Yan Poxi's life experience and identity in the outer room.
Yan Poxi made a brief appearance in "Water Margin Twenty-first Chapter", but left a deep impression on readers with her rich and tortuous plot. As a prostitute, her relationship with Song Jiang has changed significantly from "**" to "evil". Shi Nai'an skillfully depicts Yan Poxi's status as a prostitute, highlighting the entanglement of power and desire between her and Song Jiang.
Yan Poxi's mother claimed that her daughter made a living in a brothel in her early years, and her status as a green building not only added color to her image, but also laid the groundwork for the follow-up plot. Although Yan Poxi was eighteen years old when she appeared on the stage, she was already an experienced woman. Her experience in the Qinglou industry in Bianliang shows that she is not only outstanding in appearance, but also favored by people in the industry. However, the reason why Yan Po and his wife kept her away from the Qinglou was because they were worried that there would be no one to support them in their later years.
This status as a prostitute became the basis for Yan Poxi's relationship with Song Jiang, and also made her status in society difficult. She had to make a living by fornicating with Song Jiang, which eventually turned into a tragedy about the struggle between "sex" and "power".
Yan Poxi's power and tragedy.
Yan Poxi's murder was not just because of Song Jiang's fornication with Liangshan, this was just the fuse. The root cause of her death was a struggle for sex and power. Through the combing of a series of plots before and after Yan Poxi, we can find that the "letter incident" was only a fuse for her death, and the real core problem lies in the contest between men and women between "sex" and "power".
In Yan Poxi's description of her life experience, her mother clearly stated that her daughter was "pawned with Song Absis as a foreign house", and it was an open secret that she was kept as an outer house. This relationship was widely spread among the people of Yuncheng County, making it impossible for Yan Poxi to hide her identity locally.
Her life was difficult, because "the people here don't like to have fun", which made it impossible for her to make a living. Eventually, Yan Poxi's family was in trouble, and her husband died of the epidemic, and she could not pay for the coffin, so she could only park her husband's body at home. This predicament prompted her to choose to develop a relationship with Song Jiang, which was actually an expedient measure for her livelihood.
The entanglement of sex and power.
The real reason for Yan Poxi's death was not that Song Jiang was "not close to women", but that the power relationship between them changed. At the beginning, Song Jiang slept with her mother-in-law every night and spent a lot of money, but as time went by, Song Jiang gradually alienated her. The reason is not that Song Jiang doesn't like women, but that Yan Poxi's experience and charm in sex are gradually unable to meet Song Jiang's needs.
In the Zhang Wenyuan incident, the plot of Yan Poxi's fornication with Zhang San was described. Zhang Wenyuan is a fluffy young man, and his relationship with Yan Poxi is "as hot as a fire". However, even a young man like Zhang San, who is "used to doing this", once made Yan Poxi feel unbearable and needed to buy things to "rest".
The relationship between men and women in feudal society.
Song Jiang's reaction to Zhang San's fornication with his mother-in-law shows the vassal characteristics of the relationship between men and women in feudal society. Instead of showing intense anger, he comforted himself that his mother-in-law was not the right wife for his parents. This reflects his rational thinking about power and livelihood.
In feudal society, women were vassals of men, and their actions often ended up influencing the men behind them. Even in the case of outhouses, women's deviant behavior can have a serious impact on the dignity of men. In such a social background, Song Jiang's tolerance and rationality are even more profound.
Epilogue. The death of Yan Poxi is a tragedy of sex and power, and a portrayal of the relationship between men and women in feudal society. Her identity, her relationship with Song Jiang, and her eventual tragic ending all reveal the intricacies of gender and power in feudal society. Through an in-depth interpretation of Yan Poxi's story, we can better understand the plight of gender roles in feudal society in "Water Margin", as well as the entangled relationship between sex and power.
Sex and Power: Interpreting Yan Poxi's Prostitute Identity and the Death of Power Schemes in "Water Margin" profoundly ** the identity, fate and gender power relationship of Yan Poxi's character in "Water Margin", and presents readers with a tragedy of sex and power in feudal society. The article depicts the plot with detailed plot analysis and profound social background, so that readers have a deeper understanding of the fate of Yan Poxi.
First of all, the article takes Yan Poxi's status as a prostitute as a starting point, and subtly reveals the intricate power relationship between her and Song Jiang. As a dusty woman, Yan Poxi was initially portrayed as a bewitching and experienced character. By describing her Qinglou experience and her mother's confession, the author vividly portrays Yan Poxi's identity as a prostitute, laying the foundation for the subsequent story.
Secondly, the article analyzes the power and conspiracy relationship between Yan Poxi and Song Jiang, highlighting the contest between "sex" and "power". Through the description of Yan Poxi's life plight in Yuncheng County, it is not difficult for readers to understand the expedient measure of her choice to have an affair with Song Jiang. By quoting the dialogues and plots in **, the article vividly shows the conspiracy relationship between Yan Poxi and Song Jiang from the initial harmony to the later estrangement, revealing the subtle entanglement of gender and power in the relationship between men and women in feudal society.
In the article, to Song Jiang to Zhang.
3. The attitude of cherishing fornication has been profoundly interpreted. Song Jiang did not show excessive anger, but comforted himself that his mother-in-law was not the wife of his parents. This phenomenon reflects the characteristics of the relationship between men and women in feudal society, and women's deviant behavior is often ultimately blamed on the man behind it, highlighting the subordinate characteristics of the relationship between men and women in feudal society.
Finally, the article concludes that Yan Poxi's death is a portrayal of the tragedy of sex and power, and emphasizes the intricacies of gender and power in feudal society. Through in-depth analysis, readers can better understand the deep social issues behind this story, as well as the plight of women in feudal society.
In general, through an in-depth interpretation of Yan Poxi in "Water Margin", this article reveals the subtle entanglement of gender and power relations in feudal society. The profound analysis and vivid description give the reader a more comprehensive and profound understanding of the fate of Yan Poxi, and trigger a deep reflection on the concept of gender and the power structure of feudal society.
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