As soon as it is broken, it is easy to ponder more. Since the launch of "Yi Nian Guan Mountain", there have been constant topics, and it is very lively in and out of the play. AI face changing, playing, wave pressing, coffee position and appearance, there are different opinions in which field. Putting aside these excitement, judging from the story itself, what are the characteristics of this show?
Although his posture and acting skills have been criticized, the spiritual core presented by the plot of "Yi Nian Guan Mountain" is still very powerful. The characters in the play are endowed with the consciousness and concepts of modern people, and the heroine's "going to the father and leaving the son" and the male protagonist's "returning to seclusion and lying flat" respectively represent the new concepts of modern people. But in the face of the righteousness of the family and the country, the male and female protagonists still have no hesitation and take the lead.
In front of the family and the country, the monarch and the minister have been interpreted in depth. For example, Emperor Wu, who was reckless and militaristic. There is no shortage of capable rulers among those who fight for power, and what is a brave and good general?Ruyi's two apprentices, each leading a country, and the two people with a rough background supported two growth lines. For them, what does it mean behind the encounter that arises from the country and the family?On the ultra-long front to rescue Emperor Wu, the righteousness of the robe between the six cousins and the love between the male and female protagonists pushed the rivers and lakes to the peak. The sons and daughters of the rivers and lakes, between the horses, love and righteousness. Finally, the drama party also uses the love relationship between the male and female protagonists to make people think about how to place their self-worth in the face of love.
One stroke at a time, but the plot of the last few episodes is not as fast-paced as in Wuguo, and the progress is very slow. There are many story lines, Anglian internal affairs, the relationship between Li Tongguang and Zhu Yiwei, Yang Ying's diplomatic skills, Liudaotang's AB plan, Ruyi's exploration of the real cause of death of Empress Zhaojie, and the progress of Ruyi's master-apprentice recognition. These story plates can completely arch each other, and then there is a small peak.
For example, around the drama of Ruyi's master and apprentice recognizing each other, intensifying the contradiction between Zhu Yiwei and Ruyi, these three parties can completely open and close and fight. Then, pulling up the attitude of Liudaotang and pushing and pulling down Yang Ying's diplomatic skills, Emperor Wu's situation was even more difficult. Or with Emperor An as the center, with the internal affairs of Angola as the story touchpoint, it will intensify the difficulty of Yang Ying's welcome to the emperor, thus forcing Liudaotang to take a response.
Obviously, when I arrived in Anguo, I took Ruyi as the perspective of the story, and I used the anchor of the story of "The Truth of the Death of Empress Zhaojie", and successively used the three bridges of the left and right to make her die and hypnotize the eldest prince to verify, and also made an emotional drama of human flesh ice bucket, is it too much?"The truth of the death of Empress Zhaojie" is a key vote for Ruyi to stand in line, and it can be a dose of fierce medicine to push the story linearly. As a result, after the whole Ruyi master and apprentice recognized each other, Li Tongguang went crazy and held King Li, Ning Yuanzhou's role as the "godson".
I privately think that in terms of plot, there is a lack of stamina. The logic of the plot in the early stage is meticulous, the story line is orderly, the relaxation is moderate, the main drama and comedy elements coexist, and the idea is novel and refined, which can be thought-provoking and hilarious. But after arriving in Anguo, the CP line was a little stretched. The double-strong CP and the master-apprentice CP are not handled silkily enough, and do not create a sense of urgency and strong dramatic conflict. Whether it is the CP line or the story line, it does not play a complementary role, but slows down the progress of the whole story. Of course, it's still pretty good overall. Looking forward to the follow-up plot reproducing the plot of the small peak, driving high and going crazy.