In this Spring Festival, a high-profile movie "Article 20" was born, and the role of the hearing-impaired mother played by Zhao Liying in it immediately aroused heated discussions on the whole network. This screen goddess once again refreshed her sense of existence with her brilliant performance, which made people look forward to what kind of new image she will present under the lens of the director.
Before the movie was released, Zhao Liying swept the whole network with a **, arousing the audience's strong interest in her performance in "Article 20". In the film, she incarnates a hearing-impaired mother, outlining the background of suffering and misery, but she is dyed with a layer of sunny beauty by her stubborn interpretation and the brilliance of her belief in survival. The director's lens is like a magical magic mirror, reflecting this unique character, and Zhao Liying's performance shines in it.
Seven years ago, in "Riding the Wind and Waves", Zhao Liying, under the direction of Han Han, broke through the boundaries of idol dramas and stood out among many men with her unique charm. At that time, she was talented, and the role of Zhang Suzhen was both beautiful and brave, strong and gentle. Through her expressive interpretation, Zhao Liying made this role exude a deeper vitality.
Back to the years when she became popular with "Flower Thousand Bone", Zhao Liying at that time was a small jasper in the entertainment industry, and the image of a round face and a cute one was deeply rooted in the hearts of the people. However, even after becoming a queen, she continues to challenge the shackles of emotional dramas, and gradually moves towards works with realistic themes, such as "Happiness to Ten Thousand Homes", "The Wind Blows in the Summer", etc., showing a more profound and in-depth side.
The magic of the directors is that they are good at digging out the shining points of the actors and presenting them to the audience through the lens. Zhao Liying under this lens is no longer just a quiet time on the surface, she shows a deeper inner beauty. The tacit understanding and cooperation between the beauty and the director made the audience full of expectations for her performance in "Article 20".
Like Zhao Liying, Yang Mi, who is also from idol dramas, has shown more brilliant performances through different types of character themes in recent years. In "Assassination of the ** Family" directed by Lu Yang, her performance exploded, showing a beautiful and hard side. Now, she will participate in "Sauce Garden Lane" directed by Chen Kexin with Zhao Liying, and fans of the two goddesses have begun a fierce "tear", which makes people look forward to the film even more.
In director Chen Kexin's new work "Sauce Garden Lane", Zhang Ziyi will be one of the leading actors. Zhang Ziyi, from a small flower to a big flower, she has played a number of classic roles under the lens of the director. In "Liang Zhu" directed by Ang Lee, she showed a poignant look; In Wong Kar-wai's works, they played the stubborn and proud eldest lady Jade Jiaolong and the stubborn and cold Gong Er. Zhang Ziyi's beauty and stubbornness have become synonymous with her, and this cooperation with Chen Kexin is all expected.
Tang Wei, as a powerful actress, is also an unavoidable focus. Her bluntness and innocence are unique in internal entertainment. Under the lens of Park Chan-wook, in "The Determination to Break Up", the dangerous woman played by Tang Wei is eye-catching. Mystery and danger are even more charming under the training of the director, which makes people immersed in it.
However, not all beauties are successful in every work. Zhang Ziyi was criticized as a middle-aged Mary Sue in "Shangyang Fu", while Tang Wei was also controversial in "Daming Fenghua". This also highlights the importance of directors, only directors who know how to tap the potential of actors can make real masterpieces.
The relationship between beauty and director is one of mutual achievement. It is precisely because of the outstanding performance of the beauties that the director's works have more depth and connotation. The world created by the director on the screen needs to be filled with beautiful people with superb acting skills, and the beauties can show the most charming side under the director's lens.
In the new film "Article 20", Zhao Liying once again showed amazing acting skills under the guidance of the director. This time the role is deeper and more challenging, and one can't help but look forward to the expansive development of her career. Under the director's lens, the beauties are like magic wands in the hands of magicians, embellishing the bland film world vividly and richly.
In general, the tacit cooperation between the beauty and the director allows the audience to see unforgettable characters on the big screen. And each goddess is also under the training of the director, showing their multi-faceted charm. Looking forward to the cooperation between these beauties and the director, it will bring more surprises and touches to the audience. Beauty and director complement each other and have achieved one film and television classic after another. February** Dynamic Incentive Program