When I watched TV dramas when I was a child, I often thought that the protagonists are proficient in all eighteen kinds of martial arts, could it be that they are "masters" in life?
When I became an adult, I realized that the director deceived everyone, and these were just a means created by "technology + hard work".
Looking back at the works of many years ago, many people will sigh:A classic is a classic, or a TV series from the past.
Putting aside the acting skills of the actors, just talking about the real scene is also a visual experience.
For example, in "Police Story 3", Michelle Yeoh's motorcycle stunts, the real sense of camera, even if it is ** again after many years, it will feel "exciting".
Behind the real shots, is the dedication of the actors.
Of course, there are some "camera lies", the most familiar to us in "Journey to the West", Sun Wukong only needs to blow a breath, and the rope on Tang Seng will be "broken".
In fact, the rope had been cut a long time ago, and what Sun Wukong blew out was just second-hand smoke.
But the reality created by the actors brought the audience an immersive experience.
In addition, there is also "The Story of Ah Jin", Michelle Yeoh jumped off an 18-meter bridge. Without any protection, he broke 3 ribs.
Later, in an interview, Michelle Yeoh admitted frankly: herself, Jackie Chan, and Jet Li were once blacklisted by Hong Kong insurance companies.
Although such a "don't die" filming attitude is not worth advocating, the actors give the audience absolute respect.
It is a pity that this attitude of "excellence" towards the lens is silently "disappearing" in the film and television industry.
In "Three Lives, Three Worlds, Ten Miles of Peach Blossoms", "Feng Jiu" played by Di Lieba, when she was chased by the bad guys, the audience's hearts were fiercely pulled, for fear that she would fall into the hands of the bad guys.
I have to say that after all, we are too deep into the play. Feng Jiu and his opponent's "light work", in order to erase the traces of "Hanging Weiya", the director can be described as painstaking.
A speeding car, two people keep a safe distance, and then engage in "acting" exchanges.
In addition, the mothers' favorite "The Legend of Zhen Huan" is also painstakingly created "versatile".
During the competition between An Lingrong and Zhen Huan, he regained his favor with "Dancing on Ice", and his smile can be described as moving.
But as the behind-the-scenes footage was shown in front of everyone, it was only in a trance that I realized that the director was the real ruthless man.
It's just a wooden box, and the aesthetic style of painting suddenly becomes a different look.
In addition, it is the hero in the costume drama who puts his "big move", and after a smooth operation, the aura is instantly opened.
In fact, it basically relies on "plug-ins", and the staff holds the blower and caters to it at the critical moment, creating a "domineering side leakage" of the lens.
From the perspective of industry insiders, the actors can hold back and not laugh, and they are also integrated with the characters, showing their own strength and ability.
The "plug-in" audience can understand and ensure the safety of the actors, but the appearance of many "substitutes" is a bit unreasonable?
In "Zodiac", Zhang Lanxin was firmly remembered by the audience by taking the key by "splitting his legs" and became a classic shot.
Although there are not many scenes, the flexibility of the body is really eye-catching.
On the other hand, people who graduated from a college in the entertainment industry are not on the road to self-improvement, but thinking about how to "hide from the world".
It can be seen in the camera that the standing actress raised her "feet" above her head without much effort, giving people a feeling of "practicing family".
After most people see it, they will think that the actress must have a solid dance foundation, but in fact?
The actress just changed the direction of her body, and a "leg replacement" appeared behind her. And this leg is not a real leg, but another actor, wearing shoes on his hands, slowly lifting up with the needs of the actor.
Since there are prosthetic legs, there are naturally "prosthetic hands", and the actress does not need to make any moves at all, she just needs to maintain the affection on her face, and the staff will stretch out the "special effects hand".
Seeing the "hands" that do not belong to them, catering to the role in this way, the actors are a little nervous.
In addition to these limbs, the actors' figures have also begun to take on a variety of "substitutes".
When "Acquaintance with Jun Chu" was released, the scene of Ren Jialun coming out of the water aroused heated discussions among everyone, white and tender **, eight powerful abdominal muscles.
The fact that a fish can be so disciplined really makes me a little ashamed.
But attentive fans still noticed the abnormality, and it was obvious that this was not Allen's own figure.
In Reuters' **, the appearance of "muscle suits" can be said to have awakened the sleeping hearts of the girls and directly gave them a blow to the head.
In order to film, Alan really worked very hard. Not only does it remind me of "Zhu Bajie" in "Journey to the West", but he is dressed in heavy "fat", and it is really hard to create a role.
However, I think the most classic is the "P-share replacement".
In "The Flowers Bloom and the Moon is Full That Year", there is a scene where Sun Li gives Chen Xiao medicine, and the director gives a close-up of the shot.
I have to say that the acting skills of this "P share" are very dedicated, and when the potion just came into contact, it shrunk.
In addition to "buttocks", there is also "face replacement", in "Long Song Xing", when Di Lieba was slapped.
It was just that moment, a "strange face" completely appeared in the shot. From passerby to superstar, does it only take one turn?
Compared with these painstaking perfunctory, the director's "technology + ruthlessness" is also an eye-catching existence.
When His Highness the Wolf was broadcast, the heroine Ma picked up the stars in order to block the arrows for the male protagonist.
The director's ingenious "wolfberry" until the effect of splashing blood is really "enjoyable".
The cold wolfberry slapped on his face, and the "blood droplets" were full of particles, and the actor's face was not stained at all.
The most unexpected thing is that a good conscience drama like "The World" will also be sparse, and "objects that do not conform to the times" will appear
Not only are there big-name care products, but there are also sofas with their own "USB" sockets.
In the high-scoring drama "Langya Bang", there is a scene of Hu Ge playing the flute and boating, he is personable, and his beauty makes people unable to take their eyes off it.
The results are all fake, the beauty created by the green screen, the reason why the boat moves, because the director carefully installed the "pulley", this idea is really amazing.
I have to say that every successful director has a brain-opening soul.
Liu Qi and Li Miaoren in "Beauty Scheming" are dating in the garden, which is a very classic shot.
I have to say that there is nothing wrong with the upper body. After the camera zooms out, the "shorts" of the two actors make people play in a second.
Such a situation also appeared in "Chen Qing Ling", two personable thin teenagers.
One of the upper body is holding a sword, and the other is holding Xiao. The lower half of the tall boots are paired with shorts, and the mixed and matched shape makes people break the defense in a second.
The most exaggerated thing is the "boyfriend hug", after all, this is a very "warm" scene.
The female protagonist is lying on the shoulders of the male protagonist, what a beautiful painting style, after the camera zooms out, it is embarrassing.
The two staff members, carrying the heroine with a ladder, pulled everyone back to reality in an instant.
In addition, there is also the heroic posture of "galloping horses". Every time I see such a scene, countless viewers feel "so handsome".
In fact, the actor just pulls a rope, and then the "blower" appears again, and the staff creates the feeling of wind ......
I just didn't think of which director came up with the idea of riding the staff.
It's really not good, it's okay to sit on a bench and use a fake prop horse, I have to say, it's really a little incomprehensible.
In "Fragrant Honey Sinks Like Frost", Runyu gave Jinmi a "Nightmare Beast", which can be regarded as a "thing of love".
I thought that the director would be perfunctory this time, but I didn't expect that the original form turned out to be a "green toy deer", proper technology and ruthlessness!
I have to say that in today's film and television industry, there are more and more "technologies", which are convenient for actors.
From a certain point of view, ensuring everyone's safety is a very advantageous thing, which can be regarded as a kind of "gospel".
But the feelings of the audience should also be taken into account.
In special cases, this can be achieved through technology. But in such a convenient situation, the actors should be more dedicated and show their best side in front of the audience.
The "substitution" that has appeared frequently over the years, walking the rivers and lakes with one face, can it stand firm?
I think that on the premise of being sincere for sincere and ensuring your own safety, try not to open a "plug-in". Otherwise, in the end, you will only be embarrassed.
True and false, false and true, perfunctory and dedicated are two concepts, and do not forget the original intention.