The mainstream cross talk satirized the tofu scum, and the intangible cultural heritage conference w

Mondo Entertainment Updated on 2024-02-27

The old drama bones and the little fresh meat compete, and the cross talk world staged a confrontation between the mainstream and the non-mainstream!

The rivers and lakes are everywhere, and the contradictions in the music industry for many years have also verified this. One party accuses the other party's cross talk of being "tofu scum cross talk", and the other side refutes that the other party's mainstream cross talk is "confidential cross talk".

Since February 23, the 5th Cross Talk Intangible Cultural Heritage Conference has been held in Shenzhen, which will last for 3 days and have a total of 4 activities.

On the poster, Feng Gong and Jiang Kun are in the center, and there are both old artists and new generation of cross talk actors in the picture. This kind of "confidential cross talk" originated from the past cross talk intangible cultural heritage conferences, and the content of the conference at that time would not be recorded or webcast to the audience.

To truly feel the charm of 'elegant mainstream cross talk', the only way to do it is to be there. However, some viewers expressed dissatisfaction with this secret arrangement, so the term 'confidential cross talk' was coined to satirize.

However, by the fourth session, mainstream cross talk seemed to realize the power of Internet communication and began to try live webcasting. Still, the results don't seem to have met expectations. ”

The live broadcast of the 5th Cross Talk Intangible Cultural Heritage Conference closed the comment area, and the number of ** people plummeted due to no interaction.

Some cross talk lovers are dissatisfied with the mainstream cross talk again targeting "non-mainstream cross talk", especially for Deyun Club and Guo Degang.

Plagiarism is tantamount to moving bricks!You just need a little tidying up to make your voice shine!But please note that this is not real cross talk, you need to constantly improve yourself in order to become a real cross talk actor!"

When it comes to Deyun Club, everyone can't help but laugh, it seems that it has become a symbol of joy. However, there has been a recent outflow of **, which has made many netizens start to fight for Deyun Club.

It turned out that the mainstream cross talk in this ** section "buried" Deyun Club. Although this cross talk does not directly mention the name of Deyun Club, its content points to Deyun Club everywhere.

This made people who were once prejudiced against Guo Degang also began to sympathize with Deyun Club.

In the comment area, everyone had a heated discussion on the "three customs", and there were three main points of view. One believes that "three vulgarities are three vulgarities", and "three vulgarities" refers to "vulgarity, vulgarity, and kitsch".

And most netizens believe that in the current mainstream cross talk, the "three vulgar works" mainly refer to a group of people from Deyun Club represented by Guo Degang.

Deyun Club sparked heated discussions among netizens because of the cross talk clip of "Impetuous", and they all pointed out that this is something that the audience knows. Some people commented that no matter how popular Guo Degang and Deyun Club are now, their original way of making a fortune was to rely on the "three vulgar" performances, and this will never change.

The audience's evaluation of the work is what we need to pay attention to as creators, but we can't rely entirely on the audience's recognition. Similarly, the evaluation of mainstream cross talk cannot represent the views of all audiences.

Some viewers may think that if mainstream cross talk did not have the establishment and salary as a guarantee, they may have disappeared long ago. With its unique creative style and keen grasp of the needs of the audience, Deyun Club has successfully attracted a large number of audiences and has become a leader in the cross talk industry.

Therefore, we should not simply create on the premise of "wanting fire", but should pay attention to the quality and innovation of the work, so that the audience can truly feel our intentions and professionalism.

The mainstream cross talk in the hearts of the audience is those well-loved works; Those created for profit can only be called "tofu scum cross talk". Some people even believe that Deyun Club is a representative of this phenomenon.

Some people once questioned that Deyun Club's cross talk was not orthodox enough, but in the face of the attack of mainstream cross talk, they have now begun to support Deyun Club and Guo Degang, and have expressed their stance "Support Guo Degang, support Deyun Club!" ”

The comment was upvoted by 700 netizens, and others also received some likes, indicating that many people agree with this view. So, what is the reason why the reputation of Guo Degang and Deyun Club has changed so much?

Deyun Club's operating model is different from mainstream cross talk, which leads to this difference. Most of the performers of mainstream cross talk work in clubs within the system and enjoy stable wages and benefits, so they will not "starve to death" no matter what.

If Deyun Club's "non-mainstream cross talk" does not perform commercially and does not have the goal of "fire", then the cross talk actors themselves and the communities and families behind them will face starvation and even survival crisis, and may even collapse.

In contrast, the two are in very different situations, and sometimes comparing them only makes the environment more chaotic and does not bring more value.

When we look at it from another angle, mainstream and non-mainstream are just the definitions given by some people in the industry who hold different positions. At the same time, Jiang Kun, as the "inheritor of intangible cultural heritage cross talk", has also caused a lot of controversy, which is worthy of our in-depth development.

In the music industry, Jiang Kun, like Guo Degang, is also a controversial "leader". In the 2002 Spring Festival Gala, his and Dai Zhicheng's cross talk "Wonderful Netsheng" caused controversy, and many people thought that this was a "fried cold rice" work that pieced together Internet jokes.

At this intangible cultural heritage cross talk conference, the show "Impetuous" was interpreted as a satire of the "grassroots" cross talk, and Jiang Kun, as an old-timer in the cross talk industry, was ridiculed for Jiang Lang's talent in the past, and this time he bore the brunt of the accusation.

New Copywriting 1: You have done something similar in the past, and online memes were still regarded as a symbol of trend at that time. New copywriting 2: Without Mr. Li Wenhua, Jiang Kun is also a representative of the grassroots faction.

Some netizens pointed out that the current situation of the quyi industry is worrying, and the quyi association has not seen obvious results for a long time, and has failed to unite the quyi industry to make progress together. You should reflect on yourself and find out what is wrong with you, rather than criticizing others.

Now, mainstream cross talk and non-mainstream cross talk have become interdependent, as this netizen said, if there is no impact of non-mainstream cross talk, mainstream cross talk may face extinction.

In recent years, the audience of cross talk art has gradually shown a trend of getting younger, among which Deyun Club, as a leader, has opened the door to traditional cross talk for more young people.

At the same time, we should also see that some mainstream cross talk groups have fallen into the quagmire of "three customs" in order to pursue short-term interests, which is obviously inappropriate. We should bear in mind the truth of "cold lips and cold teeth", recognize the interdependence between traditional cross talk and mainstream cross talk, and jointly promote the healthy development of cross talk art.

Cao Yunjin's cross talk live broadcast on Douyin has triggered a profound change in the music industry. In the future, innovation in the cross talk industry is imperative!In May 2023, Cao Yunjin will start a live broadcast of cross talk on the Douyin platform, which is like dropping a shock bomb in the music industry and attracting countless ** audiences.

The number of viewers of each live broadcast is stable at 100,000+, and the number of likes of a single live broadcast has exceeded 100 million times, showing the public's warm welcome to the novel and interesting form of cross talk performance.

Therefore, the innovation of the cross talk industry has become the trend of the times, and we need to follow the pace of the times and inject new vitality and elements into the cross talk performance, so that it is more in line with the aesthetic needs of modern audiences.

Some people are jealous of his popularity, some people accuse him of destroying traditional opera, and some people are starting to wonder if such an innovation is feasibleThere are many controversies about Cao Yunjin, but his live broadcast of cross talk has successfully won the love of most of the audience.

If confidential cross talk is prevalent, cross talk will no longer be an entertainment choice for the public, and it will be impossible to distinguish between mainstream and non-mainstream. However, the popularity of live cross talk provided an opportunity for Cao Yunjin, who took advantage of the situation and began to expand the scope of offline cross talk activities.

During the Chinese New Year,"Listen to Yunxuan's national tour"Isn't it good to perform offline at the OCT Grand Theater and realize the complete performance of traditional cross talk?

It can not only meet everyone's entertainment needs, but also inherit and promote our traditional culture, which is really a double win!

Despite the differences between mainstream and non-mainstream, mainstream culture is nothing more than something that is loved by the masses. If quyi culture is not actively innovative, it may be surpassed by the cross talk that it used to regard as vulgar.

Similarly, if non-mainstream cross talk wants to win the favor of the audience, it cannot blindly stick to the "three vulgar cross talk" that once made them rich, but should create more works with depth and connotation.

There are two sides to everything, mainstream cross talk and non-mainstream cross talk "fight in the ring", although there are sometimes conflicts, but it is this kind of competition that promotes each other's development.

This matter seems to have merit, which one do you prefer for "confidential cross talk" and "tofu scum cross talk"?

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