Come to Chusheng,Modern art giants who have made outstanding achievements in all aspects of calligraphy and painting seal carving, Wu Changshuo and Qi Baishi are another freehand seal carving master. His seal carving works have a pivotal position in the modern printing world.
Today we continue to read the master's seal and appreciate the works of the seal carving master Lai Chusheng. 
Rest and make a trip.
Appreciation
Zhu Wen six characters, the layout of this printing text should be influenced by the Warring States Yan brand horse seal "Tang Du Cui Carriage Horse".
Tang Ducui chariot horses.
However, the U-shaped layout of the "Tang" inscription is extremely peculiar from the standpoint of the layout of the Han Yin.
However, the peculiar is peculiar, and the dense arrangement of the text finally feels excessive. Although the layout of this seal is effective, it has converged a lot in the density of the text.
The middle of the print is empty, and the "Tang" is printed with the width of one word, and this is printed with Han and half a word, but in order to appreciate the ancient law, the ancient is the embodiment of the present use.
Its words are basically small seals, but the "heart" under the "rest" uses the big seal to write, the size of the seal is the habit of using the seal, although this is not for the scholars of ancient characters, but from an artistic point of view, as long as the shape can be unified, and the white cloth is reasonable, the size of the seal is also coherent, not only the negative, Deng Sanshu and other word methods are also the same.
Shen Qi's calligraphy and painting. Appreciation
Four characters in white text.
The structure of the word "Shen" is symmetrical, except for the left and right parts between the two parts close to the fill, the other vertical spaces are very uniform, and the right vertical is more close to the edge and remnant.
The three horizontal and horizontal sides of the word "Wang" of Qi are higher than the middle, and the "Qi" part is also tight at the top and loose at the bottom, which is consistent with the tightness next to the "Wang", and the right side is separated from the edge, which is different from the relationship between "Shen" and the side.
The horizontal painting of the book is dense, each horizontal side is different, and the horizontal is not equally distant, and there is a slight shadow of the multi-horizontal writing method arranged by the Zhu Wen of the Loess Tomb. And its right side is kept at a distance from the word "Shen".
The word "painting" is written in a large seal, the middle of the "text" is written at will, and the lower part of the "field" is larger and the remnant is out of the edge, because it is flexible and vivid, and its right is more connected with the word "Qi", which is different from the relationship between "Shen" and "book".
On the right, "Shen" is out of the edge, "Qi" is not out of the edge, the "book" and "painting" on the left are kept at a distance from the edge, the "book" is a small residue on the upper left, and the "painting" is a big remnant, which echoes the remnant of the right of "Shen", coupled with the remnant between the words, it can be seen that the intention of the person is broken.
I hope we see each other often.
Appreciation
Seven characters in white text, generally speaking, multi-character printing seems to be difficult and easy, only the seal law is suitable for a fair layout, especially the extremely many character prints.
The width of the seal carving can be walked, and the cloth white means that are dense and cannot be needles are reduced to dots, and it is difficult to perform. The old man of Baishi is as bold as a fight, the seal cloth is white and white, it is very capable of danger, and its masterpiece is very infectious, but its carved multi-character seal is not good. It is difficult to play to the advantage.
The seven-character seal is between more words and fewer words, and the Zhu Bu Bai can still be used, so the negative Weng used its usual four-character printing and three-character one-line layout method, the text is folded, the strokes are fine, obviously derived from the Han General Seal, its style is staggered, and the aftertaste is endless.
He divides the text into four groups, "but" and "none", "wish" as a group, and "often meet" as a group.
Changed the world. Appreciation
Zhu Wen's four characters, **Lang Taosha Beidaihe" Chinese.
Because it wants to show its great spirit, so the negative Weng will show this seal to be strong and stout, majestic and simple and clumsy is its long, but this seal strongly emphasizes that the text lines are blindly thick, according to the text order, for the diagonal sparse, "change" and "dense", "up" and "people" sparse.
The word "change" is replaced by the right side, the glyph is plump and expanded, because it is majestic, the word "up" is thin and simple and smart, round and multifaceted, the word "person" is also simple, but it is combined with a straight line, because of the diagonal simple word, straight line structure, a circle to the structure, although the simple and the square circle is different, it is the same in the difference, the word "between" is also expanded, but it is sparse than the word "change", its left side is separated from the border, because the treatment of the relationship between the word and the side of the diagonal "change" is different, so as not to repeat.
The upper end of the word "person" is close to the edge and the lower end of the word "δΊ†" is far away from the edge, and its processing method is slightly the same as the previous group. The lower side of the "up" and the left side of the "person" are large remnants to echo diagonally, and other small remnants are used to cooperate to achieve the effect of being heroic and spiritual.