**The technique of root note accompaniment is to accompany the singer, starting from the first note of each bar, and playing the first note, you can give the singer a revelation and let him sing along the tune. And as soon as the singer speaks, it must be in tune, and it needs to be supported by the root tone. Of course, there is another way of saying the root sound, which is the basic tone of each bar, and the basic tone is usually above the first syllable. Thus, root accompaniment became the basic type of accompaniment. Starting from the root accompaniment, it seems that we can see a lot of human psychological problems.
People's attention shifts, and they can't focus on one thing forever. If you focus on singing, you will ignore the accompaniment, and if you focus on the accompaniment, you may not be able to sing well. After all, many people can't do it at a time and can't make a good sound. Singing is an aesthetic need, the person who sings should sing well, and the person who listens should be able to appreciate how the person who sings expresses the aesthetic skills of the voice. It's easy for a person to hum a song casually, but if you sing it according to the ** standard, it will be very strict, and you can't make a mistake in a tune or a beat. As a result, few people can sing a song well.
It's just a cappella, without ** accompaniment, it's easy to sing, and you can even get a full house, but it's not really original. Many original singers don't use ** accompaniment, they sing as soon as they open their mouths, like shouts in the fields, like the sound of the wind, like the sound of rain, and they can actually make beautiful harmonies, which makes people breathtaking. If it is accompanied by the sound of instrumental music, it is not original, and it loses a lot of original beauty. After all, the sound of instrumental music will mask the lack of vocals, and at the same time, it will also embellish the various faults of the vocals. Especially when the singer needs to breathe, the instrumental music can be added at any time, so that the audience can hear the coherent **, so that the audience can maintain a state of concentration and not slack off. The beauty of ** is not only in the vocals, but also in the aesthetics of instrumental music, but the accompaniment of instrumental music and the vocals should be in the same key, and they should complement each other. In this way, some psychological principles have to be applied.
The singer's attention will be shifted, when he first sings the first line, his energy is concentrated, and by the time he sings, even in the middle of the first line, his attention has already shifted. At this time, the instrumental accompaniment will also be "cutting corners", just starting the accompaniment from the root note, and in the middle of the sentence, it is not so powerful, but walking a few main notes is considered to complete the accompaniment. If the instrumental accompaniment and the singer sing the same note, without being "lazy", it will be noisy and people will not know whether to enjoy the instrumental music performance or the singer singing. That is to say, the root accompaniment method of instrumental music only needs to work on the root note, only select a few main notes in the middle of each sentence to play, and even elongate the tone to give the singer the space and time to show his singing voice, and also play the end note at the end of each sentence, and appropriately pick up the next sentence to give the singer a chance to breathe. In particular, some songs with strong lyricism need this kind of accompaniment. Even some up-paced songs need this kind of accompaniment.
The instrumental accompanist will beat the beat, let the singer's voice into this beat, and make the singer consciously obey the temporal needs of the beat. At the junction of the sentences of the lyrics, it is necessary to breathe, and the beat is especially important at this time. In other words, ventilation also needs a rhythm, which needs to be in line with the beat. Of course, you can also steal ventilation in the middle of the sentence, and it must also meet the needs of the beat. The bright rhythm can drive people's nerves, make people excited, and even make people sing and dance to the beat. The lyrical rhythm can make people indulge in it and even produce a lot of beautiful fantasies. People who appreciate ** are generally people who don't know much about **, they don't distinguish a lot of sound levels, they don't distinguish whether the voice and the accompaniment sound are consistent, and they don't hear the beauty of the root accompaniment, but they just feel that the sound of the instrumental accompaniment and the vocals are closely connected and complement each other, but they are not stiff and separated, even if they enjoy a good song singing. In fact, not only the singer was deceived by the root accompaniment, but also the listener was deceived by the skill of the root sound accompaniment.
Art has always been like this, it only pays attention to skill, but not clumsy force. If the instrumental accompaniment plays the whole melody of the song, there is no need for the singer to sing it. And the singer seems to be thankless, many voices have been replaced by instrumental music, what else do you sing?As a result, the root accompaniment technique of instrumental music has become the basic accompaniment technique, but it has just retreated to the position of the deputy, never dominating, and can also be expressed at the junction of sentences, can be shown when "passing through the door", and even shows it at the end, which can be regarded as showing the aesthetic pursuit, so that the audience can not only appreciate the beauty of the vocals, but also appreciate the beauty of instrumental music.
In fact, the singer who sings the song has a shift of attention in the singing process, and the listeners who appreciate the song have also shifted their attention, so that the accompaniment will have a certain space to show. And the root accompaniment is at the beginning, and not a single note is missed, but it is not the case later. Compared with singers, the root sound accompaniment technique has a kind of "** lead into the door, practice in the individual." ". It's like some leaders take the lead in doing things, they focus very closely at the beginning, and then they rely on others to do it.
The root sound accompaniment is very interesting, in line with the habit of song creation and appreciation, and also in line with the psychological law of people's attention transfer.