Fan Xiaoge and Wei Kai, Chopin Music and Chinese Aesthetics original prose .

Mondo Culture Updated on 2024-01-19

List of high-quality authors Chinese like Chopin very much, in addition to the ** itself borderless, in fact, there is another reason, that is, the similarity between Chinese culture and Chopin **.

I listen to the history of ** is very long, not shorter than the history of my painting, whether it is Western ** or ethnic**, whether it is European and American jazz or Japanese and Korean combinations, all gathered under the account. I am talking about Chopin here, and it is also because of the thinking caused by a discussion with a friend of *** Academy, we have the same opinion on **, Mozart, Beethoven, Tchaikovsky, Rachmaninoff, but there is a little disagreement on Chopin**.

Chopin's lyricism, scatteredness, timelessness, and sincerity are also advocated by Chinese cultural aesthetics, Chinese culture advocates water like poetry, and Chopin ** is such a characteristic, Chopin's own feminine characteristics and poetic connotation are understandable to Chinese, so Chopin ** has many confidants in the world, a large part of which are Chinese.

Chopin conducted an in-depth study Xi and Mozart's, and in the fugue, Chopin learned his own counterpoint, as well as the harmony of multiple parts of the melody, resulting in a gorgeous and beautiful performance, and using the independent expressiveness of the piano to achieve rich effects is the secret of his **. This is similar to the Chinese aesthetic view, Chinese art also pays attention to the use of simple forms to express the most extensive effect, such as a pipa to show thousands of troops, from a certain point of view, the pipa song "Ambush on Ten Sides" and the suona song "Hundred Birds and Phoenix" methods are similar to Chopin's method. Some people have always thought that Chopin only composed piano music, whether it is too monotonous, for example, his ballades and scherzos are almost all piano-based, and there are fewer symphonic components, in fact, there is no need to worry too much about this problem, as long as he can give full play to the depth and breadth of the piano, he can also succeed, for example, Li Gonglin of the Song Dynasty in China only painted white drawings, painted white drawings to a very high level, and finally became the holy hand of white drawings, it can be seen that the form of expression is not important, the key is the initiative of "people".

There is also a tendency in Chinese aesthetics to "praise weakness", such as the appreciation of Xi Shi and Lin Daiyu, and this idea comes from the idea of Lao Tzu, who believes that "weakness is better than strength" In Chinese culture, this is a deep-rooted complex, and the agrarian society will also make people have a sense of surrender to nature, thinking that it is weak and easy to survive, strong and easy to break, such as the softness of the grass and the rigidity of the big tree have different results, which is also very similar to the sick and weak Chopin can create so many great **, and the sick and weak have become his advantage.

In terms of emotion, Chopin's ** is often tender and beautiful, and this is also an important aspect of Chinese emotion, however, there are also many contradictions and opposites in Chinese culture, such as advocating both love and ruthlessness, love is because in the agrarian society to contact and unite others with feelings, in order to achieve the purpose of survival, and ruthlessness is because of social reasons, China's ** social culture has caused a cold interpersonal view, so that people think that ruthlessness is a kind of self-protection, Chopin ** The expression of emotions often touches the amorous side of the Chinese, so Chopin ** has an inner resonance with the Chinese.

Related Pages