Legend of the Three Kingdoms: The love and hatred of Cao Cao, Zhen Mi, and Cao Zhi.
In the history of Chinese literature, there are many legendary stories of fathers and sons who share the same hatred and hatred. Among them, Cao Cao's father and son and Su Shi's father and son are the most eye-catching, and Cao Cao's father and son are even more eye-catching for their literary talent and lust. This article will focus on the dispute between Cao Cao, Zhen Mi, and Cao Zhi, as well as the affectionate confession in Cao Zhi's "Luo Shen Fu".
First, Zhen Mi who captivates the country and the city.
Zhen Mi, born in December 182 AD, was born in a family of eunuchs in Wuji, Zhongshan, Heshui. She was born with the beauty of the country since she was a child, likes to read, and is quite atmospheric. In troubled times, Zhen Mi's family took the opportunity to buy gold and silver treasures at a low price. However, Zhen Mi advocated using this wealth to buy food to alleviate poverty, showing her noble character and insight.
Zhen Mi is not only beautiful, but also talented, and is widely praised by Hebei. Yuan Shao became famous and let his second son Yuan Xi marry Zhen. However, when Yuan Xi went out to fight, Zhen Mi stayed in Yecheng and became another heirloom beauty in Jiangnan in that era.
Second, Cao Cao and Cao Pi are both coveted beauties.
Cao Cao is not only outstanding in literature, but also has an undeniable hobby: lustful. In the process of competing with Yuan Shao for hegemony in the north, Cao Cao became interested in the great beauty of Zhen in Yuan's mansion. After the Battle of Guandu, Cao Cao captured Yecheng, and in order to capture Zhen Mi, he sent heavy troops to surround Yuan's mansion.
However, what Cao Cao didn't expect was that his son Cao Pi also had a crush on Zhen Mi. Cao Pi took the lead in breaking into Yuan's mansion before his father and brought Zhen Mi back. Cao Pi even begged Cao Cao to give Zhen Mi to him, and Cao Cao agreed to his request in order to avoid fighting with his son for a woman.
This series of power schemes and emotional entanglements made the situation at that time more complicated, and also buried the cause of Cao Zhi's suppression later.
Third, Cao Zhi's "Luo Shen Fu".
Cao Zhi, whose name is Zijian, is the third son between Cao Pi and Cao Cao. His literary talent is outstanding, especially in the early winter of the fifteenth year of Jian'an, when the Tongque Terrace was completed, the "Tongque Tai Fu" made a sensation. Cao Cao praised Cao Zhi's literary talent, which also laid the foundation for Cao Zhi's later literary development.
However, Cao Zhi's father, Cao Pi, became jealous of him. After Cao Pi ascended the throne, Cao Zhi was suppressed, demoted his title, changed his title, and even restricted the power of his mother, Empress Dowager Bian, so that Cao Zhi fell into an isolated and helpless situation. In this process, Zhen Mi also fell out of favor due to Cao Pi's neglect, and finally died under Cao Pi.
Cao Zhi's "Luo Shen Fu" is his work in memory of Zhen Mi on the shore of Luoshui. The text uses Concubine Mi as the incarnation, depicting Cao Zhi's deep attachment to Zhen Mi. This essay wrote about his deep thoughts about Zhen Mi, as well as his emotion when he looked at the beautiful goddess by the Luoshui River.
Fourth, Zhen Mi and Cao Zhi: The intersection of emotions.
Zhen Mi's woman-guarding Tao and Cao Cao's grand pattern made the two not really affect national affairs because of the temporary father-son dispute. Cao Zhi and Zhen Mi, although they have a common heart, can only be separated in the face of human morality, and their feelings between each other cannot continue to develop.
After Zhen Mi fell out of favor, Cao Pi's snub put her in a predicament. Cao Zhi is sympathetic, but he can't help her, which makes the whole story even more embarrassing.
Cao Zhi's "Luo Shen Fu" expresses his affectionate farewell to Zhen Mi. Cao Zhi poured deep feelings into the article, and expressed his affection for the goddess of Luoshui. The emotion in this complicated love and hatred has become a masterpiece that has been passed down through the ages through literary expression.
Fifth, the paintings handed down from generation to generation and the rehabilitation of Emperor Wu.
The Jin Dynasty painter Gu Kaizhi created the "Luo Shen Fu" based on the "Luo Shen Fu". The painting vividly represents the goddess of Luoshui"Concubine Mi", giving Cao Zhi's words a concrete image.
After Emperor Wei Ming ascended the throne, in order to rehabilitate Zhen Mi, he posthumously named her"Empress Wen Zhaozhen"。However, due to the restriction of the power of his mother, Empress Dowager Bian, Cao Zhi gradually fell into isolation, and after all, he could not change the tragic ending of him and Zhen Mi.
Epilogue. The disputes between Zhen Mi, Cao Cao, and Cao Zhi are intertwined with legends in the history of the Three Kingdoms. The emotional entanglement between beautiful women, handsome generals, and literary giants makes for a fascinating picture. This legend is not only a witness to history, but also a source of inspiration for literature. In the intertwined fates of these three characters, deep reflections have been left behind, as well as the beauty of literature that has been handed down to the world.
This article provides a detailed account of the complex disputes between Cao Cao, Zhen Mi, and Cao Zhi during the Three Kingdoms period, as well as the deep affection expressed in Cao Zhi's Luo Shen Fu. Through vivid descriptions and detailed historical backgrounds, the author successfully outlines this embarrassing love-hate relationship.
First of all, the author vividly portrays the image of Zhen Mi. From her birth in an official family to the noble character she showed in troubled times, Zhen Mi's image is fully displayed in the article. Her beauty and insight, as well as her concern for national affairs, made her an admired woman of her time. Such a shaping allows the reader to better understand her place and influence in history.
Secondly, the father-son relationship between Cao Cao and Cao Pi is also vividly presented in the text. Cao Cao was both a literary giant and a womanizer, which made his image even fuller. Cao Pi's admiration for Zhen Mi contrasts sharply with his father's lust, laying the groundwork for subsequent emotional entanglements. Through these nuanced descriptions, the author succeeds in outlining the intricacies of power and emotions in the court during the Three Kingdoms period.
Then, Cao Zhi's "Luo Shen Fu" became a highlight of the article. Through a detailed analysis of this literary masterpiece, readers are able to deeply understand Cao Zhi's deep affection for Zhen Mi. The article cites a large section of the text of "Luo Shen Fu", which not only makes the reader feel Cao Zhi's literary talent, but also makes the article more emotionally resonant. Cao Zhi expressed his thoughts about Zhen Mi through the text, which made the whole story more touching and thought-provoking.
Finally, the conclusion of the article cleverly sums up the saga. The mention of the emotional entanglement between Zhen Mi, Cao Cao, and Cao Zhi emphasizes the love-hate intertwining of this historical story. This well-thought-out structure allows the essay to narrate history while also giving full play to the expressive power of literature.
Overall, this essay succeeds in outlining the emotional entanglements between Cao Cao, Zhen Mi, and Cao Zhi during the Three Kingdoms period through vivid descriptions of historical figures and in-depth analysis of literary works. By reading this article, readers can both gain a deeper understanding of history and appreciate the author's deep taste for literary works.
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