The discourse music scene has undergone tremendous changes since the 80s of the last century, and the ** industries in the mainland, Hong Kong and Taiwan have different development trajectories, but at the same time, there are mutual influences and integration.
1. The evolution of the mainland music scene.
Since the 80s of the last century, the mainland's first-class industry has begun to gradually open up, and under the influence of the international world, the mainland's music scene has begun to change. Cui Jian, Dou Wei and others began to explore rock music and alternatives, and their works were full of the desire for freedom and independence. Subsequently, with the development of the market economy, popular ** gradually emerged, and well-known singers such as Mao Amin and Na Ying appeared. In the 21st century, the mainland's ** industry is developing rapidly, especially driven by digital ** and the Internet**, like Wang Feng, Li Yuchun and other new generations of ** people have emerged, and their works are more diversified, covering pop, rock, electronic and other styles.
2. The evolution of the Hong Kong music scene.
Since the 80s of the last century, the Hong Kong music scene has been dominated by Cantonese songs, and singers such as Leslie Cheung and Li Ming represent the first era of the Hong Kong music scene. In the 90s, with the economic prosperity and social openness, a large number of outstanding singers and works emerged in the Hong Kong music scene, such as Eason Chan and Joey Yung. Their songs come in a variety of styles, ranging from traditional Cantonese songs to pop rock and electronic dance music. In addition, the Hong Kong music scene has integrated Chinese and Western elements in its creation, forming a unique style. In the 21st century, with the acceleration of globalization and the development of the Internet, the influence of the Hong Kong music scene has gradually weakened, but there are still a number of excellent singers and songwriters.
3. The evolution of Taiwan's music scene.
Since the 80s of the last century, the Taiwanese music scene has been one of the important centers of Chinese pop. Luo Dayou, Li Zongsheng and other creators have created a precedent for Taiwan's popular **, and their works focus on social reality and human nature issues, which have received widespread attention and praise. Subsequently, with the rise of the entertainment industry, singers such as Qi Qin and Zhou Huajian became representatives of Taiwan's music scene, and their songs have beautiful melodies and soulful lyrics. In the 90s, many idol groups and singers appeared in the Taiwanese music scene, such as F4, Jay Chou, etc., and their works covered pop, rock, hip-hop and other styles. At the same time, the Taiwanese music scene has also begun to integrate the best elements of Japan, South Korea and other places in its creation, forming a diversified development trend. In the 21st century, the influence of Taiwan's music scene has gradually weakened, but there are still a number of excellent songwriters and singers.
The music scenes in the mainland, Hong Kong and Taiwan have experienced different development trajectories since the 80s of the last century, but a number of excellent singers and works have emerged. From rock to pop, from traditional to modern, these ** people and works represent the memories and emotions of an era. In the future, with the continuous progress of science and technology and the acceleration of globalization, the music scene in the three places will continue to develop and evolve, showing a more diversified and open style.