Bai Juyi (772-846), in his later years, called himself Xiangshan Jushi and Mr. Drunken Yin, with more than 3,600 poems and more than 2,800 poems. There are many places of officials, and they visit various Buddhist temples and Taoist temples, and their footprints are all over the country. During the Tang Dynasty, temples and Taoist temples were not only religious sites, but also centers for recreation, socialization and various social activities. Bai Juyi came and went frequently, made friends with believers, and was influenced by religion.
The family of wind and rain: the etiquette is different from the Central Plains.
Bai Juyi's family style is different from that of the Central Plains scholars, and his parents marry close relatives, which violates the etiquette and law of the Tang Dynasty. Bai Jigeng died in 794, and when he married Mrs. Chen, Bai Jigeng was 41 years old, and Chen was only 15 years old. In 815 A.D., Bai Juyi was demoted to Jiangzhou Assassin History because of his book, and was later degraded to Jiangzhou Sima by Wang Ya, a scholar in China.
Political Twists and Turns: The Coming of a Crisis of Faith.
After years of frustration, orthodox Confucianism was impacted, and Bai Juyi's faith was in crisis. In the sixth year (820) after the demotion of the official, Bai Juyi returned to worship Shangshu Sikou Wailang and entered a smooth road. During this period, the worship of Taoism gradually weakened, and he began to come into deep contact with Buddhism. From 823 to 827, Bai Juyi served as the assassin of Hangzhou and Suzhou, and had frequent contacts with Buddhism and had a deep relationship with local monks.
Buddhism Travel: A New Direction for Cultivation in Later Years.
In his later years, he returned to Chang'an and finally served as the secretary of the Criminal Department. Bai Juyi's poetry reveals the trend of personal cultivation. Luoyang is the place where he lived for the longest time, and he was buried in Longkou Xiangshan Temple in Luoyang after his death. Luoyang has many temples and is a sacred place for Buddhism, which may be one of the reasons why he chose to live in his later years. In his later years, he interacted with people in Buddhism and Taoism, and his poems were less about politics and more about the understanding of Buddhism and Taoism and the description of natural landscapes.
Poetic Escape: The Light of Faith Illuminates Old Age.
The poetry is leisurely, plain as words, but it has both skill, poetry and reason. After a lifetime of precipitation, Bai Juyi's Buddhist theory matured, and Buddhist thought became his spiritual pillar and ideological sustenance. In his later years, he immersed himself in the casual freedom of natural landscapes, and the tranquility turned into secrecy, reflecting the light of faith to illuminate his old age.
Conclusion: Bai Juyi's journey of faith.
Bai Juyi has traveled all his life, and his journey of faith runs throughout. His crisis of faith, Buddhist travels, and cultivation in his later years were all part of his enriching life. Through this unique journey, Bai Juyi's poems present a picture of a journey of faith, leaving a deep reflection for future generations.
Bai Juyi's life is like a colorful picture, through the article described in the romantic eunuch travel, faith crisis, Buddhist travel, and later years of cultivation and other life stages, we have witnessed his unique and diverse life process. This article outlines Bai Juyi's legendary experience with elegant writing, and profoundly shows how he found his home under the guidance of faith in the changing times.
First of all, Bai Juyi's unusual family background has added a special layer to his life. Although the marriage of close relatives of his parents is contrary to the etiquette of the Tang Dynasty, this heterogeneous family background may be the source of nourishment for Bai Juyi's unique character. This also became the basis for him to bravely pursue the path of faith when he was disappointed in the eunuch journey, so as to find inner perseverance under the guidance of faith.
Secondly, the article vividly depicts the crisis of faith experienced by Bai Juyi in the twists and turns of the political situation. The successive frustrations in officialdom and the impact on Confucianism led his faith to a tortuous path. However, it was during this period of confusion of faith that Bai Juyi did not give up, but chose to find inspiration in Buddhism and Taoism and seek new beliefs. This process allows us to see the tenacity and perseverance in his heart, and at the same time, it also lays the groundwork for his future faith journey.
Third, Bai Juyi's description of his association with Buddhism highlights his determination to find spiritual solace in his faith. During his tenure as the Assassin of Hangzhou and Suzhou, he had frequent contacts with Buddhism and had a deep relationship with local monks. This shows that he not only found a spiritual sustenance in his faith, but also made friends with like-minded friends. This description of Buddhism makes Bai Juyi's journey of faith more colorful, and also shows his deep contemplation of faith and his determination to continue to pursue it.
Finally, the article vividly depicts Bai Juyi's self-cultivation life in his later years, especially the scene of his residence in Luoyang. In his later years, Bai Juyi was no longer troubled by the political turmoil, but devoted more energy to the casual freedom of natural landscapes. This combination of a quiet life of cultivation and faith made his old age more fulfilling and peaceful. This depiction presents a poet of a peerless age, who, guided by faith, has found peace and tranquility beyond the mundane.
On the whole, Bai Juyi's life is like a melodious poem, showing his wonderful experience of romantic travels and faith journeys in simple terms through articles. Through the description of the different stages of Bai Juyi's life, this article vividly shows his journey of pursuing the truth of his heart under the guidance of faith, and presents readers with the rich inner world of an outstanding poet.
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