During the Spring Festival, at the Foshan Crape Myrtle Starry Sky Light and Shadow Art Museum, the AIGC work "Havoc in Heaven" created by Yuanxiang Space Audio-Visual ushered in the first batch of online testers, unveiling an audio-visual feast that deeply integrates AIGC creation and spatial audio-visual technology.
I didn't expect AIGC, which is popular on the whole network, to really appear around us. During the Spring Festival, in Foshan Ziwei Starry Sky Light and Shadow Art Museum, the AIGC work "Havoc in Heaven" created by Yuanxiang Space Audio-Visual ushered in the first batch of online experimenters, which is not an ordinary light and shadow exhibition, but an audio-visual feast that deeply integrates AIGC creation and spatial audio-visual technology, leading us to embark on an artistic journey full of futuristic and technological sense!
The AI version of Havoc in Heaven is the first and only artwork in China to be commercialized with the help of AIGC technology. With the help of AIGC tools, the audience can have an unprecedented stunning visual experience by creating customized content for the ultra-wide surround screen in the art museum, and with the help of 360-degree glasses-free virtual reality technology!
The artworks created by AIGC technology are transformed into physical forms for presentation, and a new way of content monetization that matches the current domestic AIGC format has been successfully practiced. It further proves the tremendous energy generated by the combination of technology and art, which has built a bridge of communication between the art world and the scientific and technological world, and promoted the sustainable innovation and development of artistic creation and display.
With this exhibition, the potential of AIGC art creation combined with light and shadow giant screen technology is demonstrated: with the help of AIGC tools, artists are not only able to create magnificent visual works, but also to present amazing richness and precision in detail. This innovative fusion brings an unprecedented visual experience to the audience, especially when successfully displayed on the 7904*1920 ultra-wide ring screen with special resolution, showing the ultimate matching and visual impact. The combination of AIGC technology and giant screen technology is redefining our understanding of art and visual expression, bringing new changes to artistic creation and presentation!
During the exhibition, visitors were captivated by the immersive experience brought about by this innovative technology. Many viewers said they couldn't have imagined that the images were created by AI tools, and that the nuanced visuals and majestic scenes were breathtaking. The children were also deeply attracted by this story, and were able to sit quietly for an hour in a row, which shows its charm.
Due to the success of this light and shadow art exhibition, we found that the physical exhibition mode can effectively improve the display effect of AIGC's art creations, and at the same time make up for its shortcomings in the current technical realization ability. Through the carefully curated exhibition arrangement, the static artworks generated by AIGC were able to find the perfect display space in the Light and Shadow Pavilion, in which the unique design of the exhibition mode effectively created an immersive viewing experience, bringing unprecedented visual impact and rich self-imagination space to the audience. This innovative presentation not only overcomes the limitations of AIGC technology in terms of creative coherence and dynamic expression, but also provides a more cost-effective and long-term platform for artistic creation than traditional high-cost filmmaking.
In addition, the AIGC+ exhibition mode also means that it provides a new application case for AIGC art creation. AIGC works, which were originally mainly static displays, have not only expanded the dimension of physical space through a display platform such as the Light and Shadow Pavilion, but also achieved a qualitative leap in the depth and breadth of artistic expression. The practice of exhibition and performance not only proves the adaptability and innovation potential of AIGC artworks in traditional and modern art exhibition spaces, but also provides a powerful case and inspiration for art to explore new creation and display modes, opening a new chapter in the integration of art and technology.
In order to provide users with a more comprehensive and immersive experience, the audio part of this work innovatively adopts cinema-level Dolby Atmos technology, which perfectly integrates the wonderful dubbing of the top voice actor team in China with the design of the L+R Wang Lu team, the first person in the production of panoramic sound. Therefore, this work is not only a visual feast, but also an aural revolution.
The fusion of Dolby Atmos and AIGC technology has successfully injected vitality into virtual reality works, and this fusion marks an important step in improving the quality of virtual reality content: it not only fills the gap in the sound dimension of AIGC works, but also strengthens the audience's realism in the virtual reality space, making virtual reality works more complete and vivid, and providing listeners with an unprecedented immersive experience.
The launch of this exhibition heralds that AIGC has opened the door to a renaissance, which not only reshapes the boundaries of creation, but also provides infinite possibilities for artists and creators. As technology continues to advance, AIGC will continue to drive the wave of the Renaissance, spark more sparks of innovation, and bring more amazing works of art to the world. In this new era, let us look forward to how AIGC will continue to deepen human cognition of art, open up new fields of art creation and appreciation, and jointly welcome the brilliant future of the integration of technology and art.