2005 is known as the "** year of Japanese dramas", and the quality of Japanese dramas broadcast in this year is shocking.
The critically acclaimed "Dragon Sakura" was produced in this year, which can be summed up in eight words:Super touching, super inspirational.
Dragon Sakura is based on the work of the same name by Japanese manga artist Noribo Mita.
Presumably, both the original author and the screenwriter are full of endless resentment about the exam, so they will construct a theme that is so close to the real education system and the psychology of students.
The main character, Kenji Sakuragi, becomes its spokesperson, telling everyone the truth that has always existed but most people are not aware of it at all.
After reading itI'm thinking, if I could see this ** before the college entrance examination, would there be a different result?
After 18 years, "Dragon Sakura" actually has a domestic version.
Two episodes were broadcast, and the central eight were broadcast simultaneously, and the ratings soared to the first.
"Singing Dragon Boy" i 2023
Douban: Not yet
The adaptation of Japanese dramas to domestic dramas is still very difficult.
The biggest difficulty is that there are differences in the educational backgrounds of China and Japan, so many of the scenes in the Japanese drama "Dragon Sakura" cannot be directly "taken", otherwise, it will be easy to distort these episodes if they are placed in domestic dramas.
It's a testScreenwriter Chen ShuLooking at her past works, it's still okay.
The director isDing Hei, the masterpiece of the gods is a Douban score as high as 93's "The Vertical and Horizontal of the Great Qin Empire".
"Police Glory", which I directed last year, is also 85's high reputation, this "Minglong Boy" is the second collaboration between director Ding Hei and actor Zhang Ruoyun.
The heroine Huang Yao has won the Magnolia Award for Best Supporting Actress with "Mountains and Seas". The young actress has proven her acting skills in many film and television dramas.
Zhang Ruoyun met Huang Yao, which was obviously a collision between young powerful factions.
In the play, "Minglong Experimental Middle School" is a merger of two middle schools, "Mingying" and "Longhai".
The results of the two high schools are very different - Ming Ying, who is wearing a blue school uniform, has a pass rate of 98%, which is undoubtedly the leader; And Long Hai, who is wearing a red school uniform, has a pitiful 20% of the second pass.
Faced with such a disparity, the combined school will have to make drastic changes.
In order to improve the school's admission rate, a teacher asked the students with weaker grades to choose to quit the college entrance examination and go to that one insteadHigher vocational single recruitmentof the road.
The college entrance examination is the theory of fractions. This road is tantamount to crossing a single-plank bridge with thousands of horses. If it is true that the score is not good, then it is also a way out to realistically choose a skill that suits you and prepare in advance to face society.
But are the teachers and students of Longhai willing? Are the parents of Longhai's students willing?!
The principal from the underperforming side objected to this, and he could not agree with the idea of treating those students as outcasts, questioning whether this was the same as abandoning them completely.
At such a critical moment, the principal invited the former gold medal lecturer of the training school, Lei Ming (Zhang Ruoyun as the ornament
Lei Ming's father is a well-known figure in the education industry, who once formed a class to help many students with the lowest grades get into college, and now suffers from Alzheimer's disease. And he himself is also a highly educated and well-known lecturer, but he doesn't know what happened to him in the later period, he met Waterloo, and he hasn't been engaged in the education industry for a long time.
Now, in order to raise money for his father's treatment, he was ordered to take on this task in danger.
At the beginning, Mr. Lei Ming did a "social experiment" for senior high school students at the opening ceremony.
He had all the high school juniors stand in a row:
Have a stable specialty hobby, one step forward. ”
Parents have the ability to help with homework and take a step forward. ”
I won't go into these questions, but I simply summarize them by basically dividing them into two important factors: growth environment and self-assessment.
The results are clear that children (not all, most) who excel in Xi tend to be children with harmonious families, educated parents, cared for, and clear plans and perceptions for the future. And those children whose grades are temporarily unsatisfactory are often in a family life, have no sense of belonging, and are confused about where to go in the future.
The portrayal of several students is also very reflective of the specific situation of children growing up in different growth environments.
One is Li Ran, a boy whose father died early when he was a child, and his label is that the current situation of alienation, utilitarianism, and poverty makes him want to let his grandmother live a good life as soon as possible.
He has the title of "Longhai Jobs" and is especially good at repairing mobile phonesSome incurable diseases that the boss can't solve, he can solveIn school, he belongs to the man of the hour.
The other is Cheng Yushan, a girl from a restructured family, whose label is that she is resentful, utilitarian, and disgusting but wants to use and want to escape, which has something to do with her family environment, homePatriarchalLet her have resentment and utilitarianism, butHer dark and obscene stepfather makes it difficult for her to face the relationship between the sexes correctly, and she is crazy to escape
The advantage is that he is extremely talented in mathematics, has strong mental arithmetic ability, and has excellent ability to read words and colors.
What is commendable is that Minglong did not deliberately exaggerate some eye-catching plots such as "youth scars", "generation gap contradictions", "foster family", and "loss of father and mother" as in many works of internal entertainment.
Instead, use "Secondary 2", "Bloody" and "Laughter" to neutralize some of the parts that are too cruel. Let the audience have a relatively objective and neutral perspective to look at the problems arising in these original families.
For example, thundering on the playground and shouting to all the errand students:"As long as you come to class 11, I'll give you a chance to overtake in the corner. ”
At this time, Li Ran, who mentioned earlier, raised his hand, Lei Ming thought that he was going to sign up, and he was just about to applaud, but he said:"Report, I want to pee, I'm a person with a problem, I want to pee when I listen to nonsense. ”
Laughter.
The change in the style of light comedy gives the audience the difference between "**" and "depressed".
I really like this kind of "everything happens in nature" scale control.
The director is also full of close-ups and details, whether it is the eye movements of Mr. Lei Ming or the emotions in his static eyes, they are like a storyteller, so that the audience is immersed in it, and it feels completely insufficient.
I hope that the screenwriter in the later stage will be strong, and he can be enthusiastic, don't levitate!