Daolang's "Rakshasa Sea City" is adapted from the eponymous name of Pu Songling in the Qing Dynasty.
In 1981--- Shandong People's Publishing House--- Adventure in the Dragon Palace".
Ma Ji engaged in business on behalf of his father, went to sea**, encountered huge waves on the way, and came to a strange Rakshasa country. The upside-down world of the Rakshasa Kingdom is completely different from the ordinary world. The country is beautiful about ugliness, and the uglier a person, the more popular they are, and the higher their official position. In order to survive, Ma Ji put on a mask, and with his funny dancing and upside-down songs, he won the love of the Rakshasa King and became a great official.
But every day he has to hide his true face and make him miserable. Under the leadership of the villagers, taking advantage of the opening of the sea market, he ventured to go, and the sea market was full of all kinds of rare treasures.
Tianjin Fine Arts Publishing House published "Ma Jun Floating in the Sea" in 1957
Here he met the dragon girl, and with his talent, he was appreciated by the dragon king and the dragon girl, and fell in love with the dragon girl and became husband and wife. Later, Ma Ji said goodbye to the dragon girl because he missed his hometown, returned to his parents, and agreed with the dragon girl to meet again at the beach three years later.
Three years later, Ma Ji reunited with the two children of the Dragon Lady on the beach, and at the same time aroused his nostalgia for the Rakshasa Kingdom, the Dragon Palace and the Dragon Girl, but unfortunately a pair of lovers failed to stay together in the end.
Rakshasa Haishi--Jiangsu People's Publishing House--- 1984 edition.
From the 1950s to the present, many publishing houses in China, Hong Kong and Taiwan have adapted Pu Songling's **, adapted into various versions of *** Different publishing houses have different names, such asIn 1957, Tianjin Fine Arts Publishing House's "Ma Jun Drifting in the Sea".In 1981, Shandong People's Publishing House's "Dragon Palace Adventure".Today, let's enjoy the Rakshasa Sea City depicted by painters in different periods, the styles of different painters are not the same, can you depict the Rakshasa Sea City imagined in your heart.
Tianjin Fine Arts Publishing House published "Ma Jun Floating in the Sea" in 1957
Published by Tianjin Fine Arts Publishing House in 1957Zhao Sandao, Yan Shaotang, and Zhu Yuanhong are three old paintersCollaboration is complete. **Ma Jun Drifting in the Sea" is based on "Rakshasa Sea City" in "Strange Tales". The cover authors are Zhang Lingtao and Hu Ruofo.
Tianjin Fine Arts Publishing House published "Ma Jun Floating in the Sea" in 1957
Zhang Lingtao, a famous Chinese artist, a native of Ningbo, Zhejiang, is good at Chinese painting
Hu Ruofo is a famous contemporary Chinese painter and Chinese painter. Zhang Lingtao and Hu Ruofo have been working together for a long time, known as "** partners", and their works are in the 20th century.
The fifties and sixties were all the rage;, often drafted by Zhang Lingtao and sketched by Hu Ruofo.
Tianjin Fine Arts Publishing House published "Ma Jun Floating in the Sea" in 1957
The two masters are meticulous and neatWire drawing, giving people a simple and long-lasting, gorgeous and vivid, lifelike characters like life and vividness.
Tianjin Fine Arts Publishing House published "Ma Jun Floating in the Sea" in 1957
Tianjin Fine Arts Publishing House published "Ma Jun Floating in the Sea" in 1957
*** in the 50sIn a realistic style, it looks simple and natural, and the image is vivid, especially suitable for auxiliary text reading.
Tianjin Fine Arts Publishing House published "Ma Jun Floating in the Sea" in 1957
In 1981--- Shandong People's Publishing House--- Adventure in the Dragon Palace".
**"The Adventure of the Dragon Palace" was published by Shandong People's Publishing House in 1981, and it is also adapted from "Rakshasa Haishi" in Pu Songling's "Strange Tales from Liao Zhai".Painting by Dou Shikui
In 1981--- Shandong People's Publishing House--- Adventure in the Dragon Palace".
Dou Shikui's *** works are mostly usedSingle-line white drawing technique, with a mellow and beautiful, rigorous and tactful white drawing technique, Seiko outlines the different personalities of different characters, the characters are beautiful, ever-changing, and extremely expressive.
In 1981--- Shandong People's Publishing House--- Adventure in the Dragon Palace".
The work pays attention to the beauty of the picture, the style is unified, there are many changes in composition and perspective, there are pictures looking up and looking down, and there are close-ups of charactersThe painter uses the weight, speed and speed of the brush to control the thickness, squareness, and shade of the lines, rigorous and exquisite, and swaying freely, not only to convey its shape, but also to convey its spirit.
In 1981--- Shandong People's Publishing House--- Adventure in the Dragon Palace".
Mr. Dou Shikui's main works include "Princess Wencheng", "Romance of the Gods", "Tang Sai'er", "Rouge", "Eunniang", "A Bao", "Wang Liulang", "Mei Nu", "Li Yuanba", "Sui and Tang Fengyun", "Li Yuanba Competition", "Yue Yun", "Yang Wenguang", "On the National Border" and so on.
In 1981--- Shandong People's Publishing House--- Adventure in the Dragon Palace".
1983 edition--- Tianjin Fine Arts Publishing House---Rakshasa Haishi".
Adapted by Chen Yuanning,Painting by Yang Yuqing
Yang Yuqing, born in Wuxi in October 1944, has been working for more than 30 years to attack people, landscapes, and occasionally write flowers and birds, in order to express his emotions with pen and ink. His main works include "Selling Donkeys" and so on.
1983 edition--- Tianjin Fine Arts Publishing House---Rakshasa Haishi".
Yang Yuqing shows exquisite skill in composition, and he delicately handles the distance and distance of the picture, making the picture rich and fascinating.
1983 edition--- Tianjin Fine Arts Publishing House---Rakshasa Haishi".
himThe depiction of the mirage is unique, revealing this magical scene through illusory clouds and mountains, highlighting his unique perspective and artistic style. Although the scene of the mirage is lively, Yang Yuqing has a careful idea when dealing with the picture. He avoids being too bloated by depicting roof tiles on the roof near and omitting them on the roof in the distance, and this clever contrast is impressive.
1983 edition--- Tianjin Fine Arts Publishing House---Rakshasa Haishi".
Many modern creators often ignore this essentials when composing, and like to spread the picture to the fullest. However, painters of the 80s such as Yang Yuqing have already made great progress in this area, and their techniques and techniques are worth learning from contemporary painters.
1983 edition--- Tianjin Fine Arts Publishing House---Rakshasa Haishi".
Good works can always be appreciated and pondered repeatedly, and they can feel the ingenuity and artistic charm contained in them. And this feeling is often the painters' subtle grasp of the structure of the picture and the trade-offs of details. The difference between a master and a mediocre hand is often in this subtle grasp between increase and decrease.
Rakshasa Haishi--Jiangsu People's Publishing House--- 1984 edition.
Repainted by Shu Ying and painted by Wang Mengqi. Wang Mengqi was born in 1947 in Wuxi, Jiangsu.
Wang Mengqi's painting style can be summed up in 8 words, detached and loose, and childish in shape.
fromWang Mengqi's paintings show that he is a person who is extremely sensitive to "form".He made a form that was only his own. This form includes the shape of the entire picture in ink and cloth, including the exaggeration of the detailed features of each image, as well as the minimalist and large shape that summarizes the image, as well as the traces left on the pen and ink and paper.
He exaggerates the shapes, but does not deliberately emphasize them. Often only use a very concise pen and ink to get the meaning, the image is exaggerated and subtle, the pen and ink are natural, quite "between the similar and the unlike".
Rakshasa Haishi--Jiangsu People's Publishing House--- 1984 edition.
Wang Mengqi's works give people the first impression usuallyLoose and loose at will, exquisite pen and ink, grotesque shape.
In fact, there is a kind of tranquility in his paintings rather than the emptiness and poignancy pursued on the surface, he uses his pen to have an awe-inspiring wind under the forest, and the shapes of people and things are lightly operated with the brushwork, which seems to flow out at will, but in fact there is a kind of cold eyes like a genius who stands by and watches, and there is a kind of cautious and open look back like a person who has come over.
Rakshasa Haishi--Jiangsu People's Publishing House--- 1984 edition.
Rakshasa Haishi, Shanghai People's Fine Arts Publishing House, 1982 edition.
Adapted by Zhu Shaohua and painted by Wang Yiqiu.
Wang Yiqiu (1925.)6—), also known as Wang Yeqiu, a native of Zhenhai, Zhejiang;He is good at creating since 1945, and his representative works include "Ma Yue Tanxi", "Yangmen Female General", "Son of the Prairie", "Chen Yucheng", "Tang Bohu", "Lanting Legend" and so on.
Based on the traditional Chinese scattered perspective, he uses line drawings to delineate, focusing on the expression of customs, and expressing his unique cultural and artistic characteristics with elegant style.
Rakshasa Haishi, Shanghai People's Fine Arts Publishing House, 1982 edition.
Wang Yiqiu's painting style is changeable, the characters are vivid and lifelike, the layout is full but not overflowing, and the sparse and dense are interspersed
Rakshasa Haishi, Shanghai People's Fine Arts Publishing House, 1982 edition.
The characters are peculiar, the facial expressions are depicted in detail, and although there are few scenes, the printmaking style is revealed
Rakshasa Haishi, Shanghai People's Fine Arts Publishing House, 1982 edition.
The idea is bizarre, the characters are realistic, the clothes are curved but not soft, dense but not chaotic, and there is quite a legacy rhyme of "Wu with the wind", which is very innovative. These focus on the dramatic conflict of the plot and the decorative charm of the picture, with a condensed aesthetic of a single painting, emphasizing the coordination of the whole rather than the details;The overall composition and character depiction are full of decorative meaning, and his paintings are full of literary atmosphere, which is what people call "literary temperament" today
Rakshasa Haishi, Shanghai People's Fine Arts Publishing House, 1982 edition.
Rakshasa Haishi, Lingnan Fine Arts Publishing House, 1981 edition.
Yu Lin, wave painting.
Rakshasa Haishi, Lingnan Fine Arts Publishing House, 1981 edition.
The painters are Yu Lin and Bo Tao, and they have searched the whole network and have not found any other information about Yu Lin and Bo Tao, perhaps the pseudonym of the early horse running chain.
Rakshasa Haishi, Lingnan Fine Arts Publishing House, 1981 edition.
From the perspective of painting, it is still the way of painting from the 50s to 70s, which is more realistic, and the characters are kind and infectious. It's a pity that the printing effect is very poor.
Rakshasa Haishi, Lingnan Fine Arts Publishing House, 1981 edition.
The Legend of Rakshasa Haishi, Guangxi Nationalities Publishing House.
Guangxi Nationalities Publishing House, Xu Jiao, Quan Yi Painting, also can't find the information of these two people, maybe pseudonyms.
The Legend of Rakshasa Haishi, Guangxi Nationalities Publishing House.
Personally, I think that the word "concubine" is rarely used in names, and when I see this word, I guess that these two names are apocryphal.
The Legend of Rakshasa Haishi, Guangxi Nationalities Publishing House.
The painting style is between virtual and real, supplemented by line drawing, and the facial depiction of the characters is vivid and rich, which can vividly reflect the psychological activities of the characters. Although I couldn't find the information of the painter, my painting skills are still worthy of praise.
Ma Jun Drifting in the Sea, Hong Kong Wenhai Publishing House, 1961.
This is a relatively early version, **Ma Jun Floating in the Sea" is based on "Rakshasa Sea City" in "Strange Tales from Liao Zhai".
Ma Jun Drifting in the Sea, Hong Kong Wenhai Publishing House, 1961.
Wenhai Publishing House adapted a number of Liao Zhai works at the same time, forming a series, such as "Huang Ying", "Feng Sanniang", "Red Jade", "Sister Easy to Marry", "Chang'e" and other works.
Ma Jun Drifting in the Sea, Hong Kong Wenhai Publishing House, 1961.
It took 5 days to write this article, I read a lot of information and sorted out a lot of **. After a brief inventory, there are a total of 13 "Rakshasa Sea City"**This article presents only eight major editions, these *** works come from different publishers and painters, in different eras.
Through this issue, you should have a deeper understanding of the Liaozhai *** version, of which seven or eight out of ten versions have been mentioned. By appreciating the work "Rakshasa Sea City", you can also get a glimpse of the artistic level of the publishing house's Liaozhai brand.
In my personal opinion, in addition to the relatively high-quality works of Shanghai art and Tianjin art, the other versions of *** are slightly inferior. These versions tend to lack depth and artistry. We need to pay more attention to and appreciate excellent works.
Which Rakshasa Sea City's *** do you think is the best?