Sister Qiao, as the only eldest lady of the fifth generation of the Jia family, is Jia Baoyu's niece, which makes her rank in the Jinling Twelve Hairpins and ranked tenth. The selection of the twelve hairpins in Jinling does not only look at the number of plots, but also the distance of the relationship with Jia Baoyu. As a relative of Jia Baoyu, Sister Qiao naturally has an advantage in this regard. Sister Qiao's appearance in ** is not outstanding, but her status makes people surprised by her ranking.
Sister Qiao, as the only eldest lady of the fifth generation of the Jia family, her background and status undoubtedly put her above everyone. As Jia Baoyu's niece, Sister Qiao's status is noble and special. However, in the first eighty episodes of **, Sister Qiao did not make too many remarks, and her image was also portrayed in a more profiled way, just a child. However, this does not stop the fact that Sister Qiao is listed in the official book of the twelve hairpins of Jinling as a nobleman. After all, the status of the nobility is often more important, not just the number of plots. Sister Qiao's relationship background makes her have the ability to become"Affiliates"This has also become an important reason why she can be ranked in the official book of the twelve hairpins of Jinling.
Sister Qiao's sentence picture depicts an opposing scene: Deserted Village Wild Store and Beauty Spinning. Although the judgment pictures of each of the twelve hairpins in Jinling make people feel sorry, and there are some regrets and misfortunes, but Sister Qiao's judgment pictures are even more impressive. Sister Qiao shouldn't have been in such a situation, but due to some lucky opportunities, she could only accept such a reality in the end. The deserted village and wild store represent the origin and situation of Sister Qiao's husband Wang Ban'er, while the beauty textile performance shows Sister Qiao's future poor life.
In Sister Qiao's sentence picture, we can see two opposing characters and scenes: Deserted Village Yedian and Beauty Spinning. The deserted village and wild store represent the environment and identity of Sister Qiao's husband, Wang Ban'er. As a farmer, Wang Ban'er is in line with the reality of Sister Qiao's poor couple. This sentence picture conveys to us the message that Sister Qiao's situation is not optimistic, and it can even be said that she is living in poverty. On the contrary, the beauty spinning performance symbolizes Sister Qiao's own efforts and struggles in textiles, and she has to do it herself to maintain her life. In ancient society, spinning was a skill that could be learned by a woman from a poor family, and for a noble daughter, it was something she should never touch. However, Sister Qiao's fate forced her to contact and rely on textiles to make ends meet.
Sister Qiao's husband Wang Ban'er is a farmer, although the 128 taels of silver and some materials brought back by Grandma Liu are enough for them to become rich, but Wang Ban'er's laziness and profligacy have made these wealth come to naught. Sister Qiao's husband, Wang Ban'er, was not able to manage it well, which led to their property being quickly depleted. Although Sister Qiao's husband is still young and has limited abilities, he can't completely change Sister Qiao's fate. Therefore, Sister Qiao had to continue to spin to make ends meet.
Sister Qiao's husband, Wang Ban'er, was a lazy person, and he squandered the one hundred and twenty-eight taels of silver and some supplies that Sister Qiao brought back from Jiafu, and as a result, their property was quickly exhausted. Although the wealth that Grandma Liu brought back from Jiafu was enough for them to become rich, Wang Ban'er's profligacy and laziness made it useless. And Wang Ban'er, as a farmer, his ability and ability are also limited, and he cannot completely change the fate of Sister Qiao. Therefore, Sister Qiao had to continue to spin to make ends meet. In this case, Sister Qiao's judgment is in the picture"Beauty Spinning"It became a foreshadowing of her future poor life.
Sister Qiao's situation left a deep impression in **. As a young and helpless little girl, she faced the situation of no one to take care of and care when the Jia family raided the house. However, she was fortunate to get the help of Grandma Liu and Wang Ban'er and had a relatively stable life. Although she was forced to live in difficult circumstances and conditions, she narrowly escaped captivity and had some aftermath. Sister Qiao's fate does have a certain element of luck, and there is also some hope and blessing in misfortune. The arrangement and development of the entire plot also alludes to the ups and downs and changes of the fate of other characters in **.