong atmosphere for taking pictures.
4. The photographic foreground can enhance the three-dimensional sense and sense of space of the picture.
5. The foreground of photography can balance the picture and make the composition more flexible and interesting.
6. The photographic foreground can achieve various comparisons in the content.
Fig. 51, the photographic foreground can make ** "layered".
As mentioned earlier, the foreground is not a necessity for taking pictures.
The essential elements of a picture are the subject and background of the photograph.
Therefore, adding a photographic foreground is equivalent to "adding an extra layer".
You see, with the photographic foreground, it's like a sandwich.
One layer in the foreground, one layer in the middle ground (main body), and one layer in the background.
*Isn't it just "hierarchical"!
The position of the foreground in Figure 6 is also flexible.
For example, Figure 5 is the top branch, and Figure 6 is the flower at the bottom.
Fig. 72, photographic foreground, can guide the viewer's gaze.
We are photographing bridges, roads, railings, boardwalks, ......When such scenes with their own "lines" are present, the photographic foreground is "from near to far".
We can use the lines of these scenes as a visual guide. Guide the viewer's gaze along these lines all the way forward, extending into the distance.
So as to shoot the ** out of the sense of depth.
For example, the bridge in Figure 7 and the road in Figure 8. It's from near to far.
Figure 83, photographic foreground, can create a strong photographic atmosphere.
Using the greenery in the photographic environment as the foreground is a more common shooting method.
The color of the green plant can create a strong photo atmosphere for **. At the same time, we can also guess the photo time of ** through the color change of the green plant.
Fig. 9For example, the photographic foreground in Fig. 9 is a red maple.
As soon as you look at it, you can see that it was taken in autumn.
The leaves in Figure 10 are still green ......It must have been taken in the summer.
Fig. 104, photographic foreground, can enhance the three-dimensional sense of the picture, the sense of space.
*It's flat, but the scene we photograph is three-dimensional.
How do you shoot a three-dimensional view of the scene?
We can use shooting techniques such as virtual and real contrast, light and dark relationships, etc., to make the scenery in ** more three-dimensional.
For example, we can take a picture with a wide aperture when using the foreground.
A wide aperture reduces the depth of field and blurs the foreground. Refer to Figure 11 to show the contrast between virtual and real.
At the same time, the photographic foreground is hazy, which can also add a beautiful and romantic shooting effect to the world.
Fig. 115, photographic foreground, can balance the picture, make the composition more flexible and interesting.
Photographic composition is to balance the elements of the picture and make it more beautiful.
With the foreground, we can fill in the gaps in the frame and shoot a variety of interesting compositions, making the framing more flexible and the creative ideas richer.
For example, we can use the gaze guidance of the foreground to create a guide line compositionWe can also use the foreground to emphasize the subject and create a framed composition.
Fig. 12The photographic foreground in Fig. 12 is divided into two parts.
Flowers blooming on the top fill the empty space in the sky;
The road that extends below serves as a guide for sight.
The photographic foreground of Figure 13 is a "semi-enclosed" structure.
The greenery in the foreground forms a natural frame in which the subject of the photograph is enclosed.
Fig. 136, photographic foreground, can achieve various comparisons in content.
Photographs, in addition to being good-looking, should also be durable.
How can you make ** more "durable"?
The most straightforward way is to say something. **Not only should there be a sense of beauty in form, but also a place in the content that can make people "take a second look".
For example, use various contrasts to make the content more interesting.
Fig. 14 Fig. 14 compares the "big flower" in the foreground with the "small sun" in the background.
This contrast between the near and the far makes the visual effect more exaggerated and makes ** look very interesting.
Figure 15 compares the "dynamics" of traffic in the foreground with the "static" of buildings in the background.
Fig. 15 can be selected and laid out in the foreground to form various echoes with the background, creating visual depth and highlighting the subject of the photograph.
The photographic foreground is so useful, have you learned?
Figure 16 To improve the quality of photography, it is easy to understand and learn photography, so let's pay attention to Liu Shimo!
Pay attention to Liu Shimo, there will be a harvest!
Pay attention to Liu Shimo, photography has dry goods!
Knowledge sharing, for you to solve your doubts!