The mysterious legend of the ancient emperor, the birth of the real dragon, and the legendary story

Mondo Culture Updated on 2024-01-19

In ancient feudal dynasties, the birth and growth of emperors were often accompanied by some unusual legends, aiming to highlight their differences from ordinary people. The founding emperor would weave some mysterious legends to consolidate his identity as the "true dragon son" and guide people to worship blindly. There is no shortage of clues to these mysterious stories in the historical records.

In the "Old Tang Dynasty Book Volume 2 Benji II", it is recorded that the mysterious scene of the birth of Li Shimin, Taizong of the Tang Dynasty: "There are two dragons playing outside the gate of the hall and leaving in three days. Similarly, the "History of the Song Dynasty Taizu Benji" also describes the birth wonder of Zhao Kuangyin, the Taizu of the Song Dynasty: "The red light surrounds the room, and the strange fragrance does not disperse." The body is golden, and it does not change for three days. ”

The birth of Liu Bang, the ancestor of the Han Dynasty, is even more legendary, according to the record of "Hanshu Gao Di Ji": "When the mother tasted Daze, the dream met with God." When the thunder and lightning are obscure, the father and the princess look at it, and see the dragon on it. has already had a pregnancy, and then gave birth to a high ancestor. The entrepreneurial process was a dream, which added a lot to his rise.

The first emperor of the Southern Song Dynasty, Song Gaozong Zhao Gou, has a fascinating story in the legend, that is, "King Mud Horse Crossing Kang". At the end of the Northern Song Dynasty, the Jin soldiers invaded the south, and King Kang Zhao Gou was taken hostage. On the way, he met the prompt of the god in Cizhou, and miraculously crossed the Yellow River on a mud horse, eventually establishing the Southern Song Dynasty. However, whether this is true history or not is still debatable.

In Zhao Gou's escape experience, there is a legendary description. On the north bank of the Yangtze River, Zhao Gou was alone, and a mysterious figure named Li Ma helped him cross the river smoothly in times of crisis. In order to consolidate his dominance, Zhao Gou weaved this escape into a mythical story, claiming that with the help of Emperor Guan Sheng, he successfully crossed the Yellow River on a mud horse.

However, the truth of history is often difficult to verify. In the second year of Jingkang (1127), the Jin soldiers invaded Bianjing, and the Northern Song Dynasty perished. Zhao Gounan fled to Yingtianfu and ascended the throne, becoming the first emperor of the Southern Song Dynasty. However, he was initially weakened and had to flee all the way south.

While fleeing to the north bank of the Yangtze River, Zhao Gou encountered many difficulties. Just when he was in a desperate situation, a clay horse miraculously appeared, carried him across the Yangtze River, and then mysteriously turned into a clay sculpture. This story is cleverly used by Zhao Gou to claim that he is the true dragon emperor and successfully survives the crisis with the help of the power of the gods.

There are several versions of this myth in circulation. In "The Complete Biography of Yue Yue", King Kang was chased to a desperate situation by the Jin soldiers by the river, and after a sigh, the mud horse suddenly jumped into the river to save him from the dire situation. This version provided rich material for later film and television works.

In 1958, Hong Kong's Kwok Ching Film Company launched a Cantonese opera film with the theme of "Mud Horse Crossing King Kang", which vividly showed this ancient legend. The plot of the film is twists and turns, and through the reproduction of the legend of Zhao Gou's mud horse, it has attracted a wide audience.

The mysterious legends of these ancient emperors, through the fog of time, have left a fascinating legend. However, the truth of history is often hidden in legends, which requires us to examine it with a calm eye and explore the real historical footprints. These mysterious stories may only be used to show authority, or they may contain the infinite imagination of the ancients about the unknown, and have become an indispensable part of ancient history.

This article on the mysterious legends of ancient emperors shows the mysterious experiences of ancient emperors in the process of birth and founding by telling the legendary stories of Taizong of the Tang Dynasty, Taizu of the Song Dynasty, Gaozu of the Han Dynasty and Zhao Gou, the emperor of the Southern Song Dynasty. The author skillfully blends historical records and legendary elements to make the life stories of these emperors more mysterious and legendary. With smooth writing, the article vividly restores the scene of the blending of legends and history of that era.

First of all, the article makes these ancient emperors even more legendary by describing the legends of Taizong of the Tang Dynasty, Taizu of the Song Dynasty, Gaozu of the Han Dynasty, and Zhao Gou, the emperor of the Southern Song Dynasty. For example, the birth of Li Shimin, Taizong of the Tang Dynasty, was accompanied by the play of two dragons, the mysterious scenes of Zhao Kuangyin, the body of Zhao Kuangyin, the body of the Song Dynasty, and the strange experience of Liu Bang's mother of the Han Gaozu in Daze. These details enrich the image of historical figures and make it easier for readers to be drawn to these legends.

Secondly, the article gives an in-depth interpretation of the legend of the Southern Song Dynasty Emperor Zhao Gou's "Mud Horse Crossing Kang King". By describing how Zhao Gou successfully crossed the Yellow River with the help of the gods in times of crisis, the article reveals the propaganda tactics used by emperors in history to maintain their dominance. Zhao Gou weaved the mud horse crossing the river into a mythical story when he fled, aiming to consolidate his image as the true dragon son and create an image of himself being blessed by the gods in times of crisis.

However, the article concludes by pointing out that these legends may not be real history, but legends created by historical figures to beautify their own images. This perspective allows the reader to revel in the legendary story while maintaining a rational reflection on the authenticity of history.

Finally, the article mentions the reproduction of these legends in film and television works, especially the Cantonese opera film released in 1958 with the theme of "Mud Horse Crossing Kangwang". This film breathes new life into this ancient legend, presenting the ancient legend to contemporary audiences through the form of visual representation. It also reflects people's continued interest and love for ancient legends.

Overall, this article not only stimulates the reader's curiosity about history, but also provokes thinking about the truth of history by telling the mysterious legends of ancient emperors. The author uses vivid descriptions and clever structures to create a mysterious and fascinating historical picture.

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