Why didn t Zhang Sanfeng marry in his life?Reveal the love and hatred in Heaven and Dragon Slayer .

Mondo Culture Updated on 2024-01-21

Once upon a time, Jin Yong's martial arts ** swept the north and south of the country and became the representative of the Chinese world. Among Jin Yong's classic works, which one is the most fascinating?Everyone has their own answer. For the author, among Jin Yong's martial arts, the most complex description of the rivers and lakes, and the most fierce battle between the open and the dark, is none other than "Heaven and Dragon Slayer". However, a conjectural question in this ** has also attracted wide attention - why did Zhang Sanfeng never marry in his life?

Some people believe that Zhang Sanfeng did not marry because marriage might have a negative impact on his martial arts attainments, similar to what the old naughty boy said to Guo Jing back then. Some people also believe that Zhang Sanfeng, as a Taoist priest, saw through the red dust, so he chose to live a single life. However, these two interpretations are not entirely correct. Zhang Sanfeng's martial arts achievements are unfathomable, and it has little to do with whether he marries a wife or not. Whether a Taoist priest marries a wife or not also varies depending on the sect, for example, a Taoist priest of the Righteous sect can start a family.

The Condor love triangle and the mystery of Zhang Sanfeng's celibacy.

The truth may be hidden in another classic - "The Condor Heroes". In this martial arts**, Yang Guo, Guo Xiang and Zhang Sanfeng form a moving love triangle. Guo Xiang fell in love with Yang Guo, and because Yang Guo did not marry for life, Guo Xiang finally founded the Emei faction. What does this seem to have to do with Zhang Sanfeng?

In the Shaolin forbidden land, Guo Xiang met Zhang Sanfeng (then named Zhang Junbao), who was still a monk at the time, and the young Zhang Junbao fell in love with Guo Xiang at first sight. However, Guo Xiang's heart has long belonged to Yang Guo. This emotional entanglement seems to be reflected in Zhang Sanfeng in "Heaven and Dragon Slayer". Zhang Junbao fell in love with Guo Xiang at first sight, but he missed it because Guo Xiang was concerned about Yang Guo, forming Zhang Sanfeng's regret that "the first meeting under the mountain of Shaomu, and the first time I saw Guo Xiang, I missed it for a hundred years".

A confusing seven-word quatrain.

When Zhang Sanfeng accepted apprentices in his later years, he did not forget Guo Xiang. The names of his seven ** may be a hint. These seven names are Yuanqiao, Lianzhou, Daiyan, Songxi, Cuishan, Liting, and Shenggu. All seven names are taken from natural landscapes that are depicted in The Condor Heroes. The seven names seem to form a poem, revealing Zhang Sanfeng's deep affection for his first encounter and parting with Guo Xiang.

The strife between the rivers and lakes and the feelings of Shaomuro Mountain.

The poem composed of these seven names may be expressed as: "The far bridge is shallow and the lotus boat is wide, and the Daiyan is difficult to stop the stream from flowing." The green mountain looks at the pear pavilion from afar, and there is still a sound valley empty and long. These seven-word quatrains seem to outline Zhang Sanfeng's state of mind of missing Guo Xiang at the foot of Shaomu Mountain. After Guo Xiang founded the Emei faction, his longing for Yang Guo never diminished. This is reflected in the name she named her successor "Fengling Shitai", and the word Fengling is to commemorate the scene of her encounter with Yang Guo in Fenglingdu.

The names of Zhang Sanfeng's seven ** also reveal his pure and unforgettable relationship with Guo Xiang. These seven names contain the deep attachment in Zhang Sanfeng's heart for the first encounter and parting, just like a picture scroll of rivers and lakes.

Conclusion: The martial arts world where emotions are intertwined.

In Jin Yong's martial arts**, the emotional interweaving between the characters often moves readers. Zhang Sanfeng never married, not only because of his dedication to martial arts, but also because of the indescribable relationship between him and Guo Xiang. This not only enriches the plot of **, but also makes the entire martial arts world more confusing and fascinating. Through delicate character portrayals and emotional descriptions, Jin Yong presents readers with picturesque martial arts pictures.

Jin Yong's martial arts world has always been a topic of conversation among literature lovers and readers. This article deeply analyzes the mystery of why Zhang Sanfeng never married in Jin Yong's work "Heaven and Dragon Slayer", and the connection with the emotional entanglement in "The Legend of the Condor Heroes". Through the interpretation of the article, I can't help but feel the rich imagination of Mr. Jin Yong and the profound description of the inner emotions of the characters.

First of all, the article focuses on the uniqueness of "Heaven and Dragon Slayer", and places Zhang Sanfeng's choice not to marry a wife in the context of disputes in the rivers and lakes. This profound entry point provides readers with the opportunity for a fuller understanding of the world of martial arts. Zhang Sanfeng's high martial arts attainments and his choice not to marry a wife are interpreted more abundantly and thought-provokingly.

Secondly, by revealing the love triangle in "The Condor Heroes", the article connects Zhang Sanfeng's celibacy life with his early love entanglements. This kind of series not only adds an emotional layer to the article, but also provides readers with a more delicate understanding of Zhang Sanfeng's inner world. This interweaving of emotions not only makes the characters more three-dimensional, but also makes the entire martial arts story more in-depth.

The article also specifically mentions the names of the seven ** when Zhang Sanfeng was a disciple, which cleverly reveals the deep affection contained in it. The string of these seven names into a seven-character quatrain seems to be a celebration of the pure and indescribable emotion between Zhang Sanfeng and Guo Xiang. This ingenious interpretation is not only a praise for Jin Yong's meticulous description, but also an in-depth excavation of the connotation of martial arts.

Finally, the article is titled "Conclusion", which cleverly summarizes the main idea of the whole article. Through the praise of Jin Yong's martial arts world, the complexity and charm of emotional interweaving in ** are emphasized. Through his works, Jin Yong outlines a colorful picture scroll of rivers and lakes with his unique vision, attracting readers to step into it again and again, immersed in this martial arts world full of heroes and beauties, hatred and grievances.

Overall, this review not only provides an in-depth interpretation of the theme of the article, but also shows the author's deep understanding of Jin Yong's martial arts world through nuanced analysis. Through the appreciation of the article, readers not only have a deeper understanding of Jin Yong's works, but also have a clearer perception of the charm of martial arts.

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