The handwritten ancient poem "Sending Meng Haoran to Guangling" is rigorous and handsome, free and unrestrained, and the best!
As we all know, ** is a great calligrapher, is one of the "top ten calligraphers" in modern China, his "Mao" calligraphy is destined to be written into the history of Chinese calligraphy, and the best calligraphy Mobao is written in his poetry and calligraphy works, such as his calligraphy works "Qinyuan Spring Snow", "Qinyuan Spring Changsha", etc. So have you ever seen *** write other people's poems?What is the effect of its calligraphy, let's take a look at the ancient poems written by Li Bai "Sending Meng Haoran to Guangling", Wang Zhilian's "Climbing the Stork Bird Tower" and Du Fu's "Jiangnan in the Year of the Li Turtle".
As shown in the picture above, it is *** to write Li Bai's "Sending Meng Haoran to Guangling", this poem and calligraphy work, ** written in cursive, "The old man left the Yellow Crane Tower in the west, the fireworks went down to Yangzhou in March, the lonely sail was far away and the blue sky was exhausted, and only the Yangtze River skyline flowed." The word "therefore" at the beginning of the word is written in capital cursive, and the strokes are like the leaves of orchid grass, which is natural and smooth, graceful and handsome, and very elegant and beautiful. The words on the back are written in this way, the size is staggered, the length is different, varied, but the overall look is not a sense of disobedience, although it is not as smooth and natural as the calligraphy work of "Qinyuan Wear Changsha", but from its overall layout, it is also a good work.
As for the payment, ** simply wrote a name of his own, and there was no time and no stamp. If this calligraphy work is *** practicing calligraphy, maybe he will not put his name on it, and if *** is creating calligraphy, why didn't he write the time and stamp?
In fact, *** does not have the Xi of stamping when creating calligraphy, as for the time of payment, sometimes it will sometimes not, this is not easy to say, but after Luo Xiongjin's Xi of *** writing, this is *** and then calligraphy creation.
Coincidentally, ** when writing and creating poems and calligraphy works Wang Zhilian's "Climbing the Stork's Tower" and Du Fu's "Jiangnan Feng Li Turtle Year" did not have the time and stamp, and even the name was not written, it may be that the ** we collected just cut off the vertical column of the name.
On the whole, the style of these three calligraphy works is the same, and it is possible that they were written at the same time, what do you think about this?You are welcome to leave a message in the comment area!
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Luo Xiongjin, a member of the China Hard Pen Calligraphy Association, a member of the Shandong Working Committee of China Hard Pen Calligraphy, a member of the Hunan Young Calligraphers Association, an academician of the Beijing Academy of Contemporary Calligraphy and Painting, an academician of the Beijing Huaxia Bangjiao Guoli Academy of Calligraphy and Painting, a calligrapher, a calligraphy columnist, and a scientific research assistant of Hunan University.