The style of Chinese painting is mainly divided into two categories, namely gongbi painting and freehand painting. These two types of paintings have their own unique styles and characteristics, and are important parts of Chinese painting.
Gongbi painting is an important style of Chinese painting, which is characterized by meticulous brushstrokes and rigorous composition to express the form, color and texture of the scene. Gongbi painting pays attention to the depiction of details and pursues the realism of the picture, so it needs to be rendered and traced many times in the painting process to achieve a perfect effect. Gongbi painting has a long history, as early as the Tang Dynasty, and has always been one of the mainstream styles of Chinese painting. Gongbi painting has its own unique charm in the expression of people, flowers and birds, landscapes, etc., especially in the expression of flowers and figures, it is more nuanced and lifelike.
Freehand painting is another important style of Chinese painting, which is characterized by the use of concise brushstrokes and free composition to express the charm and artistic conception of the scene. Freehand painting focuses on the painter's emotional expression and personality display, so it does not need to be delicately depicted like gongbi painting, but conveys the inner spirit of the scene in concise brushstrokes. The composition of freehand painting is often relatively free, not confined to form, and expresses the scenery through the painter's subjective feelings. Freehand painting has its own unique style in the expression of landscapes, flowers and birds, people, etc., especially the freehand painting represented by ink painting has a strong cultural connotation and artistic value.
In general, Gongbi painting and freehand painting are the two mainstream styles of Chinese painting, each with its own characteristics and charm. Gongbi painting expresses the realism of the scenery with fine brushstrokes and rigorous composition, while freehand painting conveys the inner spirit of the scene with simple brushstrokes and free composition. These two styles complement each other and together constitute the rich diversity and unique charm of Chinese painting.
When appreciating Chinese paintings, we can not only appreciate the painter's superb painting skills and profound cultural heritage, but also feel the philosophical ideas and aesthetic concepts contained in Chinese paintings. Whether it is gongbi painting or freehand painting, it reflects the characteristics of Chinese painting that pays attention to artistic conception and pursues god-likeness, and also reflects the unique charm and value of Chinese culture.
With the development of the times, Chinese painting is constantly innovating and developing. Modern Chinese painting is no longer limited to traditional gongbi painting and freehand painting, but many new styles and genres have emerged. While maintaining the traditional characteristics and essence of Chinese painting, these new styles and genres also incorporate modern artistic elements and aesthetic concepts, so that Chinese painting still has strong vitality and influence in modern society.
In general, the style of Chinese painting is divided into two categories: gongbi painting and freehand painting. These two styles have their own characteristics and charms, which together constitute the rich diversity and unique charm of Chinese painting. In modern society, we should continue to maintain and develop the traditional characteristics and essence of Chinese painting, and at the same time, we should continue to innovate and develop new styles and genres, so that Chinese painting can continue to flourish in contemporary society.