1. "Writing Collection".Main content:
The Writing Collection is Qian QianyiThe last collection of poems and the most important representative works, named after the meaning of Banchao's "pen from Rong". The whole collection has a total of 108 poems, all of which are seven rules, of which 104 are divided into thirteen stacks, each stack of eight poems, all of which are the rhyme of Du Fu's "Eight Songs of Autumn Xing", constituting the largest group of poems in the Qing Dynasty. The creation of "Writing Collection" began in the sixteenth year of Shunzhi and ended in the second year of Kangxi, which lasted five years, and its content is related to the situation of the Restoration of Sight and the situation of the Yongli regime, which also runs through the traces and traces of his and Liu Ru's hearts to resist the Qing Dynasty and restore the Ming Dynasty. Chen Yinke's "Liu Ru is Farewell Biography" spoke highly of this group of poems: "The poems imitate Shaoling, and enter its mystery, which goes without saying. And there are many militaristic keys in this collection of Muzhai poems, which are predicted by their bodies, and the poems of Shaoling are only different from the rumors from afar and the reminiscences of the homeland. Therefore, from this point of view, the collection of writing is actually the poetry history of the Ming and Qing dynasties, which is better than Du Ling, and it is the greatest work in the past three hundred years. ”
2. "Writing Collection".Artistic achievement
a).Expand the scope of the subject matter of the seven-character poem。The "Writing Collection" chronicles the history in the form of a group of poems in seven words, with a broad and grand content, and opens up the scope of the subject matter of the seven-character poems.
b).In the creation of images, it prominently reflects the characteristics of the image into a series。The poem embodies three imagery series: the poet's self, the restoration of vision, and the Yongli Emperor. In the series The Poet's Self, the author portrays both the self-image and his complex and rich inner world.
c).Structurally, the couplet poem requires that "when viewed together, the couplet is like a chapter;."Viewed separately, each chapter is a chapter of its own, and its order has its own order."。In order to make the structure tight, the "Writing Collection" adopts a variety of techniques, among which there are vertical and horizontal crossings. The rhyme of Du Fu's "Eight Songs of Autumn Xing" in the "Writing Collection" is, from a longitudinal point of view, a group of thirteen stacks of poems in units of eight;Arrange the thirteen stacks together, and the poems that rhyme with the same rhyme are eight groups, each group of thirteen songs, so that the use of the same rhyme, one song per stack, repeatedly declare an image, give things to express nostalgia, and write a chronicle with the rhyme, and the thirteen stacks of poems have a group of artistic conceptions, and a rhyme has a rhyme.
Therefore, although the "Writing Collection" is the largest group of poems in the seven-law poetry genre, it is stillBig and material, abundant and orderly, which embodies a rare one in the history of poetryGrandiose and elegantly arrangedThe power of beauty.
[Li Fan keywords:Representative works Imagery series Expand the scope of the subject matter, the structure is tight, large and substantial
[Li Fan said:Although it is the largest group of poems in the seven-law poetry style, it is large and substantial, and has innovated in subject matter, imagery and institution, describing the form of the restoration of the navy and the Yongli regime at the end of the Ming Dynasty, as well as the whereabouts and mental journey of himself and Liu Ruyi's anti-Qing Dynasty, which is very important in both literary and historical research.