Recently, the director of the Sanxingdui Museum announced an exciting discovery. Based on the newly restored Bronze Sacred Tree, this ancient mystical artifact reveals a shocking mystery that surprisingly coincides with the descriptions in the ancient text, the Classic of Mountains and Seas.
The "Classic of Mountains and Seas", which has been inherited since ancient times, records the legend of the country of Ba and the sacred tree, but now, the excavation and restoration of the No. 3 bronze sacred tree seems to make this ancient history more real and mysterious. This bronze sacred tree is about 11 meter, which embodies an incredibly special form. There are two bronze trunks intertwined with the sacred tree, as if it is the true restoration of the Fuso sacred tree recorded in ancient Oriental books. Even more mysterious, the tree is surrounded by nine branches, each of which is dotted with a number of intertwined twigs, which perfectly echo the depictions in ancient books.
Surprisingly, this bronze sacred tree is not only consistent with the ancient records, but also inlaid with a bronze figure with a bird's head and body on the top of the tree, which is suspected to be the god worshiped by the Sanxingdui people - Jumang. This discovery has sparked widespread speculation and ** among experts. Some scholars speculate that this mysterious sacred tree may have been created by the people of Sanxingdui, and even the name of the sacred tree, Fusang, may also have been taken by them. It is believed that the author of the Classic of Mountains and Seas may have seen this sacred tree with his own eyes, mystified it and written it into ancient books.
Further research suggests that this discovery may reveal a close connection between the Ba state and the Chinese people in ancient times. According to the records of the "Classic of Mountains and Seas, the Classic of the Sea", the ancestor of the country of Ba, the salty bird, has a close connection with the legendary human ancestors of the Chinese people, Fuxi and the Yellow Emperor. Although the exact family of the Sanxingdui people has not yet been unified in the academic circles, the discovery of the bronze sacred tree at least confirms that the records of the Shu people, the Ba people, and the Jumang (or salty bird) in the "Classic of Mountains and Seas" are true.
Some experts believe that four or five thousand years ago, the descendants of the Yellow Emperor or Fuxi may have come to the Guanghan Plain and intermarried with the local Ba people, absorbing their beliefs and myths. The mysterious existence of Fusang and Jumang is the product of this cultural fusion. The reason why these bronze sacred trees and human-faced bird figures were written into the Classic of Mountains and Seas may be because they were too mysterious and unfamiliar to the Chinese people at that time.
This new discovery is of great significance, as it reveals the possibility of exchange and integration of ancient civilizations, and also opens up a new direction for the study of ancient history. This mysterious bronze sacred tree may be one of the keys to the codes of ancient civilizations, making us even more curious and looking forward to more secrets from ancient history that have not yet been revealed.
This momentous discovery leads us to a new era in history, re-examining and exploring the splendor and mystery of ancient civilizations.
This discovery of the Sanxingdui Bronze Sacred Tree is fascinating and provokes deep thinking about ancient civilizations and cultural exchanges. The discovery of the Bronze Sacred Tree was a major breakthrough in ancient history and culture, and the discovery sparked interest in the cultural ties between the ancient Chinese people and the Pakistani people.
First of all, this finding is strikingly consistent with the description in the Classic of Mountains and Seas, which is extremely significant. This ancient document is of great historical value for its depiction and recording of ancient society. The shape of the sacred tree, the bronze figure with the human head and bird body at the top of the tree, and the complex structure of the tree are all surprisingly consistent with the Fuso sacred tree described in ancient books. This not only confirms the authenticity of the Classic of Mountains and Seas, but also makes us think more deeply about the inheritance of ancient civilizations and the integration of culture.
Secondly, the article mentions that the sacred tree may be the first of Sanxingdui, which is very eye-catching. This discovery suggests that the Sanxingdui civilization may have a unique level of cultural innovation and technology. The production of the Bronze Sacred Tree requires exquisite craftsmanship, which may represent the high attainments of the ancient Sanxingdui people in metalwork and art. The inclusion of the bronze sacred tree in the "Classic of Mountains and Seas" may be a high recognition of its mystery and uniqueness, and it may also be a kind of protection and inheritance of mysterious cultural items.
Furthermore, the article mentions the connection between the Ba and the Huaxia people, as well as the connection between the Ba people and the Chinese culture in the Classic of Mountains and Seas. The discovery of this cross-cultural exchange and integration of civilizations reveals to us the possibility of mutual influence and exchange between various ethnic groups in ancient societies. The connection between the salty bird, the ancestor of Pakistan, and the legendary human ancestors of the Chinese people, Fuxi and the Yellow Emperor, suggests that there may have been a more complex and extensive network of connections in ancient civilizations, which is very interesting to study.
Overall, this review gives a high level of attention to the discovery of the Bronze Sacred Tree, fully highlighting its historical, cultural, and social significance. This discovery stimulates new thinking about ancient history and civilization, and provides us with new perspectives and possibilities for understanding ancient societies and cultural heritages. This is a major discovery worthy of our in-depth study and exploration, and it also leaves an important clue for us to understand ancient civilizations.
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