In the treasure trove of Chinese-language films, Hong Kong films have always occupied an irreplaceable position with their unique charm and style. However, due to various reasons, some highly distinctive Hong Kong films have not been released in the mainland, which has become a regret in the hearts of many fans. This article "You may not have seen all of the 10 restricted-level Hong Kong films that were not released in the mainland that year?".will take you back to those Hong Kong film masterpieces that are violent, sensual, absurd, or realistic. These films not only show the diversity of Hong Kong films, but also reflect the complexity of society and the deep humanity**.
1, "Lao Li".
The monologue at the beginning of the film reveals its strong Hong Kong characteristics. To sum up this movie in one sentence, it is like a pot of spicy hot pot infused with Ovaltine's mandarin duck milk tea, which is unique. **This film is like enjoying the food of a star-rated restaurant, it brings not only the sour and spicy sensation that stimulates the taste buds, but also the interweaving of tension and violence, the balance between absurdity and uninhibitedness, and the warmth and inspiration in the blood.
2, "Tree Moves the Wind".
The personalities of the three "thieves" in the film are depicted in three parts: one is arrogant, one is stubborn, and the other is suspicious. In the last twenty minutes of the movie, the interaction between the three protagonists is tense and fast, but the ending is surprising. The ending song "Let Everything Go with the Wind" perfectly presents a sense of desolation. Although the first half of the performance is wonderful, the ending is slightly bland and does not bring the expected shock.
3, "Treading Blood and Seeking Plum Blossoms".
The film depicts a group of mutilated characters, like the mutilated corpses in the film. Aaron Kwok's policeman Ah Zang lost his closest people in a personal tragedy, and Ding Zicong was also lost in the misery of life. Jiamei's character is full of helplessness and sadness. Each character in the film is like a drifter of fate, and their lives seem destined to find no home.
4, "Young Prostitute".
Each character in the movie has their own story, which is deep and complex. The mystery of the female characters is portrayed in such a way that even the brightest detectives find it difficult to discern them. The choice of social reality themes makes the film easy to resonate with the audience and evoke memories of personal experiences. The film's classification is confusing, but it still receives good reviews in its own right, independent of the executive producer.
5, "Shinjuku Incident".
The overall narrative of the film is engaging, although the pace is a little sluggish in the middle. The bloody gangster fight scenes are exceptionally realistic, and the soundtrack adds to the atmosphere, but some of the dialogue is a little stiff. The film not only presents a piece of history, but also deeply portrays the complex side of human nature. I watched "Lost in Translation" by "Uncle Cake" first, and then watched "Shinjuku Incident", and it felt very real. Once you set foot in the gangster world, you can't turn back, as Wang Nan said.
6, "Murderer".
Aaron Kwok's performance is a little harder, and the film shows how a mentally handicapped murderer escapes the pursuit of **. The hero's experience is extremely unfortunate, he loses his temperamental wife, and can only rely on the idea of revenge to maintain. The children's performances are acceptable, but the plot about human traffickers in the film is slightly ridiculous and questionable.
7, "Zombie".
It is reported that the full version of the film is more than three hours long, integrating various elements such as evil, hunting, and group drama. The film is serious and joyful, without excessive violence, and it is a relatively comfortable film. The sense of tragedy brought about by the ending is unforgettable, and one can't help but wonder if "Deep Sea" has any references.
8, "Accident".
The wiretapping plot in the movie is reminiscent of Eavesdropping Storm. The protagonist is suspicious of the "accidents" that happened around him, and insists on living in the world he has built until the final tragic relief. Ren Xianqi's character performed well, and while the expected reversal didn't materialize, it became an unexpected twist in itself.
9, "Shaolin Football".
As a typical Stephen Chow movie, its exaggerated action and sense of humor delight the audience. The special effects are handled properly and are not obtrusive. The action scenes in the film are real and believable, bringing joy to the audience. Stephen Chow had to make a harmonious version in order for the movie to be released in the mainland, but in the end it still failed to pass the censorship, which is undoubtedly a big pity.
10, "Domestic Lingling Paint".
Stephen Chow's films are always full of comedic elements, and sometimes even make people overlook his external charm. "Domestic Lingling Paint" successfully shows his masculine charm, whether it is the action scenes, costumes, or humor, it is very attractive. The plot of "Li Xianglan" and White Rose in the film shows his irresistible charm.
Through a review of these 10 restrictive Hong Kong films that could not be released in the mainland, we not only relive the classic moments of Hong Kong films, but also deeply feel the power and charm of film as an art form. Although these works have not been able to meet the audience on the big screen in the mainland, the emotions they convey, the themes they convey and the creativity they show have undoubtedly added rich colors to the Chinese film industry. I hope that there will be more opportunities to bring these forgotten masterpieces back to life in the future, so that more audiences can enjoy the unique charm of Hong Kong films.