The Hong Kong drama "Southern Emperor and Northern Beggar" is a story I told to my friends in the martial arts group, and inserted screenshots on a whim.
That is, random actions.
I didn't expect that after the collection was published, there was still some traffic.
There are also those I didn't want to see, but after reading the screenshots, I couldn't help but finish the story.
There are also netizens who want to find episodes to watch.
To be fair, the story is actually average, but I was moved by the sense of the picture.
First of all, the martial arts action is both ethereal and realistic.
In the past, when I watched martial arts dramas, I would be fascinated by the protagonists, just because I could see that they were really fighting and doing action.
I don't think it's easy.
Later, I learned that the basic movements must be done, but there are also exaggerations, such as the need for a stand-in.
Even so, I feel that people are very dedicated, which is not easy.
No wonder Hong Kong's economy was booming at that time, why was Hong Kong so fragrant.
Even if it's an exaggerated action, people have real efforts in it.
This is something to admire and learn from.
And it's also reproducible.
Technology, capital, etc. are uncontrollable, and dedicated efforts are controllable, if you are not even willing to do this, then don't mention it, it is more practical to go home and dream.
Secondly, the actors are not only well chosen, but also all of them are very hard.
Martial arts dramas are similar to romance dramas, but they don't need much acting skills, but they give people who rely on their faces to hone their skills.
Wei Junjie, who plays Hong Qi, has a complicated expression, but it is very rich, and people do their best.
Liu Ying's casting is also in place, it is the kind of appearance that brings disaster to the country and the people, and inadvertently reveals a kind of flattery.
Otherwise, how can you confuse the king?
And people's acting skills are excellent, when she saw that Liu's father refused to cast weapons for Jin Ren and was willing to throw himself into the furnace and turned into ashes, her expression was not exaggerated, but the corners of her mouth were pulled, and then she lost her voice, not to mention crying, she couldn't scream.
This detail is very expressive.
It's just a pity that Liu Ying's character is not likable, she is always causing trouble, and her appearance is the embodiment of trouble.
Compared with Miao Enen and Mu Lin, Liu Ying is too annoying.
Miao Enen is a good wife and mother, and Mu Lin is Miao Enen's second.
There are all the brushwork of "Dream of Red Mansions" here, the attack is another treasure hairpin, the attack is the hairpin vice, and the musk moon is another attacker.
Especially after Liu Ying's accident, Liu Ying's public case was the plot in "The Legend of the Condor Heroes", and it actually had nothing to do with her.
And at that time, that kind of environment was very unfavorable to her.
It was at this time that Liu Ying was very selfish, and she was actually selfish at first, but she was more of a personality and assertive.
The selfishness at this time makes Miao Enen and Mu Lin even more tolerant and understanding, these two characters are very likable.
But in fact, Liu Ying's performance is very normal, and when her heart is hurt, she only cares about herself and ignores the selfishness of others.
This is completely in accordance with reality and the law.
If you understand it, you will understand why only trust cannot be disappointed.
If the heart is wounded, it will not be able to go back to the past, and it will be irreparable.
If you don't have to, don't hurt your heart.
And Shui Ling's casting is even better, Mu Lin and Shui Ling are both the female ** of the villain Thunder Master, one is weak and the other is tough.
The Master of Thunder uses ** as a tool, has a strong desire to control, and has high martial arts.
* It is more fear than respect.
But later, Mu Lin and Shui Ling were not afraid of him.
One of them entered the harem of the Southern Emperor, and the other defected to the Northern Beggar.
The Southern Emperor and the Northern Beggars were just yellow-haired children at the beginning, but they had an innocent heart, and they respected and cared for Mu Lin and Shui Ling when they were human beings and friends.
When they are no longer tools at the mercy of others, they have the dignity of human nature, and then they will abandon the Thunder Master.
Later, when the Thunder Master grabbed Shui Ling and threatened her, she actually looked at her coldly and had no fear.
Then the Thunder Master must have hated the Southern Emperor and the Northern Beggars to death, and they made him lose control and authority.
Mu Lin and Shui Ling were killers under the Thunder Master, and they were also the lives of the concubines by the side of the Southern Emperor and the Northern Beggar, and when they appeared, they both had fiancées, and they were interested in people.
It stands to reason that Mu Lin's road is more difficult to walk, Duan Zhixing has too many peach blossoms, Miao Enen, who is a childhood sweetheart, and Liu Ying, who loves him to death, when will it be Mu Lin's turn? And how much was given to her?
Shui Ling is different, Hong Qi only has one Cheng Xuexin, and he is still dead, and he is also dead.
It's just that Shui Ling walks harder than Mu Lin, Mu Lin doesn't look easy here, but Duan Zhixing treats her very well, Miao Enen and Liu Ying are also friendly and courteous, and the whole Dali country also respects her, including Hong Qi, who also respects her very much.
Shui Ling worked too hard, Cheng Xuexin excluded her and bullied her, and the beggars didn't accept her at first.
She does everything on her own.
She was afraid that Hong Qi would leave her, so she had to control him no matter what.
This situation is in contrast to her tough appearance, this kind of character should be heroic, and the masculinity in her body is better than that of the man himself.
But Shui Ling's appearance is not just heroic, but hard, very stubborn.
In fact, her wish is not difficult to complete, but it will take a little longer, and she must be ambitious.
As soon as Cheng Xuexin died, guilt, sadness, regret, etc. turned into thoughts, and Hong Qi never forgot Cheng Xuexin.
Everywhere I went, it was also a place where I had memories with Cheng Xuexin.
That is, it is all in Cheng Xuexin's territory.
So is there anything you don't like about Cheng Xuexin? How not? Lu Youjiao didn't think she was better, and Shui Ling also won the respect of the beggars later, and the elders called her a Shui Ling girl, that is, her efforts were obvious to all and were seen.
Cheng Xuexin blamed Hong Qi for the death of her father Cheng Tieshan, and became angry with Shui Ling, and then she went insane, and maliciously attacked Liu Ying.
Then Dali will also speak fairly, and Mu Lin is in Dali, if Shui Ling persists and is seen by Dali, they will help her speak and be happy to be fulfilled.
Not necessarily Duan Zhixing's three palaces and six courtyards, Hong Qi is always alone.
It's just that no one is around, otherwise it would be too lacking in morality.
But her heart has never been calm, and she often feels fear instead of happiness when she gives.
Therefore, it is a pity that it is not completely irreadjustable, which is also the reflection left.
I like the character of Shui Ling because she tries her best to show her efforts.
The more bumpy the love, the harder she tried.
At this time, it is not the result that is seen, but her sincere efforts.
She is not Miao Enen, and the reason why Miao Enen is virtuous and generous is because she is smooth sailing.
Nothing bad for her.
Duan Zhixing met true love again, Miao Enen always had the order of his parents, and he didn't dare to slack off.
Whether in the harem or emotionally, she comes first, and her status remains the same.
Every bit of water spirit obtains depends on at least ten times the effort.
Miao Enen is basically not in adversity, and Shui Ling is never in good times.
In fact, she deserves it, and it doesn't need to be so hard.
She had to leave the circumstances that were unfavorable to her and put herself in an environment of love and support.
Both externally and inwardly.
No one had ever told her about that.
Her efforts should not just stop at being good to Hong Qi, but let love expand, and she can work hard to do all the work that is conducive to the circulation of love.
This will create an induction that will allow her to help herself.
What's the harm of a little more help? And she earned it herself.
If your fate was not good before, it is reasonable to be compensated later.
If you work harder, why not make the compensation a little more and the happiness a little thicker?
Although she didn't find a direction, her efforts will make people feel that she should be helped and fulfilled.
This is also the result of her hard work.
And she's not robbing her lover, the conditions are allowed, and she's justifiable.
It's just to release and dissolve the cold of the past, and let your heart be generous and warm.
This love, this perseverance, is not the driving force to move forward?
Make good use of it, and it is undoubtedly better.
Don't look at it as persistent or even distorted in love, in fact, they are treasures that are not put in the right place.
Shui Ling actually moved Hong Qi in the end.
Before competing with the Thunder Master, Hong Qi mentioned Cheng Xuexin in front of Duan Zhixing, and after the competition, he only mentioned Shui Ling, in fact, Shui Ling had replaced Cheng Xuexin.
But what she has to pass is always herself.
Her worst enemy is also herself.
will pay so much, it is because she thinks she is not worthy, she has not accepted the world.
always treats her as a tool, she naturally doesn't accept it, which is also human nature.
Treat yourself as a human being from the heart, love yourself, and then extend your love, this is the growth she needs.
The characters in the play are limited by the plot, and it is true that the plot has developed, but there are also limitations, and the rules will be extended.
Miao Enen's most beautiful moment was when he was dying, and that scene was unforgettable for a long time, and now he found that "Xiaoxuan window, dressing" and "bright moonlit night, short Matsuoka" are interlocking and echoing.
The screenwriter of "The Southern Emperor and the Northern Beggar" probably also thought of it, and it has been expressed in scenes before.
On the bright moonlit night in Maple Leaf Valley, Hong Qi cried and thought about Cheng Xuexin, which is the application of this sentence.
On the night of Qiu Qianren's sneak attack on Zhou Botong's son, Miao Enen, the queen of Dali, also injured Miao Enen, who was present and had the intention to stop him. Miao Eun immediately fell unconscious.
Liu Ying was still entangled with Duan Zhixing, asking for help. She only has a son in her heart, and no one else at all.
The ending has been decided, the water is difficult to recover, the past is long, and it is difficult to look back.
At this time, Miao Enen woke up unexpectedly, thinking that it was a dead wood in spring, but he knew that it was a flash in the pan and returned to the light.
She wanted to leave the most beautiful scene, which is why when Duan Zhixing heard the good news and came to visit, Miao Enen was dressing up in front of the window.
Her death was complete and perfect.
But this moment is a gain and a loss.
There is no memory of Duan Zhixing in the play, but he became a monk immediately afterward.
The calm at that moment and the crying of Hong Qi on a bright moonlit night are exactly the portrayal of "not thinking, unforgettable".
Usually calm and joyful, but there is no need to disturb others, when it is time to come, it is natural to be sad, only a thousand tears.
There are some works that really need to be discovered.