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On December 20th, the Second Member Congress of the 6th Guangdong Auction Industry Association and the 30-year Commendation Ceremony of the Auction Industry were held in Guangzhou Dongfang Hotel. The conference awarded Huayi International two awards: "Lion Awakening Award" and "30th Anniversary Auction Enterprise Memorial Award".
Officially recognized, honor as the medium, has become a strong blessing for the 30th anniversary auction of Huayi International. Huayi International (Guangzhou) Autumn Auction 2023 will hold a preview on December 27-28 and an auction on December 29-30 at L1, Nanfeng International Convention and Exhibition Center, Pazhou, Guangzhou. Let's take a look at some of the fine lots of Huayi International.
Huang Yongyu, Wuwu (1978), painted in the autumn of Caihe Nantang.
Size 1385×68cm
Estimate: RMB 250,000-350,000
Inscription: Lotus Nantang Autumn, lotus over the head. Xizhou song, Nai Jian Dao brother Zheng, Huang Yongyu Wu Wuxia.
Seal: Yongyu is made.
Lot description: Huang Yongyu (1924-2023), pen name Huang Xingbin, Niu Niu and Niu Zifu, is a native of Changde, Hunan. He is good at printmaking, sculpture, and Chinese painting, and his painting ideas are peculiar and profound. He has successively served as a professor of the ** Academy of Fine Arts, the president of the Printmaking Institute of the China National Academy of Painting, and the vice chairman of the Chinese Artists Association.
The above paragraph is the famous painter Zheng Naijun.
Huang Zhou returned from hunting and stood on the shaft.
Size 178 95cm
Estimate: RMB 700,000-1,200,000
Inscription: Written by Huang Zhou. Seal: Huang Zhou freehand.
Tang Yin, Liang Qingbiao's old collection, Xu Bangda's review of the "Cong Gui Tu" volume hand scroll.
Size lead 285×83cm;Draw 285×126cm;Var 285×123cm;Var 285×70cm
Estimate: RMB 15,000,000-25,000,000
Lot description: Tang Yin (1470-1524), known as Zi Wei, known as Bohu and Liuru Jushi, connoisseurs since the Ming Dynasty have attached great importance to Tang Yin, and all of them have collected Tang Yin's works as treasures, appreciated and recorded. It is worth noting that this volume is a poem inscribed by Wu Kuan, a township predecessor of Tang Yin. Wu Kuan (1435-1504), the word original Bo, the number of the nunnery, Chenghua eight years to the examination of the court examination of the first middle jinshi, the official to the Ministry of Rites Shangshu, died Wending. Wu Kuan is a famous ** for his integrity and self-discipline, and he also has a deep knowledge of poetry and books, he is a close friend of Shen Zhou's life, and Wen Zhengming is a teacher. This painting is owned by Tang Yin's friends, Wu Kuan saw the poem, and when Tang Yin saw this painting again, he inscribed the poem three uniquely. Wu Kuan and Tang Yin lived in the same era, but the two showed a different relationship on the picture scroll.
Xu Beihong, Ding Si (1917), made a group of eagles flying wildly, lenses.
Size 130 85cm
Estimate: RMB 6,000,000-8,000,000
Title: A flock of eagles flies around. Ding Si Yangchun, Beihong was written in Dumen.
Seals: Xu, Beihong.
Lot description: Xu Beihong's patriotic manifesto "Dancing Eagles".
Xu Beihong's works before 1920 are extremely rare, and the earliest and most famous one in the market is the "Kang Nanhai Sixty Lines of Music" made by Kang Youwei in 1917, in addition to "Gunma Picture" and so on, the painting method is quite in line with Kang Youwei's advocacy at that time, "retro as the update", "the law of the Tang and Song dynasties of the six dynasties", "coloring boundary painting as the positive", "the courtyard as the correct method of painting" and other Chinese painting innovations, "boundary painting", "courtyard" and "classical" characteristics are quite distinct. This piece of double tiger is known as "Ding Si Yangchun", both made in 1917, but it is different from the two pieces mentioned above, but it is similar to a piece of "Tiger" given to Ma Heng (Zi Shuping), the former director of the Palace Museum in 1918, which is quite the meaning of "eclectic Chinese and Western" of Gao's Kunzhong of the Lingnan School of painting. The calligraphy of the painting title is obviously influenced by Kang Youwei's calligraphy style when he was about 60 years old. From this point of view, compared with Kang Nanhai Sixty Lines of Music and Gunma, this "Double Tiger Picture" reveals more information about Xu's early painting style, calligraphy style and ideological feelings, and is also an important work for the study of the formation of Xu Beihong's painting style.
Guan Shanyue made Tianchi Linhai in 1961.
Size 62 124cm
Estimate: RMB 2,000,000-3,000,000
Title: Tianchi Linhai. Changbai Mountain tour recalls this, June 20, 1961 in Yanji, Guanshan Yuebi.
Seal: Guan Shanyue, 60s.
Lot description: Guan Shanyue painted many paintings with the theme of "Tianchi Linhai", Guan Shanyue Art Museum has two pieces, in addition to Changchun and Qingdao have also painted separately, each perspective is not exactly the same, it can be seen that the two were in the passionate period of creation at that time, should be framed from all angles, and the accompanying photographers at that time were also enthusiastic, shooting a lot of good works, so there are very rich materials about Tianchi Linhai, and the perspective has its own merits. It should be said that the cooperation between Fu and Guan in 1959 and the trip to Northeast China in 1961 benefited Guan Shanyue a lot for the younger Guan Shanyue.
Li Xiongcai made Changsong Waterfall lenses in 1981.
Size 180 97cm
Estimate: RMB 2,000,000-3,000,000
Title: August 1981 in Guangzhou, painted by Xiongcai.
Seals: Li Xiongcai, Duanzhou Li Shi.
Guo Moruo, in 1962, wrote a book and composed a poem on his own.
Size 995×28.5cm
Estimate: RMB 150,000-250,000
Inscription: Comrade Guoquan, spring of 1962, Guo Moruo.
Seal: Guo Moruo.
Lot description: Interpretation: Go to the mountain together, and the pavilion is close to Baizhanglan. The piano is loose and sleepy, and the song is so happy. The bridge is side by side, and the precipice is difficult to move. Wearing a sleeve to welcome the wonderful sentence, sitting for a long time gradually becomes cold.
Guo Moruo (1892-1978), formerly known as Kaizhen, the word Dingtang, and the name Shangwu.
Zhang Xueliang sent a letter to his son, Weng, and opened it twice.
Size 24 16cm
Estimate: RMB 150,000-250,000
Lot Description: Commentary: Mr. Ziweng's Gift: Yesterday's visit, Shi Xizun drove to Beijing. In five or six days, there should be a trip to Beijing. At that time, you can talk about planting. Now all the things in Beijing, begging and distracting are listening to all sides. Zhang Xueliang paused.
Zhou Shuqiao's 1976 outline was outlined.
Size 145 220cm
Estimate: RMB 500,000-580,000
Lot description: Since 1953, under the leadership of the Party branch, the people of Dazhai have carried out the basic construction of farmland, turned deep ditches into fertile fields, and built sloping land into horizontal terraces, achieving a bumper harvest of grain and creating a miracle. There are two main groups of figures in the picture: on the left is the gray-haired old secretary, whose movements and expressions when he takes off his glasses show that he is humbly and attentively listening to the opinions of the young comrades;On the right is a group of figures standing in front of the plan, although you can only see the back or side, but the portrayal of the image is quite detailed, with a strong sense of life. The planning drawings hanging on the walls, the books and newspapers on the conference table, the satchels and bamboo hats on the chairs, etc., have strong characteristics of the times.
Emerald mountain ornaments.
Dimensions: 28cm in height (with seat);Jadeite 21 38 8cm
Estimate: RMB 1,400,000-2,000,000
Attached is a jadeite identification certificate.
Lotus three-eyed dzi.
Size length 4cm;Diameter 11cm
Estimate: RMB 1,500,000-2,000,000
Lot Description: The lotus dzi symbolizes "purity and unstainedness", representing the supreme honor, freshness, peace, happiness and wisdom, and the meaning of all perfection. It has the characteristics of auspiciousness, dignity, fulfillment, and wealth growth. The circulation of this kind of dzi in the **region** is very high, even no less than the nine-eyed dzi, it can be seen that the Tibetans attach great importance to the lotus dzi, Tibetan Buddhist believers believe that its totem also symbolizes the Western Lotus Department, and the well-known Amitabha Buddha belongs to the Western Lotus Department.
Qing Yongzheng kiln glazed double elephant ear.
Size 17cm in height
Estimate: RMB 1,100,000-2,000,000
Lot description: The shape of the deity is elegant, and the glaze is exquisite. Begonia mouth, straight neck, hanging shoulders, bulging belly, and concave arcs on both sides of the bottle to shape into a begonia style. The two sides of the shoulder are decorated with elephant ears, and the shape is Yongzheng antique, with smooth and beautiful lines, stable and generous. The modeling is an antique bronze ware, which has the charm of "Zhou Gao Kezun" recorded in the compilation of "Xuanhe Bogutu" by the court of the Song Dynasty. Elephant ears have been in the porcelain of the Yuan Dynasty, the Yuan blue and white Rui beast elephant ear is a good example, in the Ming and Qing dynasties porcelain is also seen, the elephant is a traditional ornament, with the meaning of "Taiping has an elephant", as early as the bronze has an elephant pattern. The bottom section is engraved with the seal book of "Yongzheng year", which is the imperial kiln porcelain.
Ming Wanli pure gold silk inlaid treasure carved dragon pattern square tripod.
Size height 157cm;Length 95cm;Weight 590g
Estimate: RMB 1,000,000-2,000,000
The inscription is recognized: "Ming Wanli Gengshen Year Silver Bureau made nine fine gold to regain Lu Liang one coin" engraving.
Lot description: This product combines a variety of crafts such as hammer plate, engraving, tired silk, inlay, etc., and is a comprehensive carrier of gold and silver craftsmanship in the Wanli period of the Ming Dynasty. See the double cupola ear engraved pearl ground curly grass pattern, both sides of the chisel back pattern, square lips, neck short inner bundle is also decorated with back pattern for a week, folded along the shoulder, the bottom edge is engraved at the lotus petal pattern, straight abdomen four sides out of the halberd, four sides of the side is also decorated with pearl ground curly grass pattern, four sides ** carved out of three layers of ornamented gold plate embedded, both sides carved three layers of cloud dragon pattern square plate and tired silk and inlaid with three-color gemstone trim, the other two sides are hollow three layers of fire bead pattern, the decoration is layered on top of each other, under the four animal feet, the process is complex and exquisite, not the general craftsman can do. Its dragon pattern is a typical dragon pattern of the Wanli period, with round and prominent eyes, pig-nosed dragons, and vigorous bodies that are consistent with the dragons on the porcelain of Wanli official kilns, and the charm is not angry and mighty, and the royal atmosphere.
Qing Yongzheng pastel flower and bird pattern pen sea.
Size height 153cm;Diameter 195cm
Estimate: RMB 500,000-800,000
Lot description: The shape of the pen holder is huge and regular, delicate and handsome, its quality is meticulous, the outer wall is decorated with pastel painting caryophyllum flowers and birds and colorful butterflies, the travertine stone in the picture is beautiful, the jade bamboo is tall and green, the peony flowers are blooming, the branches and leaves are lush and lush, the delicate birds are smart and delicate, the butterfly is light fan and the wings are colorful, the tentacles are complete, the whole instrument painting is beautiful, the brushstrokes are exquisite, the color is exquisite, the color is soft, the layout is casual, the noise is quiet, the artistic conception is expressive, and it is more fresh and elegant. This device follows the majestic style of Kangxi, and combines the soft and elegant Yongzheng pastel, with fine brushes, fresh and elegant, proper layout, sparse and proper, elegant stone, beautiful bamboo, flowers and birds echo each other, indispensable, while integrating the elegant atmosphere, absorbing the lyrical freehand spirit of literati painting, both heavy depiction, and heavy charm, reflecting the artist's superb portrayal skills, the overall picture creates a peaceful and quiet scene, and also shows the introverted and elegant quality of Yongzheng color porcelain to the fullest.
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