The Spring Festival Gala, which created the peak, publicly scolded the audience, and the situation was full of problems, but this Spring Festival Gala has become the peak? Looking back at the first Spring Festival Gala in 1983, such an outrageous picture is still deeply imprinted in people's hearts. Very sloppy preparation, no professional host, the first time to use the form of live broadcast, but it left a strong mark in the hearts of the audience. In stark contrast to the "boring" Spring Festival Gala in recent years, why can this Spring Festival Gala become a unique and profound classic, which makes people have mixed feelings?
Behind the Peak: Innovation and Challenges In November 1982, the leaders who decided to hold the Spring Festival Gala found director Huang Yihe, and the task was arduous. Under the hasty preparation, Huang Yihe led the team to propose a bold live broadcast form and adopt the audience's ** on-demand program. This innovative format not only challenges the state of technology, but also inspires anticipation in the minds of the audience. Not only did the live broadcast put the actors and directors under pressure, but it also made the audience the decision-makers of the show. The unique attempt has contributed many wonderful moments to the Spring Festival Gala, and behind these is the team's efforts and innovation.
Audience interaction: **The frenzy of on-demand** On-demand has become a highlight of the Spring Festival Gala. The audience chooses their favorite performances by **, and this direct and real-time interactive form makes the Spring Festival Gala more vivid. ** The ringing is non-stop, and the actors can't stop at all, each actor prepares multiple programs and decides to perform on stage according to the audience's voice. The audience's sense of participation makes the Spring Festival Gala no longer a one-way entertainment, but a feast of group participation.
Program feast: unique actor combination Compared with the large number of traffic stars in the current Spring Festival Gala, the actor combination of the first Spring Festival Gala is even more unique. None of the four hosts are professional, including cross talk actors Ma Ji and Jiang Kun, pantomime actor Wang Jingyu, and female host Liu Xiaoqing. This bold choice shatters the stereotypes of the past and presents a unique and entertaining show for the audience. The wonderful performance of the actors made the audience laugh and became a highlight of the Spring Festival Gala.
Unique venue: small stage and big feelings Compared with the later Spring Festival Gala, the venue of the first Spring Festival Gala is really limited, and it can only accommodate a studio of a few hundred people. This makes it impossible to distinguish between the stage and the auditorium, and the actors even sit directly in the auditorium and go directly from the audience during the performance. This intimate and unique venue layout brings the audience and the actors closer together, creating a homely atmosphere.
Controversy and feedback: Among the nine songs performed in the Spring Festival Gala, Li Guyi's "Hometown Love" caused controversy because it was a banned song. The audience asked to listen to this song through ** on-demand, and finally the director decided to sing on the stage after asking the Ministry of Radio and Television for instructions in order to satisfy the audience. The controversy has turned the Gala into a stage for the battle between entertainment and politics, while also providing viewers with the opportunity to directly participate in the program's content.
Unique performance: Giant panda Panpan's "eating and broadcasting" In the first Spring Festival Gala, the giant panda Panpan also appeared on the stage and presented a "eating and broadcasting" performance for the audience. However, out of consideration for the protection of animals, this link did not appear again in the later Spring Festival Gala. Such a unique performance left a deep impression on the audience, and also reflected the aesthetics and tastes of the time.
40 years of changes: The dilemma of the times of the Spring Festival GalaLooking back, the changes in the Spring Festival Gala in the past 40 years make people feel a lot of emotion. The innovations and challenges in 1983 made the Spring Festival Gala the pinnacle of that era, but today's Spring Festival Gala has gradually lost its appeal among the audience. After 40 years, the Spring Festival Gala has fallen into a strange circle of audience evaluation of "one session is not as good as one". The audience lamented the "boredom" of this Spring Festival Gala, and expressed the hot stalk of "I knew it was so funny, so I left it for the Spring Festival Gala to watch it again" through a short **.
Challenge: The modern "boring" of the Spring Festival Gala While catering to young audiences, the Spring Festival Gala has gradually lost its attention to audiences of all ages. The excessive use of traffic stars and Internet hot memes has made the older generation of viewers more and more incomprehensible, while young people think that the Spring Festival Gala is outdated and boring. The Spring Festival Gala tried to maintain ratings by inviting traffic stars and piling up hot stalks, but ignored that the development of the times has made TV no longer the only means of entertainment, and the Spring Festival Gala is no longer a necessity.
Appeal and reflection: The Spring Festival Gala needs to be balancedThe Spring Festival Gala should find a balance, which can not only keep up with the times but also lead the trend. The challenge is not to pursue traffic, but to make audiences of all ages find a sense of belonging and identity. Large-scale family evenings should not only keep up with the times, but also focus on creating interesting formats to ensure that audiences of all ages can find resonance. The Spring Festival Gala should become a trend-setting weather vane, rather than blindly following the trend and trying to use traffic stars to prop up the entire ratings. The times are developing, and the Spring Festival Gala needs to maintain its unique charm in the midst of change.
Conclusion: The future of the Spring Festival Gala and the expectation of the 40-year Spring Festival Gala have witnessed the changes of the times and people's continuous pursuit of entertainment. While reviewing the unique peak, it is also necessary to deeply reflect on the contemporary "boring" dilemma. Only by finding a balance between innovation and tradition, so that audiences of all ages can find laughter and emotion in the Spring Festival Gala, can the Spring Festival Gala continue to shine with her unique and charming light in the new era. In the future, the Spring Festival Gala needs more highlights and innovations in order to continue to lead the audience into a more interesting and loving dinner.