From 5:30 p.m. to 7:30 p.m. on December 13, 2023, sponsored by the Tongliang District Cultural Center (Art Museum) and Chongqing Tongliang District Artists Association, and co-organized by the Chongqing Oil Painting Society and the School of Art Education of Chongqing Vocational College of Art and Engineering, the Qunwen Lecture Hall will be held in the multi-functional hall on the sixth floor of the Tongliang District Cultural Center. This event is a public welfare art lecture, which mainly tells about Dean Yang Xianyi's teaching, research and research experience, creative perception, interpretation and appreciation of works, attracting nearly 100 people to listen to the Xi.
Director Yang Jun presided over the lecture.
Live audience. About the Speaker
He is a member of the Chinese Artists Association, vice president of the Chongqing Oil Painting Society, director of the Chongqing Artists Association, ** professor, and dean of the School of Art Education.
Teaching and research experience
The influence of the "We Wujiang" painting creation team of the Academy of Fine Arts of Yangtze Normal University (6 members of the China Artists Association and 3 directors of the Chongqing Artists Association).
Located at the confluence of the Wujiang River and the Yangtze River, the team has been focusing on inheriting and carrying forward the regional cultural spirit with the Wujiang River Basin as the core for nearly 30 years, going deep into the Wuling Mountain region to carry out activities such as Ba culture, Shu culture, Tujia culture, Qian Chinese and Wujiang culture, collecting creative materials, painting creation according to various painting directions, and gradually forming a painting creation team with the customs and people of the Wujiang River Basin as the creative theme.
Art creation research activities under China's rural revitalization strategy (Chongqing Artists Association, Chongqing Oil Painting Society and Yangtze River Normal University jointly organized a series of sketching activities such as "To the People", etc.).
Creative insights
One is love: a feeling and a beautiful feeling from the bottom of my heart.
The second is diligence: as long as you work hard, you will reap something.
The third is sensitivity: to maintain sensitivity to life, to be good at observing life, to capture beautiful things, in order to have a steady stream of creative inspiration.
Fourth, knowledge: cultural cultivation plays a vital role in the realm of works.
Interpretation and appreciation of some works
Love and revere nature, draw creative inspiration from nature, cultivate spirit, and sublimate concepts.
I've never separated sketching from creating. Ever since I picked up a paintbrush and started sketching with nature, I have been learning how Xi to create. Combine sketching consciously with creation, and turn the process of sketching into a creative process. ”
The essence of painting is actually that the painter himself highlights the truth and personality of the painter through the presentation of the ontological language of painting in the work.
Sunset" creative interpretation.
I remember that when I created the oil painting "Sunset", I was on a mountain called Niujiapo in Xinglong Town, Youyang County, my hometown, and I used to mow grass, collect wheat and graze cattle on these slopes when I was a teenager.
Mother and Child" creative interpretation.
The emotion conveyed to us in this "Mother and Child" is the celebration of the baby's maternal love in the world, and the deep love of licking the calf makes us return to our former childhood, as if returning to the warm embrace of the mother.
Spring Green in Jiashan (oil painting), 60cmx80cm, 2018.
These households, close to the beautiful scenery of the Tangya River, is the old-fashioned wooden stilted building, estimated to be one or two hundred years old, the style is simple and simple, the log house has become dark brown after a hundred years of rain and wind, the bottom fort is made of stones, just like the Tujia mountain people, harmoniously blended together with this mountain.
Vernal equinox (oil on canvas) 80x100cm
I remember when I painted this work, it was in Longjiajie Village, Xianfeng County, Hubei Province, and it was drizzling in the morning, and the clouds opened at noon.
Tujia Ruixue (oil on canvas), 80x100cm
At the foot of the mountain in the county seat of Longjia Interface, Xianfeng County, Western Hubei Tujia and Miao Autonomous Prefecture, there is a place called Dongmengou. There are a large field of crops and Tujia stilted buildings covered in snow, covered in snow.
Repair New House (oil on canvas), 150x180cm, 2015.
This is the scene I saw in Maliuxi, Xianfeng County, Hubei Province during the summer vacation of 2014. Many people are busy building stilted buildings, and I took some ** photos and collected some materials, which touched my inspiration for painting.
Chadong Bridge (oil on canvas) 50x60cm
I came to sketch near the school building of the National Chadong Normal School (now Biancheng Middle School) during the ** period, an old and old stone bridge is a close-up view of the picture, and the middle scene is the old street of Chadong. I found that almost all of the three street scene sketches in Chadong revolve around these old houses, but at different angles, just like painting portraits, with frontal, side, and semi-sideways.
Conclusion: The national and global nature of art creation
1. In order to enhance China's international communication capabilities, it is not only necessary to pay attention to the expansion of communication channels, but also to create good works, which are the unity of national and human nature.
1. The unity of particularity and universality, that is, the unity of individuality and commonality.
2. In the global context, Chinese tell Chinese stories, they must have a world vision, put Chinese stories in the context of the world, convey the world significance of Chinese stories and the pursuit of common human values, nationality is color, human nature is the essence, that is to say, commonality exists in individuality, commonality is reflected through individuality. This requires us to correctly handle the relationship between nationality and universality, and only when the nationality is finally manifested as universality can the work be accepted by the world.