If you want to say which recent annual drama makes the audience want to stop, it must be "Celebrating More Than Years". The protagonists in this drama are all dazzling, and the supporting roles are also wonderful. Among them, the role of Liu Ruyu, as the second aunt of Fan Fu and the stepmother of Fan Xian, has been widely praised by the audience, not only because of her excellent performance, but also because her image in the play is full of drama.
In "Celebrating More Than Years", Liu Ruyu attracted the audience's attention with a unique way of appearing. Unlike the traditional way of appearance, her appearance is more like a well-planned stage play. In her appearance, all voices disappear, and only her presence takes center stage. This way of appearing is not only impressive, but also makes people interested in her character.
At the same time, the role of Liu Ruyu is also full of complexity. She is both a domineering stepmother and a woman full of wisdom. In the play, her relationship with other characters is full of entanglements and strife. Especially in her attitude towards slaves, she showed a kind of domineering and harshness. Such an image is impressive.
In addition to her acting skills, Zhao Ke's outstanding performance also added a lot of luster to this role. As a first-class rhythmic gymnastics athlete and a member of the Dance Association, Zhao Ke's acting skills are naturally beyond doubt. In "Celebrating More Than Years", her performance is even more eye-catching. Whether in terms of posture or temperament, she perfectly interprets the characteristics of Liu Ruyu's role.
In general, the success of "Celebrating More Than Years" is inseparable from the outstanding performance of each character. And the role of Liu Ruyu has become the focus of heated discussions among the audience. The way she appears, the complex character setting, and Zhao Ke's excellent performance all add a lot of charm to this role. In large families, the symbol of status often transcends reality, and Liu Ruyu's identity as a concubine is undoubtedly deeply imprinted. The mother of the family must be a model of virtue for all, gentle and virtuous, and tolerant and generous. Treat subordinates with compassion and generosity. However, Liu Ruyu's approach is contrary to this, which is reminiscent of Sheng Molan in "Know". Although she has not yet become an official housewife, her words and deeds are deeply influenced by her mother Lin Xiaoniang, who is mean and tricky, and is unpopular. In the end, she was separated by people's hearts and ended up embattled.
When Fan Xian came to the mansion, Liu Ruyu refused to see each other, first let him enter the mansion through the side door, and then let him wait in the courtyard for an hour. These obscure actions are obviously satirical and aimed at Fan Xian. She even wanted to use her son Versace's temper to provoke him to do something to Fan Xian, trying to give Fan Xian a disadvantage. However, this little trick exposes her inner narrowness and selfishness.
The audience may compare Liu Ruyu to Aunt Kang or Xiao Qin in "Do You Know", but in fact, this is not the real Liu Ruyu. In the play, we can see that there is a trace of stupidity hidden in Liu Ruyu's ** and domineering. This can be seen from her son Fan Sizhe, a cute young master who was tricked by Fan Xian and had a cute face, how could his mother be a downright bad person?
In addition, when Steward Zhou was arrested by Mrs. Fan for drugging, he easily confessed everything. But in fact, Liu Runiang did not coerce or lure him, but was only worried that he would fight for the family property and prevent Fan Xian from going to Kyoto. This approach is obviously not smart enough, because a real bad person will not write his thoughts on his face, let alone hand it over to a person who is not strong-mouthed.
Although Aunt Liu was misunderstood about the affairs of Shanzhou, she did set up obstacles for Fan Xian to go to Kyoto, although her methods were not despicable. This also reflects the contradictions and complexities in her heart, on the one hand, she doesn't want Fan Xian to go to Kyoto, and on the other hand, she wants to vent her dissatisfaction through some small actions.
Overall, Liu Ruyu is a complex and multifaceted character. Although her behavior is unpleasant, it also makes people see the softness and fragility of her heart. Such a character design allows the audience to see multiple levels of the character, not just a simple bad guy or a good guy. Let's focus on the role of Aunt Liu again. Under the joint scrutiny of Fan Xian and Master Fan, she is facing huge doubts about whether she is behind the Lanzhou incident. Eager to defend herself, she showed an incomparably cute appearance and instantly won the audience's forgiveness. The ancients said: "Plan and then act, know and stop." "Aunt Liu and Fan Sizhe, the mother and son, are easy to panic when they encounter trouble, but they are not big treacherous people.
In addition, their understanding of righteousness and justice provides us with a third impression of Liu Ruyu. Liu Xiang mentioned in "Touching the Dragon and Talking about the Empress Dowager Zhao": "The beloved son of parents has far-reaching plans. "Many women who are deeply involved in house fights and palace fights, they are constantly fighting, not only for their own grace, but also for the future of their children and family property. Considering Fan Sizhe's naivety and straightforwardness, as a mother, Liu Ruyu naturally has to plan for his future.
Fan Sizhen became the second backstabber after his stepmother, but after Fan Xian spoke up for him, Aunt Liu was grateful. People who know how to be grateful are always respected by the world. What's even more admirable is that when Fan Xian beat Guo Baokun, the son of Shangshu of the Ministry of Rites and a protégé of the prince, on the street, causing a monstrous disaster, ordinary people would choose to retreat and break off the relationship with Fan Xian. However, Aunt Liu anxiously wanted to send him away to avoid trouble. It can be seen that in Aunt Liu's heart, Fan Xian has long been as important as a relative.
In the next plot, although Aunt Liu and Fan Xian will still have contradictions and disputes, this kind of "love and killing" like relatives is even more exciting. After all, an inner house woman with such a mind and sense of justice is indeed worthy of our warm applause.