"I Know I Love You" is not correct?The man advocates the late meaning of "knowing three when three", which can also be broadcast?In 2023, Zhang Wanyi can be described as incomparable, he has starred in many hit dramas such as "Extraordinary Doctor", "Glory of Fathers", "Sauvignon Blanc", and cooperated with powerful actors such as Wang Zhifei, Feng Lei, Guo Tao, Yang Zi, etc., showing the charm of different roles
His acting skills have also been recognized by the industry and audiences, winning several awards and nominations. He used to be an unknown little transparent, but he became popular overnight through "The Awakening Age" and became a popular student.
However, his latest work, "I Know I Love You", has sparked huge controversy.
In "I Know I Love You,Zhao Jin is a veterinarian and his friend Peng Yuan (Yuan Wenkang) is an architect, and they grew up together and have a good relationship.
Peng Yu'an has a girlfriend of ten years, and promises, she is a florist and a neighbor of Zhao Jin.
Zhao Jin and Xu Promise had a strong attraction in a chance encounter, but they both knew each other's identities, so they kept their distance.
However, as time goes by, the relationship between Zhao Jin and Xu Promise seems to become more and more difficult.
This setting has also caused a lot of controversy in the Korean version of "Spring Night", but due to the interpretation of Korean actors and the handling of the plot, it has won the love and sympathy of many audiences.
But in the Chinese version of "I Know I Love You", such a plot makes many viewers find it difficult to acceptThey think that Zhao Jin is a character who "knows three things and is three", a man who likes his friend's fiancée, and a man who has three wrong views.
Some netizens feel that Zhao Jin's behavior is a betrayal of Peng Yu'an, a deception of promises, irresponsibility for himself, and disrespect for love.
Looking back on the past idol dramas, I have always focused on creating the image of talented girls, but with the passage of time, screenwriters seem to have encountered a bottleneck in creation and began to look for new creative elements. Initially, gimmicks were introduced into the character settings, such as sibling love, twilight love, etc., to inject some freshness into the plot.
However, in recent years, some works have not only challenged the audience's three views, but also touched the moral bottom line. Once seen as an untouchable bottom line,Plots such as cheating and cheating are now also packaged as part of the pursuit of true love, and such plots have become commonplace in the past few years.
A typical example is "The First Half of My Life", which used to be set as "I fell in love with my best friend's ex-boyfriend", although it was an ex-boyfriend who had broken up, the screenwriter did not dare to give the hero and heroine a happy ending in the end.
This kind of plot setting is enough to arouse the audience's disgust, however, some works nowadays do not hesitate to take risks to challenge the bottom line.
In this context, Zhang Wanyi took on such a controversial role, which makes people wonder if she takes into account the reputation she has accumulated before.
This is not the first time she has been involved in this kind of controversial emotional drama, earlier in "Children of the Qiao Family" she played a ** who fell in love with a lot older than herself, and then fell in love with her sister Xiaoyao in "Sauvignon Blanc".
Now, he has been directly upgraded to a green tea junior, snatching love with a knife, and this challenging role choice will undoubtedly become the focus of the audience's attention.
In the current era, the audience's acceptance and aesthetic standards for the plot are constantly changing, and screenwriters seem to be constantly looking for breakthroughs. However, whether to challenge or be cautious about some bottom-line issues remains a question that needs to be carefully considered.
In short, when Zhang Wanyi takes on controversial roles, perhaps to challenge the limits of her acting skills, or to highlight the multi-faceted nature of the role.
However, it also makes us reflect on the tacit understanding and respect between the screenwriter, the actors, and the audience, which is crucial to the success of a work.
It is hoped that in the future, it is hoped that the creation of film and television dramas can maintain a sensitivity to values in innovation, not only break through the tradition, but also maintain the awe of artistic ethics while leading the audience to the unknown, and present more wonderful works with both impact and inner depth for the audience.