In fact, it is very difficult to write about Yongzheng porcelain in the Qing Dynasty, which not only requires a large amount of information, but also knows thousands of horses and has seen Yongzheng's top artworks. You also need to know how to appreciate, and you need to hold your breath and fight at all times to move forward, why is it so difficult, because Yongzheng's top artwork is so beautiful, so beautiful that people wonder who can make such exquisite porcelain artworks, look at his fetus, look at his glaze, look at his paintings, look at the charming atmosphere they exude, the great beauty created by manpower is in Yongzheng, in Tang Ying!
Faint, gentle and elegant natural breath blowing in the face, no contrast, no appreciation, what do you say about Yongzheng porcelain?The collection of the art library - Qing Yongzheng pastel poppy beauty plate.
I'm writing alone, 80 million people are looking at it, anyone can find fault with Yongzheng's folk collection of artworks, and pick bones in eggs, but they are so perfect, so fascinating.
The most uncontroversial Yongzheng artworks Everyone likes to talk about the collections of overseas museums, Sotheby's and Christie's
The second is that these collections are the most pleasing, all of them are priceless, who doesn't like it, it is more than 100 million yuan at every turn, and millions or tens of millions of yuan are commonplace.
Qing Yongzheng pink blue glaze appliqué Shuanglong Handicap Zun] auction price: 1HK$405.4 billion.
Qing Yongzheng enamel color ochre ink plum bamboo picture bowl] auction price: 85.24 million Hong Kong dollars.
Qing Yongzheng Meiyintang Collection Enamel Pastel Ping An Chunxin Picture Bowl] Auction price: 46 million yuan.
The top folk artwork is the most annoying, no matter how excellent, it is worth tens of thousands of dollars, to pick up the leak, thousands, tens of thousands to pick up a Yongzheng enamel, so that I don't believe that this is the "genuine", "superb".
Because you are crowded from all directions, up and down, left and right, no one wants to see your collection better than others. What to do?Cheeky bright treasure, cheeky research, tireless writing, the world can search for the baby together with the beauty, "true or false" questions to quantum magnetic resonance testing, grade questions left to themselves, 369 and so on rely on beauty pageants, unconsciously open their horizons, their horizons rise, and the grade of the artwork is so divided.
Or the folk collection has potential, the artwork can be tall to the nine days of clouds, the small can go into the five oceans to catch turtles, it depends on how high your vision is, it is said that the eyes can see the stars of the universe, the belly is so small that two steamed buns can not fit, where is the mind?The world of artwork that can be seen in the mind of the folk collection is so magical, Yongzheng's artwork is so splendid, it is better to say it than to hold it in the stomach, and it is also enjoyable to show it, I will talk about the Yongzheng porcelain of the Qing Dynasty in great boldness!
Qing Yongzheng imperial gold fetal painting enamel shallow green land Danfeng Chengxiang figure cover - 41 million Hong Kong dollars.
Grab the top Yongzheng porcelain and see how arrogant you can be
From Sotheby's to the folk, and then to the Jinan Art Library, my vision is inseparable from the collections of the Art Library, and the collections in other places have nothing to do with us. Take a deep dive into the unforgettable collections of the art library and see if it can help the flames
There are dozens of pieces of Yongzheng collection in the art library that are enough grades, enamel color, pastel, blue and white, and monochrome glaze have their own merits, and there are not enough high-grade ones, so I can't count them, so let's summarize it today, anyway, it's my family's words, and the support and opposition are the wind in my ears. Just do your own thing if you like it.
If you want to say which one I like the most in the art library, this one must be, atmospheric enough, challenging enough, say it is Yongzheng pastel, cloud like, say it is enamel color, a bit like, say it is foreign color, it seems to be the most in line with the text definition of Yongzheng Yangcai.
I can paint the dragon pattern so amazingly, I can only respect his great creation. Seeing this, I have come to the conclusion that Yongzheng's top artwork is a peak that cannot be surpassed!
Whether it is foreign color, enamel color or pastel, whether it is monochrome glaze, blue and white, blue and white glaze red or bucket color, it is an artistic peak that cannot be climbed.
The most beautiful Yongzheng enamel peony flowers in the art library!
Talking about Yongzheng porcelain or first talk about the background of the Yongzheng Emperor, what miracle has the shadow of the background of the times, the era is a mirror, reflecting people, things, things, and the unattainable porcelain of Yongzheng!
1. The historical background of Yongzheng
During the reign of Emperor Yongzheng, he attached great importance to the development of the Old Summer Palace and often lived in the Old Summer Palace and the Great Inner Palace.
He had a heat stroke when he was young, and he was afraid of the heat later, so he took the cooler Old Summer Palace as his shelter, and lived in Jiuzhou Qingyan, Siyi Study, Wanfang Anhe and other places where it was warm in winter and cool in summer.
Although the Yongzheng Dynasty was short, only 13 years, it was a great achievement in governing the government.
Yongzheng enamel color porcelain plate painting - forty scenes of the Old Summer Palace.
Yongzheng's political achievements:
1. Pave into acres.
In the first year of Yongzheng (1723), Emperor Yongzheng was invited by Li Weijun, the governor of Zhili, to implement the principle of collecting Ding Yin into the field together, changing the double levy standard of per capita and mu in the past, reducing the burden of landless and landless peasants, and by the time of Qianlong, this policy was extended to the whole country.
2. Implement a copper ban.
Emperor Yongzheng spent a lot of energy to implement the policy of banning bronze objects, which was necessary to protect the money law.
3. Emphasis on agriculture over business.
Emperor Yongzheng continued to implement the policy of developing production by the previous king. From the 60th year of Kangxi (1721) to the 12th year of Yongzheng (1734), the country's fields increased from 7.35 million hectares to 8.9 million hectares, and the Weihe, Dianhe, Ziya, and Yongding rivers were dredged.
However, excessive emphasis on agriculture and suppression of business is inevitably not conducive to the development of industry and commerce, in order to attach importance to agriculture, Emperor Yongzheng launched the "Yongzheng Ploughing and Weaving Map", the Son of Heaven three pushes, the queen pro-silkworm, male ploughing and female weaving, the beautiful pastoral life into his thoughts, this is the most beautiful small peasant economic picture in ancient China.
Yongzheng ploughing and weaving map is Yongzheng ascended the throne before the Kangxi engraved printing of the "ploughing and weaving map" as the blueprint, carefully drawn by the Qing court painters, a total of 46 pictures, of which 23 ploughing and weaving drawings each, each painting has Yongzheng's own inscription poem, and stamped with the "Yong Prince Treasure" and "Breaking the Dust Layman" two seals, the artistic conception of the far-reaching five-word rhythm poem and elegant and vigorous calligraphy combined, poetry, calligraphy, painting to achieve perfect unity, can be called the perfect combination of court art treasures.
Yongzheng Cultivation and Weaving Map".
The biggest difference from other "Cultivation and Weaving Atlas" is that the main characters in "Yongzheng Elephant Cultivation and Weaving Atlas", such as farmers and silkworm women, are painted with the appearance of Yinzhen, who was still Prince Yong at that time, and his Fujin and side Fujin. The men of their family work hard in the fields, the women raise silkworms and weave at home, and the men and women weave, living in harmony and enjoying themselves, showing the yearning of the fourth master Yinzhen, who has not yet become the emperor, for the pastoral life of male farmers and women weaving.
This album is meticulously crafted with a pen, and the characters are vivid and realistic.
Although the characters in the picture are all dressed as ordinary people, they have different colors of clothing and women's hairstyles and buns, which fully reflects the characteristics of the early Qing Dynasty.
While delicately and vividly depicting the scenes of laborers' hard work, attention was paid to the portrayal of village scenery and the rendering of local customs. Between the mountains and rivers, the trees are shady, the cottages are strange, and the chickens and dogs smell each other.
* Busy with labor, children grazing and delivering meals, or playing around the knees, holding clothes and looking at each other, so that the audience is immersive and lifelike. A kind of labor joy of abundant food and clothing, living and working in peace and contentment jumped on the paper, like a peach blossom paradise-style pastoral picture.
4. Rational thought.
After Emperor Yongzheng succeeded to the throne, on the one hand, he followed the traditional national policy of "respecting Confucianism and valuing Taoism" of Emperor Shunzhi and Kangxi, and attached importance to the role of orthodox Confucianism (especially Cheng Zhu Lixue) in political rule. At the same time, it also advocates "paying equal attention to the three religions";Replace "reason" with "sincerity" and transform Cheng Zhu's science.
Sejong's reverence for Confucius, opening the day, and holding scriptures and feasts shows that he followed his father's old policy of "respecting Confucianism and valuing the Tao" in his governance philosophy, and attached importance to the role of traditional Confucianism (especially Cheng Zhu Lixue) in political rule.
5. "Orthodox" thinking.
Refute the unorthodoxy of the remnants of the late Ming Dynasty that the Qing Dynasty entered the Central Plains, and strictly prevent the centrifugation of the Han scholar class.
6. Maritime ban policy.
began to strictly enforce the sea ban, and later, considering the livelihood difficulties of the people of Fujian and Fu, it was agreed to open the ban appropriately, and in the second year of Yongzheng, the order was issued to allow Cantonese people to immigrate to Taiwan. At that time, the advanced countries of the West were encouraging overseas **, while China, even an outstanding monarch, lacked a global vision and restricted foreign exchanges, so it became a laggard in the international trend.
The Qing dynasty and historian Zhao Qi said: "Emperor Xian reigned for thirteen years, and he was diligent day and night, without any civil engineering, sound and color entertainment. Yu tasted the words of the secretary of the Ministry of Internal Affairs, checked the old case files, Yongzheng Zhongwei specially built the four shrines of wind, clouds, thunder and rain, in order to pray for the rain Yang, and there was no special palace annex for the tour to enjoy. Therefore, at that time, the national treasury was abundant, the people were rich, and there was a good place. ”
Yongzheng is determined to clear the hundreds of years of accumulation left over from history, the implementation of the policy of apportioning into the mu, the successful solution to the problem of population tax in ancient Chinese history, the implementation of the policy of returning envy to the public and raising incorruptible silver, with the significance of modern financial budget and financial management, with these initiatives, Yongzheng's porcelain has also won the honor.
Yongzheng's political achievements are inseparable from his personal efforts, and Yongzheng's porcelain artwork production is inseparable from his personal efforts, so Yongzheng's official kiln and imperial kiln have become another peak in history.
Second, Yongzheng porcelain general
After a long period of development, Chinese porcelain production has set up one model after another, and the five dynasties of the Tang Dynasty created a firewood kiln;Song Dynasty Huizong's Ru kiln, official kiln;Blue and white of the Yuan Dynasty;The colored porcelain of the Ming Dynasty was the peak of porcelain production.
In the Yongzheng era, economic development, social stability, porcelain-making technology by leaps and bounds, on the basis of inheriting the porcelain-making technology of the Kangxi Dynasty, there has been great progress, and there have been many innovations and changes.
Ming look at Chenghua, clear look at Yongzheng" is the greatest affirmation of Yongzheng porcelain, Yongzheng once fired porcelain, whether enamel color, or other colored porcelain, blue and white porcelain are the top production of the Qing Dynasty, leaving one after another porcelain art treasures, the beauty of Chinese colored porcelain to the extreme.
His greatest contribution to the history of Chinese ceramics is the enamel and pastel. History is also a mirror, and in times of prosperity and peace, the production of works of art will advance by leaps and bounds.
The most splendid and dazzling art library exhibits, I regard this Yongzheng enamel color Danfeng Chaoyang as the opening product of the Yongzheng chapter, that is, I saw her beauty, her perfection, and she described it as "no one before or after" The most appropriate!
1. The Yongzheng official kiln has reached the peak of porcelain art
During this period, Yongzheng not only had many varieties, a wide range of themes, and diverse shapes, but also paid more attention to the selection and processing of raw materials than before.
If the ancient ceramics are described as countless mountain peaks towering, the highest peak is the official kiln production of the Yongzheng period, whether it is blue and white, doucai, enamel color, pastel, foreign color, monochrome glaze and other porcelain production, have reached the point of "no ancients, no one after" in the world.
Another important achievement of the Jingdezhen Imperial Kiln is to imitate the craftsmanship of Ru, Guan, Ge and Jun kilns, especially in the Yongzheng period, the glaze red porcelain in the Yongzheng period has stable hair color and bright color, far exceeding the previous dynasty.
Qing Yongzheng Imperial Blue and White Glaze Red Cloud Sea Tenglong Datianqiu Vase] Auction price: 14.7 billion yuan.
The porcelain enamel color has achieved unprecedented development, and the Yongzheng enamel color pattern is diverse, and it is combined with Chinese poetry, calligraphy and painting art, which is unique.
In particular, Tang Ying (1682-1756), from the sixth year of Yongzheng (1728), was ordered to serve as an assistant official in the Jingdezhen Imperial Factory, helping Yongzheng push the porcelain art to the extreme.
The overall style of Yongzheng porcelain is light and handsome, elegant and exquisite, with unique ideas, soft and round lines, extremely fine carcass materials, thin walls and light body. The small pieces of ware are soft and subtle, light and handsome, practical and beautiful.
The large utensils are dignified and elegant, pay attention to the changes of lines, simple and clumsy, the proportions are coordinated, light and beautiful, regular but not heavy. In addition to the enamel color, other porcelain varieties have also reached the highest in history, Yongzheng porcelain innovation varieties diversification, the level of craftsmanship has reached a new high, if we want to find a reason, why Yongzheng's porcelain can reach such a realm, but also from Yongzheng's cultural accomplishment.
Yongzheng pastel character rattle.
2. Cultural accomplishment determines the height of Yongzheng porcelain
Why Yongzheng can make such a beautiful artwork and make the world crazy, not only a matter of manufacturing technology, but also personal cultural cultivation!
Machines can't replace handwork, technology can't replace cultivation, this is "layout determines the realm, strokes determine art", guiding the production of top artworks, is to see whose vision is higher, the deeper the cultivation.
The beauty of Yongzheng's official kiln porcelain is recognized, where is the beauty?It is necessary to find out the difference from its artistry, and in the political, social, and economic environment at that time, take a look at what kind of living conditions the Yongzheng Emperor was.
Yongzheng was personally raised by Kangxi since he was a child, and his feelings were deep, and he received a good education, and his poetry and scriptures and artistic accomplishment were recognized by Kangxi.
Yongzheng 45 years old to ascend the throne as the emperor, in the first few decades of study, accumulated a profound cultural heritage and artistic accomplishment, he read poetry and books, meditated in the Old Summer Palace to understand the Buddha, the Taoist state of mind, and gradually formed a restrained, deep ideological cultivation, so in the manufacture of court utensils, he pursued exquisite elegance, pay attention to the court temperament (pay attention to temperament is the essence).
Yongzheng pastel flowers**.
After Yongzheng succeeded to the throne, in order to consolidate the imperial power and show the power of the new monarch, he fully strengthened his authority both in politics and in internal affairs.
He attaches great importance to the inheritance and innovation of culture and art, and attaches great importance to the innovation and refinement of the design and manufacturing style of royal utensils.
In terms of artistic creation, Yongzheng also strives to pursue elegance and simplicity, reflecting the subtle and unique artistic taste. These are reflected in the creation of artworks and paintings and calligraphy made in the inner court of the Yongzheng Dynasty.
The production of porcelain painting was deeply influenced by the calligraphers and painters Zou Yigui and Yun Nantian of the current dynasty, and the porcelain style tended to be soft and elegant from the strong and tough style of the Kangxi periodThe subject matter is not like Emperor Kangxi, who likes war themes and landscape themes, but less landscapes and characters, and is obsessed with flowers, birds, and cordyceps. These productions can reflect the elegance of the artwork, restrained and unassuming, and the colors are moist and just right.
A painting of a court painter of the Qing Dynasty.
In addition, Emperor Yongzheng lived in the palace for a long time, never traveled around like Kangxi and Qianlong, he lived in the palace, governed the country diligently, and cared about the production of porcelain in his spare time, but even so, he still personally inquired about it, and when the officials gave new ceramic styles, he personally saw it.
In terms of decorative patterns, Emperor Yongzheng advocated "the style of the inner court", and personally issued the requirements of "Xiuya" and "meticulous". At the same time, Tang Dai, Dai Heng, He Jinkun, Tang Zhenji and Lang Shining and other painters were also appointed to make samples for painting enamelware, and the Yongzheng enamel porcelain was all beautiful.
As far as the decorative patterns of enamel porcelain are concerned, the four elements of poetry, calligraphy, painting, and printing are rarely seen outside the palace, so they can be called the model of "inner court style making".
Due to Yongzheng's personal preference, the style and style of porcelain in the Yongzheng period were gradually determined, and pastel, enamel and ink color porcelain all have high artistic value. From the works handed down, we can see the ultimate pursued by Emperor Yongzheng: dexterous and beautiful shapes, subtle pictures, soft and elegant colors, and rigorous and standardized styles.
In terms of personal artistic accomplishment and connoisseurship, Yongzheng was very prominent among the emperors of the Qing Dynasty. Yinzhen entered the study room at the age of six, followed Zhang Ying to learn the Four Books and Five Classics, and learned Manchu from Xu Yuanmeng.
Yinzhen in his youth and youth, under the strict control of his father and master, engaged in the study of the Four Books and Five Classics as the main content, and also wrote poems such as "Spring Reading" and "Summer Reading" during this period.
After a little longer, he followed Emperor Kangxi to patrol the four places and was ordered to handle some political affairs. At the age of sixteen, he accompanied his third brother Yinzhi to the Confucius Temple in Qufu.
Yongzheng - cursive "Wang Wei's Five Words Rhythm Poem".
Almost all emperors, queens and members of the royal family of the Qing Dynasty were good at painting and calligraphy. At the beginning of the Qing Dynasty, the Ministry of Internal Affairs opened the "Ruyi Pavilion" to cultivate calligraphy and painting talents, and the art of calligraphy and painting also became the family tradition of the royal family.
The best calligraphy is Yongzheng, its calligraphy is elegant, wonderful and multi-body. Yongzheng calligraphy followed his father and walked Dong Qichang's smooth and beautiful road. His calligraphy is elegant, vigorous, and magnificent, with the spirit of an emperor who wants to be above the strong. Yongzheng is good at regular script, line script, cursive script, and list script, among which the line cursive script has the highest achievement.
Yongzheng's works, the center of the pen, the line of the pen is steady and smooth, the knot is neat, the bones are delicate, and the calligraphy is beautiful, giving people a sense of rhythm and rhythmic beauty.
With these cultural heritage, all kinds of artworks in the Yongzheng period are very perfect, although the Yongzheng Dynasty is only thirteen years, but the treasures left by Yongzheng are thrilling, let us enjoy inexhaustible.
Art Library Collection - [Yongzheng Pastel Eighteen Arhat Mallet Vase].
His enamel color, pastel, and doucai are all classics of Chinese porcelain, the problem is that Yongzheng's blue and white porcelain can also be so perfect and detached, it is not only a matter of raw materials, it is completely a matter of appreciation, his unique artistic appreciation, so that we can talk about it today, admire, and perfection always runs through it!
Emperor Yongzheng ruled for only 13 years, and his cultural accomplishment directly affected the development of artworks throughout the Qing Dynasty, so the production of artworks that Yongzheng cared about could become a model of art.
Throughout the existing works of art in the Yongzheng Dynasty, whether it is porcelain, lacquerware, agate, glass, enamelware, inkstone, or painting, calligraphy, although the materials are very different, but the style is the same, all of them are famous for their simple and smooth shape, elegant and fresh decoration, and exquisite and delicate workmanship.
Although the evaluation of Yongzheng in history is mixed, from the artistic accomplishment of Yongzheng himself and the study of artworks in the Yongzheng period, it can be found that Yongzheng's aesthetic taste has had a huge impact on the style of artworks in the Yongzheng period.
In fact, he was a good emperor who made contributions, he was extremely diligent during his political career, and although his reign was short, he played a role in the political, economic and cultural aspects of the Qing Dynasty.
Art library exhibits - elegant to the ultimate Yongzheng enamel color works, perfect poetry, calligraphy, painting and printing.
3. The uniqueness of Yongzheng's artistic creation.
For Yongzheng's porcelain art has always been praised, he made the porcelain perfect to the extreme, no wonder the late Qing Dynasty discerning ceramic critic Lonely Yuan said: Yongzheng official kiln, large and small plates and bowls, white than frost and snow, both light and firm. Painting a number of colorful flowers, each of them is oblique and flickering, and the brushwork is never sluggish. Flowers are all kinds of eggplant, purple egg yolk, and azure, all of which are beyond the reach of the Qianlong Dynasty. 」
At the same time as expressing this emotion, Lonely Yuansuo also used poetic language to describe the superb porcelain fetal painting enamel in the porcelain of the Yongzheng official kiln that he saw: The white of the filling, as white as snow, is a must;Thin as an egg curtain, puffing and want to fly, reflecting the sun or lights, the back can distinguish the front stroke color, two must also;Peeping at it with a very fine microscope, the flowers are dewy, bright and slender, the butterflies are hairy, and the neck is erected, and the three are unique;The sketches and the title of the extremely fine seals, as thin as a fly's head, four unique. 」
The beauty of Yongzheng enamel color works, art library exhibits.
Looking at how Yongzheng guided the production of porcelain recorded in history, we can see the ultimate pursued by Emperor Yongzheng, with dexterous and beautiful shapes, subtle pictures, soft and elegant colors, and strict and standardized styles.
A story illustrates Yongzheng's love for porcelain, Yongzheng thirteen years, the emperor has felt that the body is not as good as before, before the Lantern Festival, the next person presented an enamel jade pot spring bottle, the emperor said in a somewhat weak voice: "The dragon body on this bottle is painted OK, but the dragon hair is too short, the pattern and banana leaves at the foot of the dragon are also painted a little confused, and it will be painted more finely in the future", this is probably the last period of the Yongzheng Emperor's will related to ceramics.
Indeed, Emperor Yongzheng's inquiries and checks again and again, the dedication of the emperor's brother Yunxiang, and the participation of the ceramic genius Tang Ying made Yongzheng's porcelain go to glory.
An emperor can be so devoted to a piece of porcelain art, impeccable perfection.
Art Library Exhibits - Qing Yongzheng Red Color Seawater Dragon Pattern String Pattern Bottle.
With the death of Yongzheng, the enamel of Yongzheng's porcelain fetal painting has become a unique sound, and it has also announced the end of the peak of ceramic development created in just seven years from Yongzheng's six to thirteen years.
Seeing this, we will understand why Yongzheng's porcelain is so wonderful!
Therefore, I especially understand the thoughts of Emperor Yongzheng, who has been alive for decades, and can leave some thoughts for future generations, which are these outstanding works of art that will exist in the world forever.
The emperor was busy and leisurely, instructed these court masters, and did some manual labor, which not only obtained spiritual pleasure, but also won the praise of later generations, why not do that. In this powerful era where there is no shortage of money and talents, if you don't make some earth-shattering art, the emperor will be in vain.
Art Library Exhibits - Qing Yongzheng Enamel Color Pingbu Qingyun Plum Vase.
4. Tang Ying is the watershed of Yongzheng porcelain
In the sixth year of Yongzheng, Yongzheng began to send the pottery supervisor Tang Ying to Jingdezhen to supervise the porcelain affairs, this year became particularly special in the history of ceramics, it was like a watershed, the ceramic level of the Yongzheng Dynasty was divided into two;At the same time, it is also a symbol, marking an unprecedented pinnacle in the history of Qing Dynasty ceramics. In the development of the entire history of Chinese ceramics, the Qing Dynasty is the highest peak.
Tang Ying, the word Jungong, the number of snails, the Han army is the white flag people, Kangxi 30 years old 16 years in the heart of the palace of the heart of the service, Yongzheng six years sent to Jingdezhen to supervise the pottery, although he Yongzheng six years to take office, but to Jingdezhen before the office has been in the heart of the palace office for more than 30 years, through hard self-study and court art of the ear and eye, proficient in the epic text, can be good at calligraphy and painting, become a profound Qing Dynasty arts and crafts master.
As early as the first year of Yongzheng, he was appreciated by the emperor and arranged to be responsible for the design and drawing work in the Yangxin Palace.
"Qing File" records: "On the thirteenth day of the first month of the first year of Yongzheng, Prince Yi handed over a small bottle of the kiln with an ebony seat 、......A porcelain stove with a rosewood cover, seat. Wang Yu: Tang Ying painted the same. Comply with this. ”
On February 13 of the first year of Yongzheng, Prince Yi handed over a small plate of grapes, and Tang Ying painted the same. ”
Not only painting utensils, Tang Ying is also good at painting beautiful women, his court beauty paintings are very familiar to Yong, "On the second day of November in the third year of Yongzheng, the north of the stairs of the Qingyan Immortal Building in Kyushu of the Old Summer Palace pasted a beautiful painting. Order: The style of painting is very good, and Tang Ying paints beauties, and its clothing patterns are painted like the clothes drawn first. Chin this. ”
With his painting skills, Tang Ying finally became an expert in porcelain burning after hard study and practice.
Yongzheng enamel color flower poetry plate.
In "Tao Xin's Words", he wrote, "Du Menxie went on an outing, concentrated, worked hard, and rested with the craftsmen for three years.
In the nine years of Xinhai, although I dare not say that I am omniscient, I have to add a flexible way to change the material, heat and shengke. Pay attention to the pottery method, in the clay, glaze, billet, fire, with experience, bow to the command. ”
Tang Ying was a doer, and he wrote the "Tao Cheng Chronicle Inscription", which summarized 57 varieties of firing, including nearly 30 colors of glaze.
Antique and modern, where there are fifty-seven kinds. Since the Song Dynasty, Yongle, Xuande, Chenghua, Jiajing, Wanli Zhuguan kiln, and Ge kiln, Ding kiln, Jun kiln, Longquan kiln, Yixing kiln, Western and Oriental utensils, all have imitations.
Its glaze color is white pink blue, big green, beige, rose purple, begonia red, eggplant purple, plum green, mule liver, horse lung, sky blue, Ji red, Ji blue, eel yellow, snakeskin green, oil green, European red, European blue, moon white, jade, black gold, purple gold. There are also names such as pouring yellow, pouring purple, filling white, painting gold, blue and white, ink, multicolor, cone flower, arch flower, plastering gold, and plastering silver. ”
Because he himself is a master of arts and crafts, proficient in all the processes of porcelain firing, resulting in Yongzheng Dynasty color glaze firing level has been improved by leaps and bounds, and he has made outstanding contributions to the development of Yongzheng color glaze.
There are 360 pieces of Yongzheng exhibits in the art library, representing the high level of the art library collection.
All in all:
Yongzheng official kiln due to the emperor's own love, the use of Nian Xiyao, Tang Ying and other Hanlin artists to manage the kiln industry, antique innovation, set the ancient Chinese color glazed porcelain of the masterpiece, to create dozens of color glazed porcelain with the style of the court, they are pure and elegant, extraordinary, on behalf of the highest level of Yongzheng official kiln, become the glorious model and model sought by future generations! !
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