Since its appearance in 2013, the Writer's Wild Dog has caused a huge sensation. In October 2016, the animation of the same name was broadcast in Chinese mainland, and then the officially licensed simplified Chinese version of the comic and ** were also listed. However, this work is also accompanied by a lot of controversy and doubts. Unlike Japan's tolerant attitude towards the artistic processing of historical themes, Chinese audiences have a conservative attitude towards it, and the image and political stance of some characters have also raised questions. Despite this, the popularity of the literary wild dog is still unabated, and it has also had a positive impact on the promotion of the works of some unpopular writers. However, the ensuing collision of literary works and two-dimensional culture has also led to some negative effects.
The fire of the literary wild dog has undoubtedly brought more attention to some Japanese writers who are not well known to Chinese readers for many years. The works of writers such as Ango Sakaguchi, Kijiro Kajii, Momiji Ozaki, and Izumi Kagamika began to be introduced on a large scale and attracted the attention of readers. However, behind this phenomenon, some problems have also been exposed, such as excessive dualization and the proliferation of fanculture. These phenomena reduce literary works to anime elements and also lead to some disagreements and estrangements. Whether the Writer's Wild Dog is a malicious adaptation or not also has different opinions on this issue.
For some, the emergence of the literary wild dog is a collision between the two-dimensional subculture and history and literature, which stimulates young people's interest in literature and history. However, some people believe that the two-dimensional transformation of literary works is simply to put on the skin of a writer, and has little to do with history and literature. These perceptions all show that the impact of the Writer's Wild Dog is complex and diverse.
In 2022, the fifth personality will link up with the writer Wild Dog, which accidentally angers the unknown person, resulting in an embarrassing ending. Once, the literary wild dog was full of turmoil and was once disturbed. But two years later, it has ushered in a new life in China, and whose credit is this?It is none other than the rotten female audience who stands at the top.
Since the third season, station b has continued to ** new episodes of the writer wild dog, and the law of juvenile manga has come into effect, which not only has grown in audience, but also attracted a large number of female viewers. The increase in this proportion has given a huge economic effect to the surroundings of the Wenhao wild dog. Driven by profits, censorship is also increasingly relaxed. The writer's wild dog was redeemed, but it was all because of the power of the rotten girl!
Looking at the plot, the core of the writer's wild dog is a common juvenile manga routine, about survival and growth. Each character is pursuing his or her own "survival value" - Atsushi Nakajima, who wants to prove that he is not a useless person;Ryunosuke Akutagawa wants to prove that he is strong enough to protect the people around him;Edogawa Ranbu wants to prove that he is a great detective who is "relied on" and "needed";Kunikida is a one-of-a-kind ...... who wants to practice his idealistic lifestyleHow many people's hearts have been touched by the spiritual core of the literary wild dog?
As for the performance of the fifth season, the first half gives 8 points because it is intriguing and the reversal is just right. However, the ending is only worth 3 points because it can't satisfy curiosity. Hanging people's appetite is an art, but if it is too much, the audience can only feel helpless. Therefore, the fifth season only falls into the category of "can be watched but not recommended". The super long length of the Fudi Line makes the audience pinch cold sweat.