The depiction of beauty in ancient books is always intoxicating, such as skin like clotin snow and face like hibiscus out of water, which makes people can't help but imagine a fair beauty, which is fascinating. However, archaeologists used modern technology to restore Wang Zhaojun's true appearance in 2014, which instantly detonated the heated discussion of social **. Netizens exclaimed and questioned the beauty standards that have been handed down. The changes in aesthetics are like shadows, the times are changing, and natural aesthetics are constantly changing.
In contemporary society, ** has become synonymous with beauty, and people are keen on slapping delicate goose egg faces, cherry mouths, and peach blossom eyes. However, when netizens saw Wang Zhaojun's true face, they were disappointed. This leads us to wonder how the change in aesthetic perception affects the definition of beauty.
In the Han Dynasty, the woman with "a pair of Danfeng triangular eyes and two bent willow leaves hanging tips" was known as a peerless beauty and a dream lover in the minds of men at that time. However, such a look may seem somewhat outdated in modern times and is considered "unpleasant". Wang Zhaojun is portrayed as a "national character face", and physiognomy believes that such a woman has a proud and mature mentality, but it is contrary to modern aesthetic standards.
This begs the question, why did the ancients worship Wang Zhaojun, who has a "national character face" face, as one of the four beauties? Could it be that she knows modern makeup techniques and can skillfully cover up her congenital deficiencies? Or does she have thick sideburns, coupled with the Han Dynasty's low-hanging hair accessories, which cover the "national character face"? Facts have proved that the reason why Wang Zhaojun was praised by the ancients was related to the aesthetic standards of the time.
The relationship between the Han Dynasty and the bordering Xiongnu State had an impact on the aesthetic concept of the Han Dynasty. In order to preserve the strength of the country, the Han Dynasty adopted a policy of harmony and proximity in order to seek temporary peace. Wang Zhaojun married a foreign land because of her strength and integrity, and became a princess in a foreign country. Her courage and sacrifice have left a deep impression on her beauty. Although her face has withered with the passage of time, her beauty is not only the delicacy of her skin, but also the embodiment of temperament and connotation.
In modern society, although beauty is pursued by people, the years are ruthless, and beauty will eventually wither. True beauty is not only reflected on the outside, but also comes from the inner temperament and conduct. A star like Liu Shishi, who has a refreshing and elegant face, has become a clear stream in the entertainment industry through her simple and elegant outfits and inner temperament, and has won the love of fans. The temperament and character she displayed are the true symbol of beauty.
Beauty is in the bones, not in the skin. Beautiful faces will eventually be eroded by time, and true beauty is the quality that still shines in the passage of time. Wang Zhaojun's beauty is not just a temporary beauty, but through her temperament and conduct, it has become a classic beauty that has been praised through the ages. Looking at ancient aesthetic concepts, we may be able to understand the nature of beauty more deeply.
Conclusion: Wang Zhaojun's true appearance**, the truth of ancient aesthetics is eye-opening! What's the story behind beauty? Click to learn about the mysteries of ancient aesthetics!
This article profoundly explores the difference between ancient aesthetic concepts and modern aesthetic standards, as well as the social heated discussion caused by Wang Zhaojun's true appearance. With a unique perspective, the author skillfully compares the standards of ancient beauty with contemporary aesthetics, showing the evolution of aesthetic concepts and the development of the times.
First of all, the article takes the standard of beauty described in ancient books as an introduction, bringing the reader into a classical and imaginative realm of beauty. However, after Wang Zhaojun's true appearance**, the discussions and questions that emerged on social ** made people re-examine the ancient aesthetics. This contrast provokes the reader to think about the changing standards of aesthetics, and the diversity of the definition of beauty in the passage of time.
Secondly, the article cleverly introduces the aesthetic standards of the Han Dynasty, and shows the ancient men's yearning for female beauty by describing images such as "a pair of Danfeng triangular eyes and two bent willow leaves hanging tips". This description allows the reader to feel more concretely the uniqueness of the ancient aesthetic and the different meanings of women with different faces.
Then, starting from the historical background, the article points out that the relationship between the Han Dynasty and the Xiongnu had a profound impact on the formation of aesthetic concepts. The policy of harmony made Wang Zhaojun marry away from home in order to maintain the peace of the country. Wang Zhaojun's strong temperament and upright conduct have become a symbol of her beauty, which transcends superficial appearances and is more profoundly manifested as an inner quality and charm.
The article also shows the beautiful diversity through Liu Shishi, a star in modern society. Liu Shishi's refreshing and elegant has become a clear stream in the entertainment industry, and her temperament and inner conduct have become the key to attracting fans. This emphasis on inner beauty is similar to ancient aesthetic standards, leading readers to think deeply about the nature of beauty.
Finally, the article emphasizes the concept of "beauty is in the bones, not in the skin" by in-depth definition of beauty. The years are merciless, and the face will eventually wither, but the real beauty is the quality that still shines in the years. Wang Zhaojun's beauty is through her temperament and conduct, which has become a model for the ages.
In general, through the detailed interpretation and deep thinking of the article, this review skillfully demonstrates the author's unique insights on ancient aesthetics and guides readers to think deeply about the definition of beauty. The structure of the article is clear, the logic is rigorous, and it profoundly reveals the diversity of aesthetics and the changes of the times, so that readers can get rich ideological enlightenment in reading.
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