The essence of calligraphy Huang Bao Yinglian ink view
Huang Baohu (1880-1968) was a modern calligrapher and seal carver. The word farmer, the neighboring valley, the broken bowl, and the alias Qingshan farmer. A native of Changle, Fujian. In his early years, he studied at the Quanmin Normal School and graduated from the Shanghai School of Law and Politics. He was trained at an early age, and devoted himself to the study of Xi Eight Bodies and Six Books, and Xu's exegesis. He served as the director of the Fujian Provincial Library, a teacher and a supervisor of Fujian Class A Commercial School. In the early 20s, he settled in Shanghai, and after Huang Binhong and Wu Zhiqiu, he served as the director of the art department of the Commercial Press for a long time, collecting and publishing calligraphy and painting works of the past dynasties. He is also good at distinguishing authenticity and authenticity, and is good at identification. During this period, he also served as the editor-in-chief of Wenyuan, a supplement of China New News, the director of the Chinese Painting Department of Shanghai Academy of Fine Arts, and a professor of calligraphy and painting at Shanghai University. He had a close relationship with Zhang Taiyan, Li Gengen, Chen Shutong, Tan Zemin, Zheng Zhenduo, etc., and got acquainted with Wu Changshuo, Huang Binhong, Ding Fuzhi, Zhang Shanzi, Zhang Daqian, etc. In 1925, Wu Changshuo and Xiling Tongren collected a huge amount of money to redeem the outflow of the "Han San Lao Character Taboo Day Carved Stone", which was permanently preserved in the stone room of the Xiling Seal Society in Hangzhou, and was made by it to make the seal book "Competing for a Stone of the Yan Han Dynasty, Yonggong Ming Lake Wansi Year", engraved on both sides of the main entrance of the stone room. In the mid-40s, he resigned from the Commercial Press and became self-sufficient in Shanghai. After 1949, he was employed as a librarian of the Shanghai Museum of Culture and History, and served as a member of the third session of the Shanghai Federation of Literary and Art Circles. Its calligraphy is on the Qin and Han dynasties, and the official book is especially thanks to the "Qi Bo Monument". I also love the book of Yi Bingshou, a former sage in the same lane. The pen is strong and tranquil, and the knot is graceful and free. Seal carving because of the calligraphy reputation and cover, from the "Ambiguous Lu Copy Seal Collection" can know its seal carving of the first division of Anhui, Zhejiang two factions, following the law of the pastor, chasing the Qin and Han dynasties, the re-reference Han tile Jin bricks, sealing mud and three generations of Jijin. He is the author of "Huang Ai Nong's Seal Book Hundred Family Names", "Lishu Thousand Character Text", "Qingshan Agricultural Calligraphy and Painting Collection", "Cane Xiang Pavilion Printing and Storage", "Cane Xiang Pavilion Poems" and so on.
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