In 1910, Lu Shimo, a strange man from Zhuxi Town, Qingpu, Jiangsu Province, had an incredible dream when he traveled to Shanghai Tang 40 years later. After waking up from the dream, Lu Shimo wrote what he saw and heard in the dream into a book "New China". However, the book was ridiculed all over the world. Why are people so dismissive of his dreams?Now, why is he praised in unison as "like a god, wonderful"?
In 1910, China was a time of poverty and social turmoil. Even in the most fashionable Shanghai, poverty and backwardness cannot be avoided. In this era, he keenly captured the pulse of society, as well as his deep desire for the future.
At the age of 32, he wrote New China, a first-person account of his dream journey to Shanghai in 1951. ** Contains imagination of the future, involving the subway, light rail, Huangpu River Bridge, and the "World Expo" held in Pudong.
When ** came out, most readers felt unbelievable and absurd about Lu Shimo's depiction. In China at the time, little was known about the outside world, and many of the descriptions of future technological and social progress seemed anonymous at the time.
As time passed, it was discovered that some of Rusmo's depictions in his dreams actually became reality. From the subway and light rail to the Huangpu River Bridge, Russell magically foresaw the future of Shanghai. This made his scauntrants change their tunes and began to recognize his "knowing things like gods".
Rusmo's dream was not groundless. His brilliant mind, vast knowledge and rich imagination enabled him to conceive this "century-old dream" in his dreams. At the same time, his family background and association with progressives also influenced his positive expectations for the future.
In Shanghai, a place where Western and new studies gather, Lu Shimo made many well-informed and insightful people. Through the "diorama", he saw the advanced things of Western countries, combined with his own observations and thinking, and sketched a prosperous scene of China in the future.
Although many of the descriptions have become reality, there are still some seemingly unrealistic descriptions in New China. However, it was also a manifestation of the inability of society at that time to understand and accept the future.
Now, "New China" has been republished, and people's ridicule of Lu Shimo has long turned into respect and praise for him. His dreams are not only the fantasy of an era, but also a person's beautiful vision for the future.
Conclusion: Lu Shimo's "New China" is not only a dream of a hundred years ago, but also a person's sensitive insight into the current situation. Although his dreams were ridiculed by the people of the time, they are now a reality, which makes us wonder if dreams are really just dreams, or are they a kind of foreshadowing of the future
The report of "New China's Reappearance of Reality" profoundly and exhaustively presents Lu Shimo, the ridiculed strange man and his dreams. After reading it, one can't help but be full of curiosity and thinking about the history and the future.
First, the text vividly depicts the social context of the time, emphasizing poverty and social unrest in China in 1910. This period was a time when China was poor and weak, closed off from the rest of the country, and even in Shanghai, a relatively fashionable city, it was still difficult to escape the plague of poverty. It is in this social context that Ruschmo's dreams were born, showing his desire for the future and his yearning for social progress.
Secondly, the article traces the creative process of "New China" in detail. Through the fantasy experience in the dream, Lu Shimo wrote this prophetic ** in the first person. It contains many imaginations of future technological and social phenomena, some of which have actually become reality in later realities. This wonderful foresight of the future not only makes people sigh, but also arouses a strong interest in the mysterious power of dreams.
In addition, the article mentions that the ridicule and incomprehension of Lu Shimo's dream back then, and the scene that is now being praised wildly, triggered thinking about the change of social concepts. At that time, readers ridiculed Rusmer's work because of their unfamiliarity and incomprehension of the future. However, as time goes on, some of the depictions have become reality, and this anti-transfer makes one wonder if contemporary attitudes and understandings of the unknown have similarly changed.
In addition, the article mentions Rustro's family background and his association with progressives, which exposed him to some progressive ideas and progressive reading materials at an early age. This explains his positive expectations for the future, and also shows that a person's social environment has an important influence on the shaping of their dreams and imagination.
Finally, the article mentions the reproducibility of some of the descriptions in New China, as well as the explanations of some seemingly unrealistic descriptions, so that the reader can understand Lu Shimo's prediction more comprehensively. This also raises the question of whether dreams are really just a fantasy or a mysterious foreshadowing of the future.
Overall, this report vividly and detailfully restores an era, showing the dreams and prophecies of a strange man. Through this story, people's cognition of history, the future, and dreams are inspired, and it provokes deep thinking about the evolution of social concepts and individual imagination.
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