When Ximenqing delayed marrying her, she realized the seriousness of the problem, and she was a little uneasy and worried psychologically. After two months of life with Jiang Zhushan, her uneasiness and anxiety were heavier, and even some fear, at the moment when Ximenqing raised the whip to her, this feeling became clearer and clearer, "I was unlucky in that life, and today I opened my eyes and crashed into the fire pit again." Anxiety and anxiety turn into self-blame and even self-hatred. Li Bei'er's "infatuation" can't offset her subconscious guilt, that is, the "root of evil".
She often dreamed that Hanako was going to sue her and punish her, and Freud believed that moral anxiety would eventually extend to the fear of death and the anticipation of punishment after death. Li Bei'er "dreamed that Hua Zixu came from the front door, dressed in white, as if he was alive. When he saw the bottle, he scolded sharply: 'Thief and adulteress, how can you steal my property and Ximenqing!' Now I sue you. Li Bei'er grabbed his sleeve with one hand, and said, "Good brother, you forgive me." Li Bei'er always felt that she owed Huazi something (she was afraid that he would pay it back), was it wealth? Or is it fate? Her subconscious anxiety was finally exposed in the dream, and she regretted it a little, "The evil opportunity happened, and the regret was moved".
Zhang Zhupo said) She longed for forgiveness, and even wanted to go with Hua Zi through her sacrifice (leaving Ximen Qing) to repay her debts and get rid of anxiety, "Hua Zixu hugged the official and called him, and found a new house to live with." In this dream, the two of them did not quarrel, and in Li Bei'er's subconscious, this may be able to alleviate the conflict in the heart, the conflict between the "superego" and the "id". But she was still in love with Ximenqing and couldn't bear to go away, so in the future dream, the conflict became more and more intense until she died.
The subconscious self-blame and self-hatred even have the characteristics of "psychotic self-hatred" in behavior, that is, "self-suffering" and "procrastination". In order to compete for favor with Li Bei'er, Pan Jinlian did everything possible to scare the official brother. Although Li Bei'er understood in her heart, she was still helpless, just "holding the child's ears with both hands, tears falling from her cheeks, daring to be angry but not speaking". Maybe she told the truth to Ximenqing, and things could be better, but she still "hugged the child day and night, and just cried without dry tears".
When someone gave her an idea, she said, "Let him be, 'The heavens do not exalt themselves, and the earth does not speak of themselves.'" On the back of this grandiose reason, there is actually a hidden motive of "self-suffering", and there is only one reason for her "secret anger", neither that she does not have the strength to compete with Pan Jinlian (she has money, a son, and Ximenqing's favor), nor is it her cowardly nature (she dares to scold Hua Zixu, scold Hua Zixu and drive Jiang Zhushan away), but subconscious self-moral condemnation, her "delay", that is, the tolerance of Pan Jinlian's attack: Pan Jinlian shocked the official brother, she endured it; Pan Jinlian beat Qiu Ju and shocked the official brother, she endured it; Pan Jinlian beat the dog and shocked the official, she endured it; Until the snow lion pounced and scared the official brother to death, she endured it.
Why? "The procrastinator knows that what he is procrastinating is usually accumulating, and causes himself to inflict a great deal of pain on himself," says, "which is a kind of revenge satisfaction for inflicting pain on oneself" (Self-Struggle). Zhang Zhupo said: "Seeing the bottle, you can't prevent it. In Li Bei'er's subconscious, she hopes to cause a stronger "self-suffering behavior" by "procrastination", so as to counteract her guilt and gain a new personality balance. The loss of her official brother was the culmination of her "self-suffering", but the development of things became more and more serious for her, not only could she not get rid of her anxiety, but even the degree of self-blame became stronger and stronger. Li Bei'er's "moral anxiety" personality produces "self-suffering" behavior, showing a melancholy expression, which is of course different from the personality when she was in the position of a housewife and dominated others.
In the past, Li Bei'er was mentally healthy and did not have any obstacles, so she could let go and be spicy. "Golden Vase Plum" is a true reflection of the late Ming Dynasty morbid social status quo and with the morbid atmosphere of the literary works at that time, some characters, some events are written, it is inevitable that there is no ** component, the use of modern psychological ideas to study it, perhaps a way to open up the hearts of modern people and the ancients.
In the four strange books of the Ming Dynasty, "Romance of the Three Kingdoms", "Water Margin" and "Journey to the West" are all adapted from folk legends and mythological stories. Although the story of "Golden Vase Plum" comes from the "Wu Song Killing Sister-in-law" fragment in "Water Margin", there are very few parts where the plot intersects with "Water Margin".
Its biggest criticism is that the book has thousands of words, and in the long story of more than one million words, this part of the content is negligible, but if it is completely deleted, it will affect the coherence of the book. Even the content of *** is exquisitely written.
For the tinkling little brother Changzhi Festival, Ximenqing extended a helping hand. Sister Li Gui, the fan who deceived his feelings several times, did not wait for an opportunity to retaliate. On the contrary, when Sister Li Gui was involved in a lawsuit, he also used his power to rescue her.
The Golden Vase is the first realist masterpiece to depict family life. The book "Dream of Red Mansions" that we are familiar with is influenced by "The Golden Plum Bottle", and it can be said that without "The Golden Plum Bottle", there would be no "Dream of Red Mansions". "The Golden Vase of Plums" is about the daily life of the common people in the market, while "Dream of Red Mansions" is about the daily life of an aristocratic family. All dynasties and dynasties have their own history books, but the history books have always only recorded the affairs of the court and the major events in the world, and there are few detailed records of the daily life of the ancients. "The Golden Vase of Plums" opens a door of time and space for us to understand the lives of the people in the Song Dynasty and even the Ming Dynasty.
Mr. Lu Xun wrote in "A Brief History of China": "The author's understanding of the world is extremely insightful. At the same time, there is no above". Zheng Zhenduo said: "If all obscene chapters are removed", "Golden Vase Plum" "is still a first-class **."
Therefore, I recommend the ** "Golden Vase Plum" to readers, and many publishing houses have deleted the ** description, and there is no problem in reading. We can draw some lessons from it, and at the same time, we can recognize the critical significance of **.
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