This year's Lunar New Year is unusually bleak in the film market, attracting the concentrated release of many blockbuster films, such as the DC superhero blockbuster "Aquaman 2" and the well-received film "The Three Teams", as well as "Breaking Point" directed by Lin Chaoxian.
However, the box office performance of these films was much lower than expected, indicating that Chinese audiences are aesthetically tired of Hollywood blockbusters and tired of such films.
After these films carved up the market share, many domestic films even only received meager box office revenues, and some were even less than some small ** appreciation amounts, resulting in major losses in investment.
Among them, "Moonlight Samurai" and "The Lost Collector" performed poorly in terms of word-of-mouth and box office, the former only received more than 1.8 million yuan at the box office, and the latter fell into a dilemma with almost no chance, which is worrying.
Chi Zhiqiang, who was once a well-known actor, later made good achievements in the field of singing. Nowadays, however, his filmography has lost its appeal. The box office dismal is closely related to the quality of the film, and some viewers even angrily abuse his film with "relying on defense".
Chi Zhiqiang's opera film works "Queen of Hanwen" and "Mrs. Anguo" are his third and fourth works, respectively. Despite the difficulty of releasing such works, the audience is still limited, and the box office of the two films is only more than 200,000, highlighting the importance of separate releases.
Such works should have a more regular screening schedule to meet the continuous viewing needs of the audience who like it. The fifth work is "Ice Kingdom", a documentary showing ice and snow and ice sculptures, but the box office is only more than 50,000, which is really embarrassing.
There are very few documentaries released on the big screen every year, and I hope that the audience will support them a lot.
The sixth is "Finless Porpoise: Wind Dance", in recent years, domestic animated films based on traditional Chinese culture and mythological stories have achieved good box office results, but the luck of this work is not very good, and the box office is only 270,000, it is difficult to have a market for the official release.
The seventh work is "Our July", this war-themed movie has a very good reputation, almost all of them are four-star and five-star praise, but due to the lack of background, big production and big star blessings, the box office in the first week of release is not even 20,000.
The eighth work is "Mergers and Acquisitions", which was released for more than ten days, with a box office of only 10,000, and even the crew's lunch money was not enough, and the film side suffered heavy losses.
The ninth work is "Silent Record", written and directed by Hao Feihuan, starring Zhang Yu and Ma Yinyin, Zhang Yu's popularity has risen sharply after "I Am Not the God of Medicine", and the works he participated in are basically first-line films, but this time the starring "Silent Record" box office is only more than 1.8 million.
The account sharing is only about 700,000, and the film side has suffered serious losses. The tenth work is "Trace", and the box office after its release is only more than 1,000 yuan, which is really incredible.
After all, the starring role of this movie is the old drama bone Ma Shuliang, as well as Hou Yong, who has participated in works such as "The Disappearing Eleventh Floor", and Wang Shuangbao, a well-known villain professional, who only sold more than 1,000 yuan, which shows that the theater did not give the opportunity to schedule the film at all, which is a pity.
Finish. At present, the film market is showing an obvious trend of polarization, with top actors and large-scale projects basically monopolized by a few leading film companies, which makes it difficult for young actors to survive, and small film companies to survive.
It is even more difficult for these small studios to make films that recoup their costs and become profitable. It is hoped that the audience can pay more attention to those low-cost film works, and only in this way can the film market truly realize the situation of various types of works at the same time and with their own characteristics.