Zheng Zeshi's handshake must be ranked first, because this action almost saved a movie.
"Golden Hotel" released in 1988 can be described as a star-studded super bad movie, spliced together by several stories, but the laughter is embarrassing and I don't know what to do, and the box office that year completely hit the street.
Fragment of the Golden Hotel.
Unexpectedly, more than 20 years later, because of Zheng Zeshi's cock bombing action, even the movie became popular.
At that time, when he took over the filming of this movie, Zheng Zeshi was moving across the Taiwan Strait and three places with "Fat Cat Wandering", and he was very popular. In order to change the image of the fat cat as low-witted and silly, he deliberately designed this exaggerated action, and fully demonstrated the high-profile and unreliable character through a series of "no one in sight" flamboyant actions.
Zheng Zeshi is indeed very talented in acting, and this drama has completely reversed his image, and it has even been passed down to this day.
In terms of the degree of classics, probably only Wang Baoqiang can compete with him in ordinary autumn colors.
In the movie "Hello!In Mr. Tree, Wang Baoqiang also uses large movements when smoking.
In the film, he is a despised little person, and only through these exaggerated actions can he attract the attention of those around him. Different from Zheng Zeshi's self-confidence and heroism, Wang Baoqiang mainly shows the character's inner cowardice and inferiority.
With this role, Wang Baoqiang should get an actor.
In the movie "Rich Train", there are many thrilling scenes, among which Yuan Biao's action of jumping from the roof of the building can be described as a classic among the classics.
This shot uses one shot to the end, and it is impossible to use stand-ins and editing techniques, or even hanging tightropes, and it is completely real people.
Among them, the most difficult is not to jump from the third floor, but to roll over in the air to achieve 360-degree rotation of the human body, and ensure that the legs land first, otherwise it will be life-threatening.
The danger of this action is so high, I believe it is self-evident, and Yuan Biao can take this action, which not only shows that his artist is bold, but also reflects the professionalism of the actors at that time.
The more thrilling scene in the play should be the life-threatening fight between Yuan Biao and Di Wei on the rooftop.
It's also a thrilling spin that involves spinning several times in the air and then pinching your hands at the risk of breaking your head or breaking your legs.
When Sammo Hung was designing the action, he was about to give up because the difficulty coefficient was too high. In the end, at the strong request of Yuan Biao, the shooting was carried out.
If this lens can be used in one shot to the end, it will definitely be recorded in Hong Kong film history.
After talking about Yuan Biao, I have to mention my senior brother Yuan Hua.
Yuan Hua's part of smoking a cigar and sliding down the stairs in "Flying Dragon" is also a classic in the hearts of many Hong Kong drama fans.
This action is only pediatric for Yuan Hua, but it shows the character's ** and cunning, and because of the strong cast, it is known as a classic clip.
"Flying Dragon Warrior" is of great significance to Yuan Hua, it is the first movie he starred in in the real sense, and he has played various supporting roles before, and even played the zombie old lady Ren.
After this movie, Yuan Hua's popularity increased greatly and he also began his journey as a villain. For a long time after that, most of his roles were villains with strong kung fu but weird personalities.
For example, Zuo Lengchan in "Smiling Proud Jianghu", and the heavenly remnant in "Modern Rulai Divine Palm".
The only exception is "Descendants of the Dragon" with Stephen Chow, playing the father of Jackie Chan.
The significance of this movie to the Seven Little Blessings is equally huge. Prior to this, Yuan Biao and Yuan Kui planned to set up their own doors because of the success of "Law Enforcement Pioneer". As a result, it was sanctioned by Jiahe, the company was not completed, and Yuan Biao was also refrigerated.
Golden Harvest said publicly, "Jackie Chan's movie does not allow Yuan Biao to star." Later, under Jackie Chan's repeated insistence, this cooperation was born.
Flying Dragon Warrior" is directed by Yuan Kui, starring Sammo Hung , Jackie Chan , Yuan Biao , Yuan Hua four brothers, Seven Xiaofu gathered 5 people at a time, such a lineup has never appeared again.
This is also the last film that Sammo Hung, Jackie Chan and Yuen Biao collaborated on.
Jet Li doesn't have many shots of smoking in the movie, and there are only a handful of cigarettes.
However, in "Letter to Dad", Jet Li contributed an extremely classic cigarette lighting action, using a lighter to burn on the wall and then lighting a cigarette, revealing domineering and arrogance throughout the process.
This is the last Jet Li movie directed by Yuan Kui, Yuan Kui and Jet Li can be described as the best partners in kung fu movies, and I feel that Jet Li's best movies are directed by Yuan Kui, such as the "Fang Shiyu" series, as well as "Zhongnanhai Bodyguard" and so on.
Yuan Kui and Jet Li.
But soon after this movie, Jet Li began to break into Hollywood, and at his invitation, Yuan Kui also went to Hollywood as the royal commander.
Jet Li has starred in many movies in Hollywood, but both the box office and word of mouth are unsatisfactory, and there is no scenery in Hong Kong at all, and I feel that Jet Li has been completely delayed for several years.
It was not until 2002 that the two ushered in a turning point in their respective fates.
That year, Jet Li returned to China to participate in Zhang Yimou's "Hero", and with the role of "nameless", he became completely popular all over the world.
Yuan Kui stayed in Hollywood to direct "Extraordinary Human Traffickers", which made Jason Statham completely popular and became a new generation of action superstars.
Jet Li is actually very picky about directors, and a good director can fully tap his temperament and kung fu characteristics, so that the role and character become one. A poor director can often only show his fierce actions, and his portrayal of the characters is very limited.
Jet Li's best director should be Yuan Kui, in fact, the imaginative Tsui Hark (Huang Feihong series), and finally the highly entertaining Wang Jing (Heaven and Dragon Slayer).
Zhang Yaoyang's action of flipping the table in "Crazy Boy" is definitely a classic clip in Hong Kong films.
Before flipping the table, he first picked up his cigarette and glasses, and handsomely threw the cigarette into his mouth before he began to lift the table, which can be described as domineering and full of caution.
The classic of this action lies in the image and temperament of Brother Crow, which is unmatched, whether it is the trend-setting hairstyle and dress, or the arrogant domineering.
Some people say that Brother Crow has never eaten enough, and his figure is much slimmer.
Some people also said that the crew lacked funds that year, and only served a plate of shredded potatoes. According to my seriousness**, it is a classic dish of white-cut chicken. However, the plate seems to be glued to the table, presumably for the sake of the shooting effect, so that the chicken will not fly out first and there will be no momentum.
If you follow the difficulty of the action, the picture of Zhang Yaoyang drilling the car window should also be an insurmountable classic.
Later, countless people imitated it on Douyin, but only Shi Xiaolong was the smoothest.
Jackie Chan also played once in "Double Dragon Club", but he was still not as chic and domineering as Brother Crow.
I saw many people questioning why Lin Jiadong's ordinary hurdle would become an insurmountable classic in Hong Kong films.
There are two reasons for this:
One is the character of Dongguan Tsai, who is full of combat effectiveness, but has no brains, and he has to enter the game to be a talker.
The second is that the action of hurdling is simpleBut it is very rare to be able to do it as silky and smooth as Dongguan Tsai, with no red face and no heartbeat in one go, I don't believe you can try it
Because of these two reasons, netizens also made up a joke, "I support Dongguan Tsai as a talker, because he has the smoothest hurdles." ”
Of course, the most important reason is that Lin Jiadong's performance in the film is really good, and he completely performs the soul of Dongguan Zai, so there is such a high degree of attention to leave this classic stalk.
Wu Jing has been a Hong Kong drifter for several years and has starred in many Hong Kong films, the most classic should be "Slaying the Wolf", which is also one of the few villains in Wu Jing.
Wu Jing's first move was to turn over and cross the goal, and then cleanly finish off Zhang Zhiyao.
The mastery of this action lies in the preemptiveness, just one action, the killer's fierceness and viciousness are vividly displayed, and no other words are needed at all.
Of course, the street battle between Wu Jing and Donnie Yen is also particularly exciting. It is said that for the authenticity of the film, the two almost let go of the beating, and a few sticks were broken.
After this movie, Hong Kong-made action movies ushered in a new dawn, and Wu Jing's career has also received a new development.
Brother scumbag dances in prison, angry and arrogant, simply lawless.
Lu Liangwei can be said to be a natural actor who plays the eldest brother, and every boss can be played by him with a special taste.
The scumbag brother in "The Fuse", the first thing he did when he went to prison was to accept the younger brother.
Before the trial, he did not panic at all, but danced a bewitching and demonic dance alone.
What is a hero, this is a hero.
Even in desperate situations, he remained calm.
Because he believed that his brother would definitely be able to exonerate him, he did not come to prison to go to prison, but to take a break and have some fun for himself by the way.
This role is only Lu Liangwei, who is fitted and has superb acting skills, can perform the essence, if the pot-bellied Sammo Hung is allowed to dance, it will be funny.
When it comes to Chow Yun-fat, most people think of banknotes and cigarettes, but I think the most classic should be the scene of playing with a wheelchair in "Across the Seas".
The image given by Fa Ge has always been affectionate and righteous plus **uninhibited, and under the appearance of cynicism, there is a wisdom and foolish wisdom in life.
Who else can perform Fa Ge's calmness and chic.
Who else can show the optimism and open-mindedness of the character?
Who else can play such a wonderful dance step in a wheelchair.
Except for Chow Yun-fat