In the history of modern Chinese painting and calligraphy, a number of outstanding masters of painting and calligraphy have emerged, among which the ** period is the most brilliant. Qi Baishi is one of the most well-known, and his artistic achievements are not only almost perfect in terms of flowers, birds, insects, fish, landscapes, and figures, but also in calligraphy and seal carving. However, his love life is also legendary, and marrying a wife and starting a family has become a highlight in his life.
Qi Baishi's first wife, Chen Junchun, was born poor and became the adopted daughter-in-law of the Qi family, and the two officially married at the age of nineteen because of the three-year difference. The marriage lasted for many years and had five children. However, as Qi Baishi's career developed, he was ready to move to Beijing, while Chen Junchun stayed in his hometown due to his old age and the needs of his family. In order to take care of Qi Baishi, she specially found a seventeen-year-old concubine Hu Baozhu for him.
Hu Baozhu was originally the maidservant of Qi Baishi's relatives, and was taken by Chen Junchun to take care of Qi Baishi because of her poor family. In Beijing, Hu Baozhu officially married Qi Baishi and became a concubine. At this time, Chen Junchun died of illness, and Qi Baishi specially set up a banquet to turn Hu Baozhu into the main room, completely securing the position of the hostess of the Qi family.
However, the twist of fate did not stop there. Qi Baishi met Shuhua, a seventeen or eighteen-year-old maid in Beijing, whose arrival made Qi Baishi feel the burst of inspiration again. Shuhua is gentle and lovely, and has become Qi Baishi's confidante, allowing him to reach the peak of artistic creation again.
However, this beautiful relationship caused Hu Baozhu's dissatisfaction. She was unwilling to share her husband's favor and began to make a series of difficulties for Shuhua. Qi Baishi tried his best to protect Shuhua, but Hu Baozhu's rejection of Shuhua gradually evolved into a double torture of body and spirit.
In order to maintain his position in the Qi family, Hu Baozhu tried his best to expel Shuhua. Shuhua finally asked to leave, and Qi Baishi, in order to maintain and reconcile her hard work for a year, finally agreed to her request and let her leave the Qi family. Since then, Shuhua and Qi Baishitian have been on their own side, and there has been no contact.
Hu Baozhu became the only hostess of the Qi family until she died of dystocia in her later years. Qi Baishi married Xia Wenzhu and a young girl one after another, but died at the age of 93 and reunited with his three wives in another world.
This legendary relationship experience has witnessed the ups and downs of Qi Baishi's life, as well as the complicated emotions between him and his three wives. This love legend of the master of Chinese painting, like his paintings, has endured for a long time and has become a great story in the history of modern painting and calligraphy.
Qi Baishi's emotional experience is as colorful as his art, and this legendary love history has left a deep impression on future generations. In this story, Qi Baishi shows the complex emotions he has in art and life, while also revealing the profound impact of social context on the fate of individuals.
First of all, Qi Baishi's artistic achievements are fully reflected in this story. As a master of Chinese painting and calligraphy, his paintings are based on the themes of flowers, birds, insects, fish, landscapes and figures, and the colors and brushwork are almost perfect, concise and vivid, leaving a deep impression on people. Not only that, but he also has his own style in calligraphy and seal carving, showing his multiple talents in the field of art. The story of how he created more outstanding works in the company of Shuhua shows the deep emotional bond between him and art.
Secondly, Qi Baishi's love life has also become a highlight of this story. From Chen Junchun to Hu Baozhu to Shuhua, each woman plays a different role in his life. As the first wife of the Qi family, Chen Junchun spent the poor years with Qi Baishi and gave birth to five children for him, which was a strong backing for him in the early stage of his career development. Hu Baozhu became his concubine because of the needs of the family, and she used to be a maidservant, and she emerged step by step in the Qi family and became the main room. Shuhua brought new inspiration and creative impetus to Qi Baishi, and became his confidante in his later years. These emotional changes show Qi Baishi's rich and tortuous life course.
However, this love story also reflects the reality of society and the complexity of human nature at that time. Hu Baozhu's rejection and embarrassment of Shuhua shows the jealous and jealous side of human nature. Under the influence of feudal society, Qi Baishi's marriage system and family concept were strictly restricted, and every woman lived, toiled, and competed with each other under this system. And Qi Baishi's role in such a family relationship is not only the master of the family, but also an individual in multiple emotional entanglements.
In general, this story is not only a portrayal of Qi Baishi's artistic life, but also a microcosm of the social system and family concept of that era. Through the review of this relationship experience, we can not only feel Qi Baishi's multiple talents as a great artist, but also get a glimpse of the complexity and repression of women's status in feudal society. This story gives us a deeper understanding of the close connection between Qi Baishi's artistic practice and his personal emotional life.
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