Bashan Shushui, bamboo shadows, Shu talents. Wei Hao of the Tang Dynasty pointed out: "The sword gate is broken, the Hengjiang River is cut down, and the song of Min'e is not Jinchuan." The people of Shu are unheard, and they are outstanding. This unique phenomenon was continued in the pen of Li Zhen in the Ming Dynasty, and he exclaimed in "Continuing to Burn Books": "Minjiang is not a person, but a person is Li Qixian, Su Poxian, Yang Shuxian, for the Tang Dynasty, the Song Dynasty and our dynasty, it is strange." Writer Jiang Lan dug deep and vividly portrayed 13 non-famous characters in Shu with distinctive personalities with "The Chronicles of Shu People: Records of Contemporary Sichuan Strange People" as the carrier. The spiritual qualities such as responsibility, forbearance, bravery, perseverance, versatility, open-mindedness, and affection displayed by them have condensed into a picture of Shudi talents.
Harvest of bamboo culture: the wisdom of life and the inheritance of skills of the Shu people.
Sichuan, densely surrounded by bamboo, has enriched the wisdom and skills of life in bamboo culture. Through the unremitting exploration of generations of skilled craftsmen, the bamboo art form with Bashu characteristics has been perfected day by day, and several major schools have been formed. Liang Ping's bamboo curtain paintings, Zigong's Gong fans, Chongqing's porcelain bamboo weaving, and Jiang'an's bamboo spring carvings and bamboo inlays are all famous. Among them, Gong Fan is known as one of China's "four famous fans", and some people even call it "the first fan in the world".
The Wonderful Inheritance of Gong Fan: The Extreme Aesthetics of China's First Fan.
Gong Fan, known as "China's first fan", is a model of extreme aesthetics. Looking back at the inheritance of the Gong family, it starts from Gong Juewu's original intention. Born in the Guangxu period of the Qing Dynasty, he was originally a coal picker in the salt field, because of a chance encounter, he saw a bamboo basket in the hands of a businessman, which inspired the beautiful fantasy of the bamboo fan in his heart. Resigned from the miserable job of picking coal, Gong Juewu devoted himself to bamboo weaving, creating a legend of Gong Fan that has been passed down to the world.
The aesthetics of Gong Fan were gradually sublimated in the hands of Gong Juewu, and evolved from the original cool and practical products to exquisite works of art. Its thin as cicada wings, soft and smooth characteristics won the love of the Empress Dowager Cixi, and gave it the name "palace fan". This name gradually evolved into "Gong Fan" with the inheritance of the Gong family, and became synonymous with extreme aesthetics.
Gong in miracles: traditional ingenuity is passed down from generation to generation.
One morning in the summer of the late 20th century, the famous writer Jiang Lan interviewed Mr. Gong Changrong, the third generation of Gong Fan and the then 86-year-old Mr. Gong Changrong. The old man lived in a dormitory, and devoted his life to the ingenuity of the bamboo fan in a small space. He told Jiang Lan about his grandfather Gong Juewu's encounter with bamboo weaving: "It was too hard to pick coal, and after he went home, he pondered the ...... of weaving his own fan."A wonderful imagination determined the trajectory of Gong Juewu's life.
In the early days, Gong fans were just ordinary bamboo fans, which were used to cool off. But Gong Juewu's ingenuity was not satisfied with this, he gradually cut the bamboo strips into thin strips and weaved them into fine bamboo silk fans. The glyphs such as "Furoku Suki" on the fan surface were gradually replaced by festive patterns such as "magpie and plum". The sublimation of Gong Fan not only made it gradually loved by the upper class, but also made it transcend pragmatism and become a pleasing work of art. A gong fan swayed, bringing about the fragrance of the fan, the tranquility of the boudoir and the joy of the rabbit.
The exquisite beauty of Gong Fan: meticulous ingenuity.
In Gong Changrong's eyes, Gong Fan is a kind of middle way, a kind of beauty that flickers in the gap between expansion and contraction. His younger brother Gong Yuwen took this beauty to the extreme, becoming the first batch of national arts and crafts masters awarded by the Ministry of Light Industry of the People's Republic of China.
Gong Yuwen said proudly: "After fifty or sixty years of practice, my hands never sweat, because when I sweat, I stain the bamboo silk. His life was filled with the ingenious pursuit of bamboo fans, and he spent his life sitting on a bench. Accompanied by the "cold bench", his life is woven into the fan, moving and still, metal and bamboo, flowing and stationary, and in these opposites shimmer with the brilliance of the middle way.
The inheritance and sublimation of Gong fan: the miracle of ingenuity.
The inheritance of Gong Fan is endless, and the brothers Gong Daoyi and Gong Daoyong, who are the heirs of the **, have pushed this ingenuity to a new height. Gong Daoyi once spent 8 days and nights to complete a fan with a diameter of 7 inches, which became a miracle in the history of Gong fan weaving. Inspired by Shu embroidery, he spent four months completing a double-sided fan, presenting a wonderful work of scattered flowers and galloping horses. The improvement of this process is not only reflected in the more sophisticated materials, more successful creations, and more superb technology, but also in the packaging of Gong fans. In order to make it easy to carry and preserve, the handle of the Gong fan is even inlaid with gold, silver and jade, and the gold and jade match, showing dignity and elegance.
Ingenuity: the future beauty of Gong Fan.
Nowadays, Gong Fan is not only a handicraft, but also a symbol of Shu ingenuity. In the inheritance of this ingenuity, the future beauty of Gong Fan is becoming more and more gorgeous. 86-year-old Gong Changrong once said: "I welcome others to learn, but after 20 years, I will see if I can produce qualified works!."This is the master's persistence in ingenuity and rigor in art, and it contains how much sorrow and hardship. They weave the soul with bamboo silk, freeze time in the fan, and make the Gong fan a peerless beauty of ingenuity.
The article "The Bamboo Rhyme of Shudi: The Ingenuity Road of the Legend of Gong Fan" vividly shows the rich connotation of Sichuan Shudi bamboo culture and the ingenuity inheritance of the traditional craft of Gong Fan. This article presents the unique temperament and perseverance of Shu talents with profound observation and description, and also tells the evolution process of Gong Fan, outlining a legendary picture of Shu ingenuity.
First of all, the article vividly shows the historical phenomenon of the emergence of talents in Shu by quoting the comments of ancient and modern masters. From the Tang Dynasty to the Ming Dynasty to the contemporary era, talents from Shu have emerged like springs, and this unique regional cultural atmosphere has laid a solid foundation for the inheritance of Gong Fan ingenuity. Writer Jiang Lan profoundly interpreted the spiritual qualities of Sichuan people such as responsibility, forbearance, bravery, perseverance, versatility, open-mindedness, and affection through the vivid portrayal of 13 non-famous characters in Shu through the vivid portrayal of 13 non-famous characters in Shu, and injected the soul into the ingenuity culture of Shu.
Secondly, through the vivid depiction of the traditional craft of Gong fan, the article brings the reader into a world full of ingenuity. The origin of Gong Fan originated from the adventures of a coal picker, showing that the origin of traditional craftsmanship often comes from unexpected inspiration. After several generations of efforts, Gong Fan has gradually evolved from the original cool and practical product to an ultimate representative of Chinese aesthetics. The article describes in detail the weaving process and the process of continuous innovation of Gong fan, so that readers can deeply feel the uniqueness of this craft. At the same time, the inheritors of Gong Fan use meticulous ingenuity to make this craft continue to sublimate in time and become the ultimate beauty of art.
Finally, the article highlights the inheritance and sublimation of Gong Fan, and shows how the inheritors of Gong Fan in modern times have pushed the traditional ingenuity to a new height by quoting the deeds of Gong Daoyi and Gong Daoyong brothers. The continuous improvement of the material, creation and craftsmanship of Gong Fan makes it not only a handicraft, but also a representative of ingenuity. The inheritance of this generation embodies the Gong family's adherence to ingenuity and rigor in art, and injects new vitality and vitality into the ingenuity culture of Shudi.
On the whole, this article shows the unique charm of Shudi's ingenuity culture through profound descriptions and vivid narratives. Through the legendary history of the traditional craft of Gong fan, readers can better understand the inheritance and innovation of traditional culture, as well as the sublimation of the beauty of ingenuity in time. This article is not only a tribute to the ingenuity culture of Shudi, but also a cherishment of traditional craftsmanship, presenting readers with a picture of the inheritance of Shudi's ingenuity.
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