Time flies, ** like the wind, gently blowing, awakening the strings of memory. In this era of change and innovation, artists convey the spark of culture through songs, among which Daolang's "Rakshasa Sea City" shines like a pearl, but along with the fiery praise, there are also some different voices, and there are quietly doubts about infringement. In the face of all this, Pu Songling's eleventh grandson Pu Zhangjun stepped forward, and he defended "Rakshasa Sea City" with a paragraph **, but showed an admirable mind and insight in it.
Body:
In this tortuous story, Mr. Pu Zhangjun sat on a chair with gray hair and a puff fan in his hand, and opened in a deep and solemn tone: "During this time, there are always some netizens who ask Daolang whether it is infringing to write "Rakshasa Haishi" and other songs related to the content of Liaozhai, and some people even call him **, asking to sue Daolang and ask for copyright fees. The old man's enlightenment was like a breeze, making people understand the essence of the matter in an instant.
He firmly stated that Mr. Daolang's creation does not involve infringement, on the contrary, we should fully support him. In this digital age, where information is spreading, Pu Zhangjun is well versed in the inheritance and innovation of culture, and believes that artists should promote Liaozhai culture through songs and other forms. The old man said frankly that according to the provisions of China's copyright law, there is a 50-year protection period after the death of the author, beyond which the work will become public copyright. His intellectual interpretation makes people deeply feel the profound significance of cultural inheritance.
Finally, Pu Songling's descendants expressed their adherence to the facts, calling on everyone to support and tolerate those artists who have contributed to the dissemination of culture. This positive response caused a lot of praise on the Internet, and everyone said that Pu Songling's descendants have a lofty pattern and broad thoughts, which is awe-inspiring.
Some netizens pointed out that Daolang successfully aroused the attention to Liaozhai culture through "Mountain Song Few"**, which is actually contributing to cultural inheritance, and there is no infringement at all. Pu Zhangjun's voice gave great support to this view.
And Daolang's charm is constantly emerging, and the new works he releases are always extremely exciting. Each of the short accounts has received more than 3 million likes, and the number of fans has exceeded 16 million. The newly released adaptation of "The First Snow in 2002" triggered a wave of memory killing, and the number of likes once exceeded 4.4 million times, once again rushing to the hot search list. This is not only a recognition of Daolang personally, but also an affirmation of his efforts all along.
In the entertainment industry, Daolang's popularity can be described as unique. The repercussions from all sides also show that his ** travels through time and space, breaks boundaries, and becomes a wonderful fusion of art and traditional culture. If he holds a concert one day, I believe that the scene will be spectacular and become a cultural event that cannot be ignored.
Conclusion:
In this era of surging musical notes and culture, Daolang evokes the rebirth of Liaozhai culture with its unique ** language. Pu Songling's 11th grandson, Pu Zhangjun, added a lot to this cultural defense, he justified Daolang's name with a thoughtful attitude, and called on all sectors of society to contribute to cultural inheritance. This may be the end of an infringement turmoil, but also a beautiful beginning of a cultural inheritance. In this moment full of possibilities, let us applaud and applaud for the best and every artist who chases his dreams.