As we all know, Qianlong was fond of poetry and literary creation all his life, but when he traveled, he had a unique Xi habit - he liked to inscribe on specific objects. In the Imperial Garden of the Forbidden City, an accident happened: there were three strange stones in the courtyard, but only the wood stone got Qianlong's ink treasure. What kind of mystery is hidden in this?Let's unravel the mystery one by one.
As we all know, the Forbidden City treasures countless treasures. However, to appreciate the strange stones, you need to visit the Imperial Garden, Ningshou Palace Garden, Cining Palace Garden, etc., among which the Imperial Garden is known as the "Royal Strange Stone Museum" for its densely distributed strange stones.
The mystery of the strange stones of the Imperial Garden.
The Imperial Garden is located behind the Kunning Palace, which was once called the "Harem Garden" in the Ming Dynasty and renamed the "Imperial Garden" in the Qing Dynasty. It has a vast area, about more than 11,000 square meters, 80 meters wide from north to south, 140 meters long from east to west, and more than 20 buildings are built inside. Around each building, you can see a thousand strange stones everywhere, and the three most eye-catching of them are "sea cucumber stone", "Zhuge worship Beidou stone" and "wood stone".
Strange stone one: sea cucumber stone.
Located on the east side of Tianyimen, a stone 78 cm long, 66 cm wide and 14 cm thick resembles a sea cucumber connected from end to end. Experts have shown that sea cucumber is not a mineral stone, but a fossil formed by coral excrement on the seabed hundreds of millions of years ago. In addition to its unique form, this stone is also very different from ordinary stones because it gives it a warm feeling when touched by the hand.
Strange stone two: Zhuge worships the Big Dipper.
A richly colored patterned stone on the west side of Tianyimen presents the image of an old man wearing a scarf, a wide robe with large sleeves, and his hands folded in worship. On the opposite side of the old man, there is a white dot pattern arranged with the Big Dipper. Because the pattern resembles Zhuge Liang, the stone is named "Zhuge worship Beidou Stone". Tourists often come here with their children to place their hopes for wisdom.
Strange stone three: wood to stone.
Wood is made from wood sinking into water and turning into gloomy wood, and then carbonized to form silica fossils. The wood-changing stone in the Imperial Garden has undergone dynastic changes, but its surface texture is still clearly visible. It is worth mentioning that this piece of wood stone did not come from ordinary people, but was given to Qianlong by the rich monk A, a general of Heilongjiang, who is known as the "patrol general". This general made great achievements in war and was deeply appreciated by Qianlong.
Qianlong's joy at getting wood to stone was surprising. What's even more surprising is that Qianlong actually inscribed a poem on the stone, in which he wrote: "If you don't remember the day of throwing into the river, it is like the year of changing stones." Knocking on the sonor, the joints are still there. The side branches are thanks, and the straight and long are self-reliant. Although Kanggan is a tribute, it is inferior to this peak. Through "although Kanggan pays tribute, it is inferior to this peak" It can be seen that Qianlong's love for wood to stone, even if there is a turquoise tribute every year, it is not as good as this Song stone. And the description in the poem "knocks on the sonor, and the joints are still there." The side branches are all grateful, and the straight and long are self-reliant" vividly shows the form of this stone. The most important thing is that "if you don't remember the day of throwing into the river, it is like the year of changing stones" records a legend about "turquoise". Because of this legend, the Kanggan River has become the birthplace of the northern pine culture.
Qianlong will always leave his own traces on the things he likes. The inscription of poems on the wood to stone is enough to prove Qianlong's love for wood and stone, as well as his deep appreciation for the rich monks.
Epilogue. If you visit the Imperial Garden, you must go to admire the wood turning stone, touch it with your hands, is it exactly the same as depicted in Qianlong's poems?This mysterious stone in the imperial garden bears the imprint of history and witnesses the heart-warming moment of Emperor Qianlong.
This article delves into Qianlong's love for strange stones in the imperial garden, and introduces in detail three of them: sea cucumber stone, Zhuge Bai Beidou stone and wood stone. With vivid descriptions and rich historical materials, the author outlines the uniqueness of these stones, as well as the taste and appreciation of Emperor Qianlong.
First of all, the article constructs a clear scene for the reader through the background introduction of the Imperial Garden. The Imperial Garden is described as the "Royal Museum of Strange Stones", a title that immediately outlines the extraordinary features of this garden, and lays the foundation for the introduction of strange stones in the following article.
Secondly, the introduction of the three strange stones is vivid and interesting, especially the description of the origin and feel of the sea cucumber stone, which makes the reader have a strong interest in this stone. The pattern depiction of Zhuge Bai Beidou Stone is also unique, as well as the connection with Zhuge Liang, which adds a mysterious color to this stone. The wood turned stone was given special treatment, not only from the rich monk of Heilongjiang general, but also aroused the admiration of Qianlong, and finally became the object of his personal inscription.
In this article, Emperor Qianlong shows his unique vision for strange stones and profound cultural heritage. His words of praise for the wood-to-stone express his recognition of the precious nature of the stone, and at the same time integrate this praise into the historical legend, adding a rich cultural heritage.
Finally, the article cleverly guides readers' interest in the Imperial Garden by appealing to readers to appreciate the wood and stone when visiting the Imperial Garden, and to feel the imprint of this period of history on the spot. This kind of guidance makes the reader not only passively read, but also encouraged to experience the charm of history firsthand.
In general, this article not only conveys historical and cultural information through the revelation of the strange stones of the Qianlong Imperial Garden, but also stimulates the reader's interest through a unique narrative method. The text is fluent and natural, and the content is rich and vivid, which makes this review highly ornamental and knowledgeable.
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